Yeah, "like a CW show" is not exactly known has a high praise.
No you are correct--it is not. DC/CW has become both a direct criticism of the often immature, Aaron Spelling-esque "stories" and shorthand for an inferior TV series in general, and certainly not evocative of DC adaptations at their best, with the exception of
Black Lightning (as a complete series) and the first season of
Batwoman.
I have zero experience with the CW shows. I only know what I read here and other fan boards reading CW level shows and writing.
So, yeah. Take it up with them...
You are not in the wrong referencing fan boards, or other sources; getting past the usual social media head-butting, you will find serious analysis of the DC/CW series, and overall there's wide acceptance that most of the DC/CW series were/are terrible (with its Dollar Store knock-off version of
Crisis on Infinite Earths being a farcical wreck instead of coming anywhere near the majesty and drama of the landmark comic maxi-series) . The Gonzales interview (if accurate) --specifically one of his screening contacts comparing
Batgirl to a CW pilot is merely indicative of the general perception of a DC/CW series as not being very good--something no big budget superhero film should emulate.
So you're saying then that in entire history of movies, no studio has ever released a movie that people would consider worse than The Flash or Arrow pilots?
May's
Ishtar (1987) and Coppola's
One from the Heart (1982) were arguably as misguided and creatively challenged as DC/CW pilots (yes, even Coppola fell far off of the creative rails at that time), and for both being colossal critical and financial failures, one could say it would have been better off for the studios involved if they were not released, all things considered.
And that there is no way absolutely no possible a movie some people have compared to a CW show could be successful?
The DC/CW's reputation is not good; I'd only give
Black Lightning--the one and only great (complete) series ever associated with DC/CW--a chance to have some critical impact, as its powerful, sociopolitical plotting / message near-perfectly blended with the why of the Pierce family's lives and rich conflicts (as in establishing a compelling backstory that easily informed the main, present-day plots, which felt as if had real meaning for both characters and audience members. That said, its strength--that sociopolitical plotting--was so forceful that a movie would likely underperform, if recalling the reactions within DC/CW audiences--the undeniable resistance (and in some cases, resentment i've come across in public and on social media) to the series, as it was speaking a language completely different than the other DC/CW series they preferred.
To me for a movie to have to be hidden away like they're doing with this, it would literally have to be one of the absolute worst things ever in the entire history of cinema, and it doesn't sound like this was that bad.
That's why I pointed out that information will continue to trickle out; eventually, more individuals who attended the screening will make their opinion known, and from that, we may get a more formed view of
Batgirl's positives and negatives.