BFD! Nobody except diehard fans on forums like this even understands what the concept "fanwank" means anyway, and even fewer actually care about it (or avoiding it). Just call it nostalgia. Nostalgia's not a bad thing. People like it.And [if they'd used the original Enterprise design] the accusations of fanwank would have increased by ten fold.
You know, this notion has been batted around all season, and initially I really resisted it, because, well, I really like the TOS era. I just have a lot more attachment to the 23rd century than to the 24th.A thought I've been batting around, would it have been better if this show were set in the 25th century? Then it can be Prime Universe with no continuity problems at all. Klingons look different? It's a century later, why the hell not? Advanced holographic communications? Yeah, a century later. Hell, you could more or take Disco as it is, but say it's the 25th century and nothing would change about the show other than Sarek and Harry Mudd...
People like the new design too.BFD! Nobody except diehard fans on forums like this even understands what the concept "fanwank" means anyway, and even fewer actually care about it (or avoiding it). Just call it nostalgia. Nostalgia's not a bad thing. People like it.
And, so what? Take a look at my immediately previous post. Nobody cares about what is or isn't "fanwank," or even about the word "fanwank," except (a small handful of) other fans.IMHO any use of an original-configuration Connie outside of TOS is nothing but fanwank.
Ok, let's use 'fan service' instead. It's the same thing. It's there purely to give existing fans an erection. Nothing else. The ship we got is still so recognisable that the casual viewer would have instantly known it was the Enterprise. Had they used the original version, the same casual viewer may even have laughed at its inclusion just because it would have looked so out of place with the rest of the show.Nobody cares about what is or isn't "fanwank," or even about the word "fanwank," except (a small handful of) other fans
Yeah, you got me there. It took me ages to work out what ship I was looking at.Instant audience recognition.
ENT also featured an original Connie, and guess what? That show killed the franchise, or at least put it into a good long coma.They sell. They make the show popular.
If they were to feature a constitution-class ship in Discovery, it was necessary.The redesign wasn't bad, true, but it certainly wasn't necessary.
Well the show has to be at least internally consistent. This is what ships look like in DSC. Again, using a sixties design would have stuck out like a sore thumb. Would Christian Bale tearing around in a Lincoln Futura in the Dark Knight films not have looked jarring?Personally, IDGAF what "looks like it belongs in the universe of Star Trek: Discovery." Who does? That (sub)universe is all of 15 episodes old,
Sez you.its "2017 FX and design language" were also uneven and more often than not ugly
Just like we knew what Klingons looked like before TMP.In that universe, we already know what the Enterprise looks like.
I do, because guess what show I was watching? I'd rather it looks like it belongs in that show, and not pull me out of it because they went with a jarring, archaic design.Personally, IDGAF what "looks like it belongs in the universe of Star Trek: Discovery." Who does?
ENT also featured an original Connie, and guess what? That show killed the franchise, or at least put it into a good long coma.
It was a response to lawman's comment that nostalgia "sells, makes the show popular", that's all.What does a snazzy, high-tech version of the TOS Connie in a 21st century Trek series in two of the most well-received episodes of modern Star Trek have to do with the failure of the last series to get renewed for a fifth season? I know you don't like the original Connie design and onscreen appearance but really, that doesn't wash as a reason why we need the 1701 to look like other DSC starships.
Which, thankfully, it doesn't. The creators had the good sense to leave her mostly intact as we knew her before.
I'd say they got three out of four. Maybe even 3.5.Using the original would've worked on several levels. Aesthetically pleasing design. Consistent continuity. Appeal to nostalgia. Instant audience recognition. These kinds of things make people happy.
Great explanation.Hate to burst anybody's bubble, but as an active, Original Trek Fan, when The Motion Picture came out, we were most definitely speculating about the "In Universe" explanation for the different looking Klingons.
Back 39 years ago, the most common thought was that they were just an offshoot of the Klingons Race that came into power during TOS.
(just like Humans don't all look the same).
That's why even though DISCOVERY'S Klingons are kinda-sorta stupid looking, I have no problem with them being part of the Trek Universe.
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Psst. It’s actually D-17, but the speaker was interrupted so to us, it sounded like D-7. Fixed and done.If I ignore the visual aesthetics of this show, I do not see an issue with the timeline. However, it's the visual aesthetics that are tripping me up. For example, the D-7 seen in "Choose Your Pain" If they had done what they had done with the Connie, by upgrading the look to a modern sensibility, I would not be balking. Instead, they created a whole new design and are telling me this is D-7. Uh, no.
Sigh. Same difference. You can argue that using the Enterprise in the cliffhanger at all was "fan service," but not that using any particular depiction of it was more or less so. And again, so what? Audiences don't care. It's a prequel... a certain amount of fan service is to be be expected. It comes with the territory. It's a prequel precisely so that it can leverage the affections fans have for the TOS era of the show.Ok, let's use 'fan service' instead. It's the same thing. It's there purely to give existing fans an erection. Nothing else.
People keep saying this. I simply do not believe it. There is no reason to suppose that viewers would point and laugh at the same version of the Enterprise they have all seen countless times over decades, on screen, in photos, in models and toys and Christmas decorations and geegaws. It's simply what the ship looks like. It's what it has always looked like, even when digitally remastered just a decade ago. If someone finds it laughable, that's not someone who's likely to be watching Star Trek at all, in any version.Had they used the original version, the same casual viewer may even have laughed at its inclusion just because it would have looked so out of place with the rest of the show.
Surely you're not positing cause-and-effect there? Those episodes were from the fourth season, which is almost universally recognized as ENT's best season, and were widely enjoyed at the time. Unfortunately the show had already dug its own grave during the previous three seasons, and ratings were too low to salvage.ENT also featured an original Connie, and guess what? That show killed the franchise, or at least put it into a good long coma.
You (and others) can keep saying this. What you can't do is offer any plausible rationale for why. At best you can offer speculative rationales based on the imagined demands of hypothetical "casual fans" who are supposedly too oblivious to notice differences in ship designs, yet somehow have strong preferences about them nonetheless.If they were to feature a constitution-class ship in Discovery, it was necessary.
Internal consistency is important, I agree. But it seems self-evident to me that what the show needs to be internally consistent with is the established look (and lore) of Star Trek. Unfortunately, the show has failed at that in numerous ways... or at least many viewers would argue so. Heck, that's what this whole thread is about. Bottom line, if there are inconsistencies between DSC and things that are familiar from established Trek history, then the problem lies with DSC, not with established Trek history.Well the show has to be at least internally consistent. This is what ships look like in DSC. Again, using a sixties design would have stuck out like a sore thumb.
That DSC's visual designs and effects are uneven and often ugly? Yes, I say that. I've been saying it since the first episode. I'm hardly alone in saying it. There are entire other threads devoted to discussing it, completely independent of any considerations of continuity.Sez you.
Batman Begins was clearly and unequivocally a reboot. It owed nothing to any cinematic version of Batman that had gone before. Were this the case for DSC, we wouldn't be having this discussion.Would Christian Bale tearing around in a Lincoln Futura in the Dark Knight films not have looked jarring?
I honestly don't know what to make of people who can look at the original U.S.S. Enterprise, and think the appropriate descriptor for it is "archaic" rather than "timeless classic."I do, because guess what show I was watching? I'd rather it looks like it belongs in that show, and not pull me out of it because they went with a jarring, archaic design.
If we didn't have the statements from the powers that be saying it's the Prime universe, would any of us even try to reconcile DSC with the rest? Going purely from what's shown, with new look Klingons, new Klingon ships called the Bird of Prey and D-7, loads of new lore, and a new-look USS Enterprise, would there be any question at all?Batman Begins was clearly and unequivocally a reboot. It owed nothing to any cinematic version of Batman that had gone before. Were this the case for DSC, we wouldn't be having this discussion.
Yup, because every Trek production to date has either been explicitly not prime due to time travel shenanigans, or prime by default. There's never been any suggestion otherwise. If TMP with its new Klingons, new enterprise, new uniforms etc can be prime without anyone explicitly saying so, then so can DSC.If we didn't have the statements from the powers that be saying it's the Prime universe, would any of us even try to reconcile DSC with the rest?
I gave my rationale, you rejected it.What you can't do is offer any plausible rationale for why.
Yes, let's spend our multi-million dollar budget recreating a 1960s aesthetic for our cutting edge streaming show. After all, nostalgia sells.it seems self-evident to me that what the show needs to be internally consistent with is the established look (and lore) of Star Trek.
Other than the look of the Klingons though, did anything conflict as much as we see in DSC? TMP was a sequel, giving wiggle room with refits and years between it and the series. DSC is showing us conflicting versions of established things. Thanks to ENT's Klingon ships being the same as TMP/TNG/DS9 you can't say they're older versions of Klingon ships. They're indisputably swapout replacements, as is the new USS Enterprise.Yup, because every Trek production to date has either been explicitly not prime due to time travel shenanigans, or prime by default. There's never been any suggestion otherwise. If TMP with its new Klingons, new enterprise, new uniforms etc can be prime without anyone explicitly saying so, then so can DSC.
TMP was only 3 years between the events of TOS by some source. So, 3 years is enough time for Starfleet to adopt entirely new uniforms, new department coloring and logos, as well as strip the Enterprise down to it's keel and then build it back up?Other than the look of the Klingons though, did anything conflict as much as we see in DSC? TMP was a sequel, giving wiggle room with refits and years between it and the series. DSC is showing us conflicting versions of established things. Thanks to ENT's Klingon ships being the same as TMP/TNG/DS9 you can't say they're older versions of Klingon ships. They're indisputably swapout replacements, as is the new USS Enterprise.
"Errand of Mercy."Can anyone tell me what event from TOS Discovery is based on?
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