I stand corrected. 

There's a difference?Not a matte not a matte not a matte not a matte not a matte!!! It's an on-set scenic painting.![]()
I gather Rogue One used on set set extensions and 2-D background ships. Just like the old days.Now that it's all done with computers, there really is no difference anymore, I guess.
Matte painter extraordinaire Rocco Gioffre (TMP, LaLaLand) clarified this for me. In "the biz" any painting added in post-production, whether it be matted or not (like a shot that includes no live action) is generically called a "matte painting". This often includes "glass shots" where a painting is placed between the camera and the set. Cycloramas and other painted backgrounds placed on set as a background or set extension (like the corridors) are "scenic paintings".There's a difference?(Even if there is, I'd say that per common usage for the average non-industry person, they're still both mattes.)
They used a cyclorama when filming the stop-motion AT-ATs for Empire Strikes Back. Since that wasn't really live action, does that make it a matte or a scenic painting? (Not trying to be a smartass, I'm genuinely interested in the distinction.)Matte painter extraordinaire Rocco Gioffre (TMP, LaLaLand) clarified this for me. In "the biz" any painting added in post-production, whether it be matted or not (like a shot that includes no live action) is generically called a "matte painting". This often includes "glass shots" where a painting is placed between the camera and the set. Cycloramas and other painted backgrounds placed on set as a background or set extension (like the corridors) are "scenic paintings".
Damn, Donny.
Did you do all of the screen graphics, as well? I wouldn't even know where to begin to recreate some of those.
Can't wait to see the hanger deck.![]()
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