I'd like to see it too. According to IMDB, Max Grodénchik (Rom) was also in a deleted scene as an alien ensign.
Check out the Deleted Scene entitled "Flirting" on the Bonus Disc that came with the Special Collector's Edition DVD. He is a Trill who tosses a crumpled up piece of paper at Riker and Troi. He appears right at the end of the scene.
Or you can watch it on YouTube here:
http://www.youtube.com/watch?v=xMk_EI3Hvmw
This is the movie's biggest problem IMO, DS9 was an epic series, and to not capitalize on this was a huge mistake, and this lack of confidence and joined-up thinking was clearly a symptom of the waning of the franchise as a whole at the time.
Quark wanted to set up a facility for people to come to the ring world and benefit from the ring's health providing radiation, which is what a lot of fans (at least here) argue was what should have happen instead of attempting to collect them.The scene was filmed. Quark suddenly appears on the Bak'u planet out of nowhere and wants to sell them stuff. Or something. Apparently someone decided that it had absolutely nothing to do with the movie (which is true) and cut it.
The scene had everything to do with the movies. It revealed that the "secret" of the ring's benefits was already public knowledge. And it showed that Picard wasn't going to let anyone (other than the Baku) prosper from the rings.
They could have at least included the Jem'Hedar and the founders as the villains in Insurrection. They would've been more interesting than the boring S'ona.
The Founders strike a bargain with the Federation. They know how to extract the particles from the Baku planet to use for the whole galaxy. However doing so kills every living thing on the planet. Replace Ru'Afu with Weyun, the S'ona soldiers with Jem'Hedar soldiers, and voila. A movie that keeps the continuity of the series, while standing on it's own.
It doesn't settle well with Picard that The Federation is doing a deal with the Devil, so he enlists the aid of Worf, Dax and the Defiant. We learn that Admiral Dougherty is acting on his own, and now we also have a reason for Picard to go against orders, technically.
Have Worf fight the Jem'Hedar leader in the end, and not Picard. Leaving the Captain to do battle with his ship, and wits against Weyoun.
War! Starfleet is crumbling
under attacks by the ruthless
Dominion. There are heroes on
both sides. Evil is everywhere.
In a stunning move, the
fiendish Dominon leader,
Weyoun, has swept into the
Federation capital and
kidnapped Jaresh-Inyo,
president of the Federation.
As the Dominion Fleet
attempts to flee the besieged
capital with their valuable
hostage, the Enterprise leads a
desperate mission to rescue the
captive President....
This is the movie's biggest problem IMO, DS9 was an epic series, and to not capitalize on this was a huge mistake, and this lack of confidence and joined-up thinking was clearly a symptom of the waning of the franchise as a whole at the time.
Capitalize on a show that's ratings were less than half of the show that this movie was based on?
Of course there was a lack of confidence. They wanted a movie for everyone. Not the relatively few people invested in DS9.
Epic or not, TNG was the ratings king that they wanted to capitalize on. Obviously they didn't succeed, but it's pretty easy to see where they were at least coming from. This wasn't a DS9 movie. It wasn't even a Star Trek movie. It was a Next Generation movie. And, objectively, the DS9 story had no place in it.
It's not often I find myself disagreeing with T'Girl on anything here, but I must say that on this one occasion I must (regretfully) disagree.![]()
While I don't necessarily think I'd have preferred to have seen The Dominion War transferred to the big screen, on a basic level I can't agree with the statement that being smaller was a good thing. For all Star Trek's noble philosophical aims, rule one of making a big damn movie is that you don't "do" small-scale. And I think it is a big flaw of Insurrection, that, during the writing process, Berman and Piller actively pushed against the instinct to do an action packed follow-up in the vein of First Contact, and instead pitched a movie which was, in many ways, that movie's complete antithesis. It felt too small scale.
Insurrection is Star Trek to it's core, it's especially 'The Next Generation' to it's core... but it just isn't 'big' enough to be a movie script. And when you gotta sell tickets to survive, that's bad business sense.
It's not often I find myself disagreeing with T'Girl on anything here, but I must say that on this one occasion I must (regretfully) disagree.![]()
While I don't necessarily think I'd have preferred to have seen The Dominion War transferred to the big screen, on a basic level I can't agree with the statement that being smaller was a good thing. For all Star Trek's noble philosophical aims, rule one of making a big damn movie is that you don't "do" small-scale. And I think it is a big flaw of Insurrection, that, during the writing process, Berman and Piller actively pushed against the instinct to do an action packed follow-up in the vein of First Contact, and instead pitched a movie which was, in many ways, that movie's complete antithesis. It felt too small scale.
Insurrection is Star Trek to it's core, it's especially 'The Next Generation' to it's core... but it just isn't 'big' enough to be a movie script. And when you gotta sell tickets to survive, that's bad business sense.
So you don't applaud the creators for avoiding the easy way out of taking what they did in the previous money and simply making it bigger with new window dressings?
The fact that they looked at the movie and said "let's make the next one different, let's shift the tone right around" is a great one in the franchise market. They may have failed in the execution of that, but I'm happy to see they tried.
It's not often I find myself disagreeing with T'Girl on anything here, but I must say that on this one occasion I must (regretfully) disagree.![]()
While I don't necessarily think I'd have preferred to have seen The Dominion War transferred to the big screen, on a basic level I can't agree with the statement that being smaller was a good thing. For all Star Trek's noble philosophical aims, rule one of making a big damn movie is that you don't "do" small-scale. And I think it is a big flaw of Insurrection, that, during the writing process, Berman and Piller actively pushed against the instinct to do an action packed follow-up in the vein of First Contact, and instead pitched a movie which was, in many ways, that movie's complete antithesis. It felt too small scale.
Insurrection is Star Trek to it's core, it's especially 'The Next Generation' to it's core... but it just isn't 'big' enough to be a movie script. And when you gotta sell tickets to survive, that's bad business sense.
So you don't applaud the creators for avoiding the easy way out of taking what they did in the previous money and simply making it bigger with new window dressings?
The fact that they looked at the movie and said "let's make the next one different, let's shift the tone right around" is a great one in the franchise market. They may have failed in the execution of that, but I'm happy to see they tried.
It's not often I find myself disagreeing with T'Girl on anything here, but I must say that on this one occasion I must (regretfully) disagree.![]()
While I don't necessarily think I'd have preferred to have seen The Dominion War transferred to the big screen, on a basic level I can't agree with the statement that being smaller was a good thing. For all Star Trek's noble philosophical aims, rule one of making a big damn movie is that you don't "do" small-scale. And I think it is a big flaw of Insurrection, that, during the writing process, Berman and Piller actively pushed against the instinct to do an action packed follow-up in the vein of First Contact, and instead pitched a movie which was, in many ways, that movie's complete antithesis. It felt too small scale.
Insurrection is Star Trek to it's core, it's especially 'The Next Generation' to it's core... but it just isn't 'big' enough to be a movie script. And when you gotta sell tickets to survive, that's bad business sense.
So you don't applaud the creators for avoiding the easy way out of taking what they did in the previous money and simply making it bigger with new window dressings?
The fact that they looked at the movie and said "let's make the next one different, let's shift the tone right around" is a great one in the franchise market. They may have failed in the execution of that, but I'm happy to see they tried.
In this instance, I wish they had done that instead of what we got. It's not like it was even a massive shift in tone like The Voyage Home was is it? It just seemed to become... bland for want of a better word.
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