In retrospect the foreign numbers are disappointing because more could have been done to prop them up. That's really the point of this thread, it was an opportunity lost, and that is always disappointing.
I have a feeling that if the local arms of Paramount in each country aren't convinced a certain film will be a hit, then they won't put as much effort into it, and there's little the parent company in the US can do if the cinemas don't book a certain film into enough screens, or put up the posters and cardboard standees, or order stock of the promotional lenticular drink cups, etc.
Sounds like Paramount UK didn't do very much, while the campaign here in Sydney, Australia, was pretty good. I assume Paramount US helped to foot the bill for the Sydney gala premiere - that wouldn't have been left only to Paramount Aust., but our distributors seemed to be confident the movie would do okay.
It's funny, there are Melbourne-based TrekBBSers here who complained bitterly that Melbourne "wasn't doing anything" to promote the film. Then I happened to spent a week in Melbourne last April, on vacation, and there were ST movie posters
everywhere I went, and all the new ST novels had been air-freighted into Melbourne bookshops. (Usually Simon & Schuster Aust. sea-freight the books, and they arrive three months after the US release.)
Back in Sydney, there were also posters everywhere in the time between gala premiere and opening night. The trailers ran on TV all the time, in some major prime time shows. I thought the promotion was excellent. But still, some people say they never saw any evidence of promotion.
The other day a local friend asked me when the new movie was finally coming out. ???????? Whaaaaaat?
He must have had his head buried in the sand - his only effort to find the new movie, it seems, was to look for a poster outside his local cinema each time he drove by. Somehow
he had managed to avoid noticing that the movie had been running
for eight weeks in almost every cineplex in Sydney? Plus
two stints at IMAX, where most screenings had the "House Full" signs out.
It's not as if this guy doesn't have an Internet connection. And he belongs to the same international email listserv as I do, and he was
surely noticing the reviews coming in from members around the world?
You can lead horses to water, but some are still gonna die of thirst. And no amount of advertising is gonna help them!
Argh! It is nothing to do with being negative. The argument I was responding to was that there was not much of a Trek fanbase outside the US. My point was that if the film was designed to bring in people entirely new to the "franchise", that would be irrelevant.
But "not much of a fanbase" would seem to apply to the US, too, then. Did you see the numbers of people who watched "Enterprise" in the US? The percentage of Australians who identify as ST fans is probably not that different to the percentage of US citizens who identify as ST fans.
How are you defining "the Trek fanbase"?
None of the ST movies have been made for "the fanbase". It really is too small a group, even in the US, to support a ST project. The most successful ST movies (and TOS in 70s syndication reruns, and TNG Seasons 3-7 in prime time first-run syndication) made their money by appealing to audiences way beyond "the fanbase".
The thing is: fandom is different today. The world is different. In the early 80s and until about 1995, the best way to find out news about forthcoming ST projects and conventions was to join a local club, or the Official Star Trek Club. "The fanbase" appeared to be more easily measurable. Since the late 90s, that necessity to be a part of organised fandom has decreased, as access to things like GEnie, Newsnet, the Internet, etc. People can be ST fans without having to make conscious decisions to join anything.
It was interesting to hear recently that "Starlog" magazine was folding, after all these decades, to attempt to rethink how to become more relevant in the 21st century. If it ever comes back, it certainly won't be a monthly magazine. More likely to be an interactive website with podcast inteviews or something.