I think the recommendation to start with a more recent one and work backwards is a good idea, as the older ones might seem slow and old-fashioned to a 007 newbie.
My votes would be
Casino Royale a good intro for someone from the Bourne/ 24 era
Goldeneye - although relatively recent, it's very much a classic Bond, putting all the ingredients in (then shaking, not stirring, hohoho) and provides an interesting contrast with CR in how to relaunch the series and introduce a new Bond. One going for a totally new approach, the other picking the best bits and pieces from a classic formula
The Living Daylights - I personally prefer Dalton's second and final Bond movie, Licence to Kill, but TLD is more of a Bond movie; LTK may seem like a generic 80s action movie. I think a Dalton film should follow the Craig and Brosnan ones - he's in some ways like a prototype cross between those two incarnations of 007.
Goldeneye - the definitive Bond movie. Nuff said.
Dr No. End with the beginning, as Quentin Tarantino might say. I know a lot of people might vote for On Her Majesty's Secret Service, but I think your b/f ought to see Connery's introduction, his first 'the names Bond ... James Bond' and Ursula Andress rising from the sea.
If you can fit in one more, then go for OHMSS, for the sake of completion, try and get in a Moore effort, either The Spy Who Loved Me (in some ways as important a template for later 007 as Goldfinger was) or For Your Eyes Only. Probably better to go for TSWLM - if he's already seen a Craig and a Dalton movie, may as well give him some escapism instead of grit.
Happy viewing.
you put goldeneye twice. presumably the second time should say 'goldfinger'?
oh I know and he hasn't even watched Star Trek besides the Abrams movieA male who hasn't seen any James Bond movies? That's got to be pretty rare in the US.or Stargate Sg-1
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Whatever you show, do it in order by year. Maybe show six Bond movies -- one from each actor. I guess Moore's best would be... Live and Let Die?
Dr. No, From Russia With Love, and Goldfinger are considered more spy noire than the rest of the Bond flicks, as they were intended to be more straight-up adaptations of the novels. When Thunderball came along, then Bond transformed into a cinematic action hero.
I definitely think that any Bond movie fest must include one of these, with that knowledge. It's really a whole other style of movie.
OHMSS is the first real solid combination of the action hero/spy noire genre that we see in the series. The Living Daylights is another example of this, and while it is very true to the short story of its name, it also gives a cinematic picture of the late Cold War in the Soviet Satellite countries.
The Pierce Brosnan movies, much like all of the post Man with the Golden Gun Moore flicks, are really big budget, implausible, cheap sci-fi-esque crap.
If I were you, I'd be showing Dr. No, On Her Majesty's Secret Serivice, Live and Let Die, The Living Daylights, and Casino Royale.
Whatever you show, do it in order by year. Maybe show six Bond movies -- one from each actor. I guess Moore's best would be... Live and Let Die?
No, that was his worst. His best was Moonraker. Then The Spy Who Loved Me, then The Man With The Golden Gun. Of all the Bond actors, Moore has the singular distinction of both coming in, and going out on bad films. Although, even A View to a Kill was better than Live and Let Die. Ugh.
Whatever you show, do it in order by year. Maybe show six Bond movies -- one from each actor. I guess Moore's best would be... Live and Let Die?
No, that was his worst. His best was Moonraker. Then The Spy Who Loved Me, then The Man With The Golden Gun. Of all the Bond actors, Moore has the singular distinction of both coming in, and going out on bad films. Although, even A View to a Kill was better than Live and Let Die. Ugh.
What's wrong with a Live and Let Die?
I would agree that Bond's tend to go out on less than stellar entries (except Lazenby who went out on a high, and maybe Dalton)
No, that was his worst. His best was Moonraker. Then The Spy Who Loved Me, then The Man With The Golden Gun. Of all the Bond actors, Moore has the singular distinction of both coming in, and going out on bad films. Although, even A View to a Kill was better than Live and Let Die. Ugh.
What's wrong with a Live and Let Die?
I would agree that Bond's tend to go out on less than stellar entries (except Lazenby who went out on a high, and maybe Dalton)
I just hate stories revolving around weird voodoo shit.
But since you mention Dalton, I gotta say, unlike Moore, he didn't make a bad movie. The Living Daylights was his best (and the best Bond movie in creation), but Licence to Kill was good too.
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