You mean the show that was cancelled due to low viewership? And I like Enterprise.
If you can't get people to accept the show with Klingons, the Mirror Universe, Mudd, and Sarek and Amanda in the first season, T'Pol or Archer wouldn't have moved the needle at all.
The one that was heavily referenced in a reboot Blockbuster franchise multiple times.
BillJ -- and possibly some others -- don't want characters from other series appearing in Discovery.
This is going around in circles.
Welcome to the TrekBBS?![]()
You mean the show that was cancelled due to low viewership? And I like Enterprise.
If you can't get people to accept the show with Klingons, the Mirror Universe, Mudd, and Sarek and Amanda in the first season, T'Pol or Archer wouldn't have moved the needle at all.
You mean the show that was cancelled due to low viewership? And I like Enterprise.
If you can't get people to accept the show with Klingons, the Mirror Universe, Mudd, and Sarek and Amanda in the first season, T'Pol or Archer wouldn't have moved the needle at all.
It's been well established (in E2) that T'Pol could still be alive and kicking in Disco's time, so a cameo, would seem appropriate.
Michael could have been T'Pol's adopted daughter...Why? Beyond fanwank, what purpose would it serve?
The same purpose the cameos in the first episodes of TNG, DS9, and VOY, a send off.Why? Beyond fanwank, what purpose would it serve?
The same purpose the cameos in the first episodes of TNG, DS9, and VOY, a send off.
What isn't fanwank to you?So, fanwank.
What isn't fanwank to you?
was McCoy in TNG fanwank? Quark in Voyager? Picard in DS9? Zephram Cochrane in ENT?Stories that are built to be more than bad fan service.
Why? Beyond fanwank, what purpose would it serve?
Hmm. You make an interesting case for some Biblical symbolism here, and I can't just dismiss it out of hand, since although I admit I hadn't considered it before, giving two main characters the names "Michael" and "Gabriel" seems unlikely to be just a coincidence.In terms of allegory The Bible (or rather Dante and Milton's interpretations of the Bible) factor much more prominently than Alice's Adventures in Wonderland. But I think the story is meant to reflect religion as a whole...
Even if it did assert that, what of it? That's nothing new or insightful; Trek has always taken it as a given that traditional religious lessons are wrong. I think it's safe to suppose that the population of people who regularly read or watch SF already contains a far higher proportion of atheists than the general population.They invoke a prominent religious figure, send her through storylines echoing her counterpart all to ultimately assert all of the "lessons" those old tales are meant to teach are wrong...
Hmm. I honestly don't see it, so I'm genuinely curious. How so? (To my eye, Michael's circumstances in S1 are so painfully contrived that they stand apart from anything an ordinary person could relate to.)I think that Michael's personal journey involves a lot more trauma that is more relatable to current audiences.
Very well-put. While a story's plot should certainly be in service of a thought-provoking theme, it can't really accomplish that unless the plot itself actually comes together in a sensible way. None of DSC's plots really managed that.Also, I think, it was a theme that didn't really fit with the first season's arc, as it turned from a story of wonderous exploration to two(!) competing war story arcs, each with an overly simplistic ending.
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