The difference being that there's a helluva lot more readily available material available to keep us busy than there was back in the day, plus the various fan films that toe the line much better with regard to what's come before. In other words, we no longer need Paramount for new onscreen material; it's now much easier to make our own (and in that respect, Roddenberry would be delighted, since he never trusted how Paramount viewed his brainchild).
Great, if you're satisfied with fan films, just cozy up to Phase II and be done with it. I like them too, but the thought of that being the only Trek out there depresses the hell out of me personally.
And those numbers would be great if they weren't just some stuff you made up.As for expense, with a high water mark of $1 million an episode, we're talking 150 episodes, with the ability to adjust the writing and format as you go along to respond to however the audience responds. And if James Cawley has shown nothing else, he's shown you don't need a million bucks to maintain some pretty good production standards, especially not with today's technology.
From Variety:
Yep. $1.7 for My Name Is Earl. $2.8 Million for your AVERAGE hour-long drama. Trek would be on the high side of that with all the effects you'd need. Not to mention the article cites $10 million marketing campaigns needed for new shows. This article is two and a half years old. It's more expensive now. Trek on TV is a bigger risk than this movie when you consider the potential returns of a major motion picture versus a show.sources estimate the average cost of a first-year drama rose from about $2.4 million per episode in 2004 to $2.8 million this year. You can see it on the screen, whether it be the massive set-within-a-set on "Studio 60 on the Sunset Strip," James Woods headlining "Shark" or "Jericho" staging a nuclear apocalypse.
Even the few sitcoms on the air come with bigger pricetags, as networks gravitate toward more single-camera comedies like "My Name Is Earl." Because of the method of production, they cost $1.5 million to $1.7 million per half-hour, as much as 35% more expensive than a multicamera comedy.
Also, James Cawley has done something remarkable. But what is his output? 5 episodes over almost as many years? Clearly not the same thing as an actual TV show.