^ I think that was my favorite panel in the entire book. 

Bruce didn't go public. He went public by increasing Batman's profile...and as of issue six he's also dealt with people deciphering his identity by playing around message boards and introducing a whole bunch of disinformation online![]()
I'm glad he's admitted that to himself. The first step to recovery is acceptance.Grant Morrison has plans for Batman until he no longer wants to write the character, essentially DC told him do whatever you want. He said he has maybe two more years of Batman stories left...and at comic con last year he stated he hadn't told his "definitive" Batman story yet![]()
Well, even the rumored restart everything at #1 with new creative teams worries me. It took me at least 6 months of trying to get back into monthly comics. I don't want to have to go through trying to find good books again...
I think I'm in the minority, because I didn't dig Flashpoint that much. I understand that they had to set up the world, but for me, the rooftop scene was a big example of why they say, "Show, don't tell." They told us a lot about the world, but we saw very little of it. I would have rather had a few panels (at least) of each of these characters doing something and then the rooftop scene in issue #2.
How is that flood pattern supposed to work? How is Switzerland completely inundated when New Orleans still exists?
Also: "Asian Capital" and "Africa--Ape Controlled"? Maybe think about things before you put them on paper, guys.
How is that flood pattern supposed to work? How is Switzerland completely inundated when New Orleans still exists?
Also: "Asian Capital" and "Africa--Ape Controlled"? Maybe think about things before you put them on paper, guys.
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