I've said this all before, but here goes:
-Martha did not get the best writing, and suffered from "Rose Fatigue", meaning that too much attention was given to the greatness of the former companion and that this detracted from Martha.
-Don't confuse the actress with the character. Actors and actresses don't decide their character arc, what their character says, not even what their character gets to express. They have to work within very strict confines of the script and direction. A strong actor still looks like shit with shit script and shit direction.
-Martha got her best stuff in the Family of Blood two-parter. Here she comes together as a great character, and she really shines. Sadly, this was pretty much it for her.
-You've likely got all the episodes memorized, so play this game: Take your FAVORITE companion and imagine them being FORCED to read Martha's lines. They can't change words, decisions, etc. They can only read her lines in their voice with their tones and inflections. Do you really think Amy/Rose/Donna/Whoever would suddenly make the Martha character much better? Now take your favorite companion and imagine Freema reading the lines. I think Freema could have pulled off a poor girl with pluck and spirit from the projects (Rose) or an loud mouthed bitch (Donna) just fine. Martha had poor writing, not poor acting.
-Martha did not get the best writing, and suffered from "Rose Fatigue", meaning that too much attention was given to the greatness of the former companion and that this detracted from Martha.
-Don't confuse the actress with the character. Actors and actresses don't decide their character arc, what their character says, not even what their character gets to express. They have to work within very strict confines of the script and direction. A strong actor still looks like shit with shit script and shit direction.
-Martha got her best stuff in the Family of Blood two-parter. Here she comes together as a great character, and she really shines. Sadly, this was pretty much it for her.
-You've likely got all the episodes memorized, so play this game: Take your FAVORITE companion and imagine them being FORCED to read Martha's lines. They can't change words, decisions, etc. They can only read her lines in their voice with their tones and inflections. Do you really think Amy/Rose/Donna/Whoever would suddenly make the Martha character much better? Now take your favorite companion and imagine Freema reading the lines. I think Freema could have pulled off a poor girl with pluck and spirit from the projects (Rose) or an loud mouthed bitch (Donna) just fine. Martha had poor writing, not poor acting.