One thing I'm not sure about is how many of the writers, if any, were working on a version that had already been worked on by one of the other writers, or if they were all starting with the same set of pages by Roddenberry only. I'm not sure each new person brought in to work on it was even aware that others had been involved at various points. From a copyright perspective I'd expect that, for example, Michael Jan Friedman wouldn't have been given Walter Koenig's pages, because Koenig could say, hey, wait a minute, some of that's mine. But this whole chain of events didn't really happen in a particularly well organized way.
i should have tried to do a timeline for the God Thing page. It looks almost as if Friedman was working on it at around the same time as Susan Sackett was working on it. I wonder if I ever tried asking former Pocket editor Dave Stern about it. He might not have felt free to discuss the situation, but he'd be able to clear some of this up, if he remembers. He's on LinkedIn, if anyone wants to try asking him....
i should have tried to do a timeline for the God Thing page. It looks almost as if Friedman was working on it at around the same time as Susan Sackett was working on it. I wonder if I ever tried asking former Pocket editor Dave Stern about it. He might not have felt free to discuss the situation, but he'd be able to clear some of this up, if he remembers. He's on LinkedIn, if anyone wants to try asking him....
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