More shots of Godzilla rising/swimming, and MUTO walking, can be seen in this 3D video:
[yt]https://www.youtube.com/watch?v=AuAkTsbw1Ww[/yt]
[yt]https://www.youtube.com/watch?v=AuAkTsbw1Ww[/yt]
Much as I'd like to read it.... no. No more spoilers from here on out. I've already done enough damage.
The British director added, “So the idea that you have these beautiful rain forests and within it is this big scar, this quarry—because we’re trying to take from the planet and through that action, we uncover this demon—felt very appropriate.”
He revealed, “There was a scene that didn’t make it to the movie but it’s in Tagalog, with translation, where a dying man talked symbolically about how people came, raped the earth and scarred her flesh and now she has given birth to a demon. Man versus nature is a big theme within the film.”
Gareth told me that this sequence will be restored in the movie’s DVD and Blu-ray disc version. He does not remember the name of the actor who played the dying old man. He said that Tagalog-speaking actors were flown from the US mainland to the set in Hawaii.
I hate when they cut things from movies that feel like they should have kept it and then leave things in that make me go "The movie is 90 minutes too long".
Oh my god! They cut Akira Takarada!
You bastards!
Source: http://screenrant.com/godzilla-interview-gareth-edwards-deleted-scenes/There’s lots, to be honest with you. When you make a film there are many, many scenes and a lot of my favorite little ideas or shots are not in the movie because you’ve got to think about it as a whole. From an emotional point of view, in terms of my love of Godzilla, the hardest thing was Akira Takarada, who was in the original films, did a cameo for us on day one. And it felt very appropriate at the time because he played an immigrations officer that welcomes Aaron’s character to Japan, and so it was like this perfect day-one first shot. And then when we constructed the film, like everything, basically there was a lot of pressure to get on with the adventure and get to the monster, you know, as soon as you can and things like this, and so lots of things came out of that part of the movie, lots and lots, and I hung on to that until the last second and it was still deemed by the screenings when we tested it that we had to get it shorter. And so that ended up having to go. Which is probably my biggest regret.
I will never understand modern Hollywood's insistence on fast pacing, its fear of losing the audience if they slow things down for even a minute. I mean, it's not like the audience can change the channel. These are people who have traveled a fair distance and spent a fair amount of money to sit in the theater. They've invested in being there. They're not going to walk out if things slow down for a few moments.
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