Kinda partial to 1. If i had the tools to make an animation loop vid or gif, i'd cycle thru 1-3, but adding a cg/color wireframe based on the navigational graphic from Franz Joseph's Star Fleet Technical Manual.
Donny, I need to know - did you add the squeak to the TFF Captain's chair when it's shaken?
Play nice.Cheap joke...
Play nice.
Ohhhhh. Haha. Thanks for clarifying.That wasn't a jab at Firebird, I was criticizing the "Star Trek V" movie in general with that "cheap joke" with the squeak to the TFF center seat. Sorry for any misunderstanding.
Can you ask Michael Okuda to confirm the timing? He's pretty available on both Twitter and Facebook.For each animated CRT, I have to go through both movies, find all clips of the display I'm replicated, splice them together in a video file, and sync all those clips so that I can figure out exactly what the timing is for each loop.
I’m now in contact with Mike on a weekly basis; he helps me out when he can.Can you ask Michael Okuda to confirm the timing? He's pretty available on both Twitter and Facebook.
Here's a shot that kills the visual effect for sureThe animated CRTs weren't a bad choice for distance shots of the bridge. They do look good especially here. It was the close-ups that just kill the visual effect. Love your work on this Donny. Between the TUC bridge and this one, this one was my favorite of the two.
They wouldn't have been using regular off-the-shelf TV sets for that. You'd need ones that were specially rigged to match the frame rate of the movie camera (24 frames per second), otherwise you end up with flicker problems.I'm trying to imagine them going out to a Best Buy and cleaning them out of 15 inch TVs lol
At least with this particular bridge, they did a decent enough job trying to hide the fact the backlit panels were different than the screen ones. While they couldn't hide the recession of the screens, they matched the colors of the backlit plexis well enough.Here's a shot that kills the visual effect for sure
I dunno. I love having the CRTs, scan lines and noise and all. Just feels right, or at least more right here than it did when I tried it briefly for the Ent-E bridge. However, for these bridges, I have taken measures to have the option of all flat panels, btw. Will probably do that for depictions of non-canon bridges.
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They wouldn't have been using regular off-the-shelf TV sets for that. You'd need ones that were specially rigged to match the frame rate of the movie camera (24 frames per second), otherwise you end up with flicker problems.
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