Fan productions have a different set of economics than the television shows. They can never hope to make money from their endeavor or even make back the costs of production! So their need to save money is even more like that of the original series. Another difference is that that have much more time to complete their work. While a television production team has a few weeks to finish their work, fan productions have no deadline.
So why the continual use of time travel, the Guardian of Forever, or the Mirror Universe? For one, everyone's fan production is their pet project almost by definition. Their movie has to be EPIC. Since these are some of the most popular plot devices from Star Trek, they are also in the minds of most fans.
Furthermore, they allow a clever writer to save money. They use the least amount of sets. Writers can time travel to the present day, allowing use of neighborhoods and every-day objects as props. The Mirror Universe allows them to reuse their sets props and actors for both the hero and enemy ships. A Guardian of Forever and Enterprise bridge were already built by New Voyages, so they can be reused by other productions.
Thinking about OGAM led me to these insights. It makes a lot of sense to me, where a show like Enterprise would probably take down and build new sets quickly as production demands changed. So judging the new productions based on the professional shows is not really fair.
That said, they really need to polish their scripts and editing skills especially. The need for commercial space often makes Star Trek episodes concise. E.G. "Deja vu" instead of "Deja vu... all over again." I know everything was paid for out of pocket, but not everything shot needs to be in the show.
So why the continual use of time travel, the Guardian of Forever, or the Mirror Universe? For one, everyone's fan production is their pet project almost by definition. Their movie has to be EPIC. Since these are some of the most popular plot devices from Star Trek, they are also in the minds of most fans.
Furthermore, they allow a clever writer to save money. They use the least amount of sets. Writers can time travel to the present day, allowing use of neighborhoods and every-day objects as props. The Mirror Universe allows them to reuse their sets props and actors for both the hero and enemy ships. A Guardian of Forever and Enterprise bridge were already built by New Voyages, so they can be reused by other productions.
Thinking about OGAM led me to these insights. It makes a lot of sense to me, where a show like Enterprise would probably take down and build new sets quickly as production demands changed. So judging the new productions based on the professional shows is not really fair.
That said, they really need to polish their scripts and editing skills especially. The need for commercial space often makes Star Trek episodes concise. E.G. "Deja vu" instead of "Deja vu... all over again." I know everything was paid for out of pocket, but not everything shot needs to be in the show.