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I'd forgotten how little the Tholians are in "The Tholian Web."

I want another bite of the apple: the web starts out with this ungodly huge circumference, but as it is being built it contracts. The shrinking of the web causes the energy filaments to continuously become denser and stronger. By the time it shrinks to be within weapons range, it is phaser-proof. And if the Tholians want, as a coersive threat, it could keep right on contracting until it crushes the captured ship like Apollo's "hand" force field would.
A good retcon. Shame that this concept was not developed in the script.
 
"City on the Edge of Forever" is one of TOS' very best titles, Harlan Ellison was traditionally great with titles. In the original script, it referred to a city visible on the horizon on the Guardians' planet, but it also refers to New York City in 1930, which is a focal point in time. The double meaning was lost in the final episode, because there was no city on the Guardian's planet, only ruins around the Guardian, but it's still a beautiful and poetic title, unlike "The Tholian Web," which is perfunctory at best, and not even as intriguing-sounding as "The Corbomite Maneuver."

When I was a kid I assumed the ruins were what was left of a city, it never occurred to be at the time (so I didn’t consider it for the next 45 years) that it was also referring to NYC - oops...

Now I like that title even more.

they have balls to attack such a large opponent with such a small vessel.
I believe the preferred nomenclature is “crystal spheres”.
 
City On The Edge of Forever was a great episode, culminating with Kirk's grief at the loss of Edith and someone who had really gotten under his skin! It would have been marvellous to see Joan return as Edith in Generations but well...! :weep: The BBC always showed this episode third in their run for some reason! :wtf:
JB
 
I want another bite of the apple: the web starts out with this ungodly huge circumference, but as it is being built it contracts. The shrinking of the web causes the energy filaments to continuously become denser and stronger. By the time it shrinks to be within weapons range, it is phaser-proof. And if the Tholians want, as a coersive threat, it could keep right on contracting until it crushes the captured ship like Apollo's "hand" force field would.
A good retcon. Shame that this concept was not developed in the script.
Yeah. I like this concept, but I'd like it a lot more if it was in the script. :)
 
I'd forgotten how little the Tholians are in "The Tholian Web."
Thus inspiring a little nonsense:

One little, two little, three little Tholians,
four little, five little, six little Tholians,
seven little, eight little, nine little Tholians,
ten little Tholian - whatevers
 
...:wtf: "City on the Edge of Forever" is one of TOS' very best titles, Harlan Ellison was traditionally great with titles. In the original script, it referred to a city visible on the horizon on the Guardians' planet, but it also refers to New York City in 1930, which is a focal point in time. The double meaning was lost in the final episode, because there was no city on the Guardian's planet, only ruins around the Guardian, but it's still a beautiful and poetic title, unlike "The Tholian Web," which is perfunctory at best, and not even as intriguing-sounding as "The Corbomite Maneuver."

When I was a kid I assumed the ruins were what was left of a city, it never occurred to be at the time (so I didn’t consider it for the next 45 years) that it was also referring to NYC - oops...

Now I like that title even more.

I always assumed that the title city was New York City since it was a vital cusp in history.

... The double meaning was lost in the final episode, because there was no city on the Guardian's planet, only ruins around the Guardian....

In "The City on the Edge of Forever":

(The landing party is Kirk, Spock, Scott, Uhura and two security guards. Among remains of fluted columns and fragments of Greek-style buildings is an irregular dough-nut shaped object with lights in it.)
KIRK: These ruins extend to the horizon. Begin recording.
UHURA: Recording, sir.
SPOCK: And of considerable age. On the order of ten thousand centuries old.

On any habitable planet, ruins extending to the horizon indicates a settlement large enough to be considered a city. So dialog in the script establishes that there is a ruined city around the Guardian of Forever.

The title of this episode refers to both the dead city on the time planet and New York itself, where the timeline will either be restored or disrupted. In Ellison's original script, Kirk, upon first seeing the city sparkling like a jewel on a high mountaintop, reverently says it looks like "a city on the edge of forever". In Ellison's first treatment for this episode, the city they traveled back in time to was Chicago.

https://memory-alpha.fandom.com/wiki/The_City_on_the_Edge_of_Forever_(episode)

Watching the episode recently, I have noticed in some shots a line of structures in the background, a line of vertical structures with a hortizontal thing running along their tops. It looks like it could be part of the columnade of a ruined Greek temple, or a Roman aqueduct, or maybe a modern building with a large horizontal section extending over and between between two vertical sections.

I don't know if this building on the distant skyline was in the original episode or is a change in the remastered version.

Here is some information about the remastered version:

Remastered informationEdit
"The City on the Edge of Forever" was the fifth episode of the remastered version of The Original Series to air. It premiered in syndication on the weekend of 7 October 2006 and featured new effects shots of the Enterprise and the time planet from space, a slightly tweaked pan up from the planet's surface, an enhanced disintegration effect as Rodent accidentally sets off McCoy's phaser, cleaned-up mattes and static effects in the tricorder insert shots, and eliminated the freeze-framing over the end credits.

With regards to some of the new updates, Rossi stated, "For instance, in "City on the Edge of the Forever," there's a line where Captain Kirk says, "'These ruins extend to the distance.'" So we extended that shot into a 16:9 aspect ratio and created all these wonderful ruins." [15](X)


But either way, the existence of the ruined city around the time portal, or Guardian of Forever, is sufficiently established. That city exists in Star Trek canon.

And today I thought that a city surrounded the Guardian of Forever would really be existing on the brink of disaster or "the Edge of Forever". All it would take would be one inhabitant accidentally or deliberately going though the Guardian to the past of the city to create changes that would unmake it, prevent it from ever existing.

And we also see that parts of the city extend right up to the edge of [the Guardian of] Forever.
 
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Harlan Ellison said he wanted the Guardian to be surrounded by runes, but this was misheard (by Matt Jefferies or a producer or someone) as ruins. So the set was built with ruins, which was an accident but in my view an improvement. Who goes around using the word "runes" without explaining it? Kirk's line about ruins in the transcript must be from the Roddenbery re-write, which of course is what got filmed.

I either got that from Harlan doing a youtube video, or possibly a Starlog interview in print.
 
Harlan Ellison said he wanted the Guardian to be surrounded by runes, but this was misheard (by Matt Jefferies or a producer or someone) as ruins. So the set was built with ruins, which was an accident but in my view an improvement. Who goes around using the word "runes" without explaining it? Kirk's line about ruins in the transcript must be from the Roddenbery re-write, which of course is what got filmed.

I either got that from Harlan doing a youtube video, or possibly a Starlog interview in print.
That story is rubbish. :) I've read Ellison's script drafts. And the staff rewrote the script mightily after that, so Jefferies and Co. wouldn't have been working off Ellison's descriptions anyhow.
 
Didn't Matt Jefferies skip COTEOF because of illness, anyway? I believe that his assistant (blanking on his name & I don't feel like searching for it at 2:30 in the morning) did the production design on the episode.
 
Then again if she had of appeared even in one or two scenes then Kirk would have known that this was either his fantasy or the after-life as he must have remembered her demise back in 1930! :techman:
JB
 
That story is rubbish. :) I've read Ellison's script drafts. And the staff rewrote the script mightily after that, so Jefferies and Co. wouldn't have been working off Ellison's descriptions anyhow.

The Ellison story I heard, it was told probably 40 years after the fact. So his mind might have filled in some blanks, or he might have been joking. I'll bet he was joking.
 
The Ellison story I heard, it was told probably 40 years after the fact. So his mind might have filled in some blanks, or he might have been joking. I'll bet he was joking.
Ellison's "city" was on a far off mountaintop. The only details he ever gives of the area where the time "Vortex" stands is that it's set in a "rocky defile" and the Guardian(s), which start as humanoid figures and end up as some vaguely defined object/entity left to to the production to design. There are no ruins or runes or whatever. :)
 
Since we've moved from little Tholians to City, does any one know who wrote the line:
A question. Since before your sun burned hot in space and before your race was born, I have awaited a question.

I always thought that line was really good. One of the best of the series.
 
Since we've moved from little Tholians to City, does any one know who wrote the line:
A question. Since before your sun burned hot in space and before your race was born, I have awaited a question.

I always thought that line was really good. One of the best of the series.
Ellison.
 
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