Here at the MacArthur in DC - not the "gala premiere" with the actors, but the public opening on the 7th - the audience was very loud for the first twenty minutes or so. Cheers for the Klingons, cheers for the first appearance of Spock, Kirk, and so forth.
It settled down. The big flight around the Enterprise was obviously too long and slow (not that fans didn't appreciate it), the V'Ger flyover was interminable. That the movie was neither dramatic or exciting enough to be a "hey, everybody, you have to go see this!" thing like Star Wars had been in the spring of 1977 was painfully obvious.
Harlan Ellison wrote a review of the movie in 1980 for Starlog or Future Life - I don't remember which, they were almost interchangeable in terms of format and style - in which he described the audience response to the movie when he saw it in terms that were very familiar to me - big initial excitement, ending with the audience filing out of the theater kind of talking low among one another and telling the folks in line out front "it's good...yeah, it's pretty good..." in tones that carried about as much concern as conviction.
The eventual numbers on the thing were supposedly something like 170 million, but at the time Variety reported its domestic gross in first run at about 56 million dollars - good, but not Star Wars numbers.
It settled down. The big flight around the Enterprise was obviously too long and slow (not that fans didn't appreciate it), the V'Ger flyover was interminable. That the movie was neither dramatic or exciting enough to be a "hey, everybody, you have to go see this!" thing like Star Wars had been in the spring of 1977 was painfully obvious.
Harlan Ellison wrote a review of the movie in 1980 for Starlog or Future Life - I don't remember which, they were almost interchangeable in terms of format and style - in which he described the audience response to the movie when he saw it in terms that were very familiar to me - big initial excitement, ending with the audience filing out of the theater kind of talking low among one another and telling the folks in line out front "it's good...yeah, it's pretty good..." in tones that carried about as much concern as conviction.
The eventual numbers on the thing were supposedly something like 170 million, but at the time Variety reported its domestic gross in first run at about 56 million dollars - good, but not Star Wars numbers.