Well, looks like spice and blood will flow.
With the exception of swapping out Margot Fenring's part for Irulan's spy-on-the-Harkonnens plot, the TV miniseries did a reasonably faithful adaptation of the novel that was not even slightly sleep-inducing.That's the dilemma, adapt it faithfully and risk putting some people to sleep or action it up and risk putting the fans into an angry furor.
Both ways can put me to sleep. lol Incessant action or droning on and on=ZZZZzzzzzz
A faithful adaptation is not the same thing as a good adaptation. That first mini was overall pretty turgid, and made some very questionable choices.With the exception of swapping out Margot Fenring's part for Irulan's spy-on-the-Harkonnens plot, the TV miniseries did a reasonably faithful adaptation of the novel that was not even slightly sleep-inducing.
I loved Irulan in the 2000/2003 miniseries, but it was a mistake to omit Margot Fenring.
It's the double-edged sword of filmmaking, filmmakers will have an easier getting an adaptation greenlit than an original project since with an adaptation, there is presumably preexisting popularity and therefore less of a risk. By the time the filmmakers have enough popularity of their own to convince studios that maybe their original ideas might have merit, they've become so well known for adaptations that everyone wants them onboard to adapt The Next Big Thing.Oh, no I didn't mean to imply that it did, Arrival, Blade 2049 and Dune are all fantastic movies, it's just that directors are a bit limited in their creative freedom when they have to stick to a preexisting source.
One of the observations I made many years ago is that for the most part, what Lynch got right, the miniseries got wrong (or inadequate), and vice-versa. The only exceptions are that both of them got the Bene Gesserit and Sardaukar wrong.A faithful adaptation is not the same thing as a good adaptation. That first mini was overall pretty turgid, and made some very questionable choices.
I'd rather see an adaptation keep to the spirit of the text, not just the literal text itself.
How can a desert be "completely open to interpretation"? Of course it could be set either in the Arctic or Antarctic regions of a planet that has permafrost and ice, since the definition of a desert depends on how much annual precipitation it gets, and not whether it's made of sand. But ice and snow still contain water, which is poison to sandworms. So it has to be set in a sandy desert.It's the double-edged sword of filmmaking, filmmakers will have an easier getting an adaptation greenlit than an original project since with an adaptation, there is presumably preexisting popularity and therefore less of a risk. By the time the filmmakers have enough popularity of their own to convince studios that maybe their original ideas might have merit, they've become so well known for adaptations that everyone wants them onboard to adapt The Next Big Thing.
Though in a case like Dune, though it has a pre-existing storyline, much of the world and its appearance is completely open to interpretation, so Villeneuve has more or less a blank canvas when it comes to creating the world of Dune that it's basically the next best thing to an original work from his perspective.
Actually, I really like that poster. It's infinitely better than the standard floating heads option that 95% of all movie posters do these days.Poster is out. Not quite as bad as the part one posters but nothing special. Rumour is the trailer comes out tomorrow but that's just a rumour from a "leak" site that everyone is repeating so....
But it could also be a good guess. Not unusual for the trailer to follow the poster, especially when it is already been made and screened.
https://twitter.com/dunemovie/status/1653429176878395394?t=WDaGLfFcmJoaYpaXwXx0Sg&s=19
I can't decide whether to reference Bender's fist pump at the end of The Breakfast Club, or the poster for Tron.
Why not all three?!I can't decide whether to reference Bender's fist pump at the end of The Breakfast Club, or the poster for Tron.![]()
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