The writers of the film are like Kirk. They changed the rules.
"You coming back in time and changing history? That's cheating."
The writers of the film are like Kirk. They changed the rules.
Second, I really do think the "unified timeline" theory makes the most sense in terms of the movie's own strict logic, and, as a geeky canon freak, I'm going to argue for it for that reason alone.
"A trick I learned from an old frield."The writers of the film are like Kirk. They changed the rules.
"You coming back in time and changing history? That's cheating."
I think he means that the timeline is overwritten, rather than splitting.Second, I really do think the "unified timeline" theory makes the most sense in terms of the movie's own strict logic, and, as a geeky canon freak, I'm going to argue for it for that reason alone.
I get where you're coming from, but it actually doesn't, and this is obvious.
- Vulcan is destroyed in the new reality, whereas we see it clearly several times throughout TOS, the movies and TNG.
- Kirk went straight from the Academy to command of the Enterprise during the course of the new movie, whereas in TOS, it is well established that he served on a number of other vessels at different ranks and positions, including an encounter with a di-coronium cloud creature which returns in "Obsession".
No theory can ever change these established canon facts.![]()
I think he means that the timeline is overwritten, rather than splitting.Second, I really do think the "unified timeline" theory makes the most sense in terms of the movie's own strict logic, and, as a geeky canon freak, I'm going to argue for it for that reason alone.
I get where you're coming from, but it actually doesn't, and this is obvious.
- Vulcan is destroyed in the new reality, whereas we see it clearly several times throughout TOS, the movies and TNG.
- Kirk went straight from the Academy to command of the Enterprise during the course of the new movie, whereas in TOS, it is well established that he served on a number of other vessels at different ranks and positions, including an encounter with a di-coronium cloud creature which returns in "Obsession".
No theory can ever change these established canon facts.![]()
I've been trying to tell people that for years! Crosstime Theory is so cool. It dispenses with Grandfather Paradoxes. You can't kill your own grandfather because you can't travel within your own timeline - see how that solves a huge problem right away?In the Crosstime Theory, there is no time travel as we understand it. All time travel is actually dimension travel. You cannot go forward or backward in time, only sideways. You can, however, go sideways at an angle, landing in earlier or later points of alternate timelines. (See the Star Trek Enterprise two-part episode Through A Mirror Darkly. ALL time travel works like that.) When a time traveller sees history change, this is an illusion. The time traveller is actually being shunted into a different timeline...
The timeline could be overwritten a hundred billion times per second, and nobody would ever be the wiser. It could be happening to us right now.
Not criticizing, just nitpickin'! :P I'm actually a bit of a fan of Crosstime Theory myself, though I think I would avoid it as a writer because it junks so many good drama opportunities.
The timeline could be overwritten a hundred billion times per second, and nobody would ever be the wiser. It could be happening to us right now.
...although, when speaking of time travel, "a hundred billion times a second" is a phrase of questionable value.
Time travel is the biggest drama killer imaginable! I respect sci fi writers who forge ahead with it, even knowing how tough it's gonna be (not all of them realize the dangers and many fall right into the obvious traps, which can just flat out destroy shows - ENT and Heroes being two more recent victims).I'm actually a bit of a fan of Crosstime Theory myself, though I think I would avoid it as a writer because it junks so many good drama opportunities.
The fact is all realities exists in the tenth dimension, our storytellers just dropped us in the one that they wanted us to see and participate in.
The main "successful" ways I've seen time travel done are:
1. Predestination, dammit! Twelve Monkeys, Lost. You can't change a single frakkin' thing, so there are no logic problems. If the story is short enough and/or the characters compelling enough, the fact that the story is a foregone conclusion doesn't cripple anyone's interest. You lean on the action, angst and concern about favorite characters to keep everyone interested.
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