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DC Cinematic Universe ( The James Gunn era)

Your excitement and constant posting of stuff from the film played a part to, so for that I thank you!
:beer:
That's so nice of you to say. Thanks.

The thing is...Superman was the first fantasy character I discovered on my own. Mom used to read the Oz series to us at bedtime, and Milne's Pooh books and E.B. White's Stuart Little. But I'm pretty sure my first attempt to read anything to myself was around 1959 - and I know that's the point at which I discovered comic books.

Someone up the street had a classic "my kids have outgrown these, maybe your boys would like them" conversation with Mom and gave her a huge box of comics, some of which I learned later dated back to the mid-50s. So I'm reading years of Wayne Boring Superman comics, and scifi-ish Batman books where he seemed to have a different costume or new science gadget every issue, and all in whatever order I reached into the box and pulled out.

When I was six - maybe a bit too old for this - I used to take red and yellow poster paint and paint an "S" shield on an old tee shirt. Mom would throw it in the wash every few days, but the paint dyes left a shadow on the white fabric even after cleaning. I'd trace the same emblem over the ghost of the previous one, and off I went...to the general mockery of my peers, as I recall. :lol:

Superman was in my life nearly a decade before Star Trek existed - or for that matter, years before the Fantastic Four or Spider-Man.
 
Looks like we're getting very close to the point where I'm gonna have to bow out of the DC and Superman threads. Boooo!

Maaaaaaaan this is gonna be a long wait, and my chances of staying unspoiled are still probably about a thousand to one. :D
 
Pro and Con

Pro- It looks like a comic come to life with the bright colors

Con- It's too clean and looks like a TV show. I'm not saying go all Bay and Snyder on the lens filters but at least try to make it look cinematic



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I'm completely burnt out on Hollywood superheroes. I'm fed up of the, to me, formulaic approach they take, the same core beats and tone over and over again, the constant emphasis on the "super" instead of the "hero", on "might is right". It's all worn very thin for me. So have quippy, ragtag anti-heroes, a supposed "antidote" to normal superhero stories that now feel, to me, thoroughly overdone in their own right.

But then, I'm old-fashioned, and undoubtedly sentimental. I like heroes who care, heart, warmth, upbeat humour, a sense of fun and self-awareness, verisimilitude. That's why my favourite superhero flicks are the likes of Superman '78, the first two Sam Raimi Spider-Man films, and Big Hero 6. Christopher Reeve is my Superman, embodies the character for me, and his portrayal did a lot to define heroes for me.

That's undoubtedly a big part of why I reacted so very negatively to Man of Steel. I found it, to be blunt, a tone-deaf, lunkheaded mess whose pretensions to grandeur were completely undone by its inability to make any moment count. Another part is I've yet to enjoy any Snyder movie I've encountered; his narrative stylings really don't agree with me.

So, the idea of a Superman film written and directed by James Gunn, he who arguably did more than most to popularise ragtag antiheroes with the Guardians, whose Guardians 2 - in my opinion a badly misjudged film that learned all the wrong lessons from the success of the first - was a particular turning point in my disconnection from superhero flicks, and who has kept mining the ragtag antihero seam since, raised my brows more than a little. How could that possibly work? How could someone who's practically made a career out of undercutting sincere and emotional moments be a good fit for the Big Blue Boy Scout?

Well, I doubt many expected that Sam "Evil Dead" Raimi could deliver such a heartfelt rendition of Spidey, and if the fact the second Superman trailer left me with tears in my eyes is any guide, that madman Gunn has gone and pulled off the same magic trick. I'm not so fussed about the trappings - the briefs, the kiss curl, the John Williams - but am certainly happy to see them. I'm more interested in the spirit, and it seems it's actually, somehow, there, and in full, glorious colour.

I still have doubts, of course. They won't give up the fight that easy. But they're a lot quieter now. And even if Gunn's Superman doesn't work for me, I can always keep channelling my frustrations into my writing. Not getting what I want to see in superheroes? Then I'll just write what I want to see, and if others happen to like it, all the better. Seems healthier to me than ranting on the interwebs, at least.
 
Top Grossing Films of 1977

I don't know how many people remember now just how corny Star Wars seemed when it premiered, and how out of step it was with what folks expected from movies and what the American commercial film industry was delivering in those days. There's a lot left unsaid when people declare that Lucas "changed movies forever." Changed them from what?
 
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I don't know how many people remember now just how corny Star Wars seemed when it premiered, and how out of stop it was with what folks expected from movies
Not to everyone. It seems to be a generational thing. The boomer-silents I know personally don't appear to care for it at all.
 
No, it was the kids and teens of the 70s who embraced it, as well as 80s-era movies. Most of them would have been Gen-X or the tail-end of the Boomers - born in the early 1960s and later.
 
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With the early BO numbers for JP coming in strong, opening Superman only a week later is looking like a bad decision.
 
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