I liked it. He brought a fresh POV to the movie & made me see some things about it in a new light. Not bad for a film I've seen dozens of times over the last 30 years.I liked the article but it actually didn't discuss a bunch of things I kind of wish it had touched on.
You could study Wrath of Khan as a portrait of different performing styles. Consider William Shatner and Leonard Nimoy, and a central paradox of their chemistry. Spock is the alien – a being who strives to rid himself of all emotion – but past a certain point, you notice how Nimoy is a much more natural performer, communicating so much with droll phrasing lilts and micro-gestures. Whereas the human Kirk is played by Shatner, one of Hollywood’s great experts in hyperbole. (Khan is Shatner at his most wide-eyed.) As a young actor, Nimoy learned the Method and idolized Brando; Shatner came up performing energetic Shakespeare. That doesn’t make one better nor one worse – the dissonance is the key – but it adds layers to their pairing. You associate Spock with explicit stiffness – he’s a freakingVulcan – but Nimoy’s acting is maybe more “cinematic,” eye-focused, while Shatner is more “theatrical,” full-bodied. (You may meet more people in your life who remind you of reserved, thoughtful Spock than boisterous, declamatory Kirk; some people think we elected Spock president in 2008.)
If, for some curious and profoundly unknowable reason, a filmmaker tried to makeWrath of Khan today, that filmmaker might consider this separation of protagonist and antagonist a problem to be fixed – might film lots of scenes with Kirk and Khan together, talking about their motivations, or just punching each other.
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