It's been a long time since I've started a thread in a Trek forum. I'd sort of become disillusioned with things around these parts. But I've been catching a lot of episodes from all series in syndication lately, and I just happened upon TNG's "Family" tonight.
What a magnificent piece of writing this is! I think it's probably Ron Moore's first truly awesome script. We get a really good idea of who Worf is when he's not defending his honour. We get a good look at Beverly and Wesley. And more importantly, I think it's the first time that we really get a handle on who Picard is. Picard's defined later on, but I don't think it's ever more clear than here.
It's easy to say, during the TV renaissance we're in during the 2000's that the easy choice should be to put Picard in his home town at some point. That was a less obvious choice in 1990. And then we're going to split the story three ways and there's going to be NO action. Pretty courageous indeed.
Whoopi saves the Worf story and Wil Wheaton's written a blog about how he phoned in his portion of the episode. I still ennjoy those parts though.
What really gets me is when Robert goads Picard into running away. And he stalks him, taunting him mercilessly about shit he'd rather forget. It's Picard as vulnerable; something the show had never attempted before.
And then they fight and Picard breaks the fuck down. I don't think that a Star Trek character, let alone an iconic captain was ever more human. Picard made his peace with the horrible shit that happened to him and found a friend in his brother.
Star Trek was never better than this, as far as emotional honesty goes.
What a magnificent piece of writing this is! I think it's probably Ron Moore's first truly awesome script. We get a really good idea of who Worf is when he's not defending his honour. We get a good look at Beverly and Wesley. And more importantly, I think it's the first time that we really get a handle on who Picard is. Picard's defined later on, but I don't think it's ever more clear than here.
It's easy to say, during the TV renaissance we're in during the 2000's that the easy choice should be to put Picard in his home town at some point. That was a less obvious choice in 1990. And then we're going to split the story three ways and there's going to be NO action. Pretty courageous indeed.
Whoopi saves the Worf story and Wil Wheaton's written a blog about how he phoned in his portion of the episode. I still ennjoy those parts though.
What really gets me is when Robert goads Picard into running away. And he stalks him, taunting him mercilessly about shit he'd rather forget. It's Picard as vulnerable; something the show had never attempted before.
And then they fight and Picard breaks the fuck down. I don't think that a Star Trek character, let alone an iconic captain was ever more human. Picard made his peace with the horrible shit that happened to him and found a friend in his brother.
Star Trek was never better than this, as far as emotional honesty goes.