Lucas probably couldn't direct an actor out of a room full of lollipops, but the camerawork is as good as anything filmed in the last 25 years.
Then I strongly suggest you watch more movies, and that is all I have to say.
Lucas probably couldn't direct an actor out of a room full of lollipops, but the camerawork is as good as anything filmed in the last 25 years.
The prequels may have had epic script and plot woes, and Lucas probably couldn't direct an actor out of a room full of lollipops, but the camerawork is as good as anything filmed in the last 25 years.
A lot of it is by the numbers. But a lot of it isn't. To say it was "barely directed" only shows your bias and lack of originality.
Also, there's nothing wrong with keeping it simple. The vast majority of all conversational frames in film are shot-reverse-shots. So the fuck what? Flair doesn't always beget quality.
No thanks. I've got better things to do.Then I strongly suggest you watch more movies, and that is all I have to say.
If we were to list every piece of visual trickery as a "special" effect then we'd have a ridiculously large criteria as cinema is visual trickery. It's a picture that looks like it's moving.
A composite shot with a screen image, or a composited sign above a shop or bar, doesn't really count as a special effect these days. No more than editing does. Cutting from one scene to another is a visual effect. It is hardly a "special" effect in 2013.
In vernacular usage, maybe, but that's frankly rather insulting to the talented visual artists who put a lot of effort into creating effects that, if they do their jobs well, we'll never even realize they did at all.
Whether it's literally "special" or routine is completely beside the point and completely disingenuous. Formally, as I explained, they aren't even called special effects; those are live stage effects. What we're discussing are correctly called visual effects. And what's under discussion is whether the majority of movies use those techniques at all -- which, in fact, most of them do.
Also, and he can correct me if I'm wrong, but I don't think Belz is American.
I wasn't talking about sex, action and violence just who movies were marketed too and it was most definitely not teenagers.
In the 30's and 40's adult women were considered one of the most lucrative markets for film. Do you think that is still considered true today?
George Lucas is underrated and am I the only one who thinks that the Star Wars Prequels were not as bad as people have made it out to be.
Okay once again you keep telling me movies were exactly the same but which movies are you talking about?Who do you think you're targetting when you sell with sex, action and violence ? Women and the elderly ?
Depends how many times they buy tickets to swoon at Leonardo.
George Lucas is underrated
and am I the only one who thinks that the Star Wars Prequels were not as bad as people have made it out to be.
To say it was "barely directed" only shows your bias and lack of originality.
George Lucas is underrated and am I the only one who thinks that the Star Wars Prequels were not as bad as people have made it out to be.
Yea, agreed, no film is as bad as some make out the Star Wars Prequels to be.... am I the only one who thinks that the Star Wars Prequels were not as bad as people have made it out to be.
Okay once again you keep telling me movies were exactly the same but which movies are you talking about?
I am also not saying teenagers didn't go to movies,
Look up Woman's pictures, I am not talking about things like Titantic.
First off, please include the name of the person you're quoting, if you want me to know you're replying to me.
Second, I never said they were exactly the same.
Another thing I didn't claim. Mayhap you should read my posts more slowly.
Why exclude movies the box office returns of which women contribute greatly to ?
No, there are other people that are also wrong.George Lucas is underrated and am I the only one who thinks that the Star Wars Prequels were not as bad as people have made it out to be.
And maybe you shouldn't make assumptions.
But see I view the change to digital filmmaking as progress. As such, he advanced the medium like no one else.
Like no-one else? Seriously? More than the Lumiere brothers, Sergei Eisenstein, DW Griffith, or Orson Welles?
Lucas had the good fortune to work with a terrific, innovative special effects company. He had the luck of being the director of the movie their special effects sequences were placed in. To view him as not only a cinematic genius, but THE cinematic genius, is ludicrous.
THIS.
I'd take ENT S3 and ENT S4 over a huge chunk of Star Trek, so I must disagree. I think it's a damn shame ENT was cancelled, and in no way is this a satisfactory replacement.
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