What would be the purpose?now that dc comics via warner brothers is part of netflix
imagine if netflix shows did crossovers with dc comics
What would be the purpose?now that dc comics via warner brothers is part of netflix
imagine if netflix shows did crossovers with dc comics
What would be the purpose?
Yes, because going to Paramount puts in the hands of some big MAGA people who are probably going to try to put a stop to anything that's hurt the big turd's fee-fees, and are probably going to turn everything else into anti-diversity, pro-Trump, hard core right wing conservative crap.
From what it says on Wikipedia it looks like Ted Sarandos is a Democrat, so there's at least a much lower chance of that shit with it going to him.
And on a side, yes I absolutely terrified of what the Ellisons are going to do to Star Trek, since it's probably one of the absolute most liberal franchises out there. Hell, the entire thing is based around diveristy, and different people working together to help each other, and there's nothing the MAGA douchebag, assholes hate more than that.
That's not how it works.for stranger things it would be how that lab in hawkings was part of a project by lex luthors father
or how netflix shows sandman and dead boy detectives are part of dc comics
Larry Ellison, if the stories are to be believed, has said if he gets control of Warner Bros-Discovery/HBO, he's going to replace several key positions at CNN with NewsMax and Breitbart people loyal to trump.
The purchase requires approval from all countries, including the US. If the US doesn't approve, the purchase is impossible. Since Trump is currently in charge, approval from the Trump-appointed regulatory body is required. Beyond that, it's already been said that Paramount will not let this go. This purchase has drawn criticism from Republican senators, as well as from Democratic senators due to the monopolization situation.
With Rush Hour 4 confirmed, I understand Paramount wants to bring back the Hollywood filmmaking of the 80s, 90s, and even 2000s. I have no problem with that. But I do have a problem with the fact that they're doing this by bringing back directors and actors who were accused of harassment and canceled under Trump's wing.Yes, because going to Paramount puts in the hands of some big MAGA people who are probably going to try to put a stop to anything that's hurt the big turd's fee-fees, and are probably going to turn everything else into anti-diversity, pro-Trump, hard core right wing conservative crap.
From what it says on Wikipedia it looks like Ted Sarandos is a Democrat, so there's at least a much lower chance of that shit with it going to him.
And on a side, yes I absolutely terrified of what the Ellisons are going to do to Star Trek, since it's probably one of the absolute most liberal franchises out there. Hell, the entire thing is based around diveristy, and different people working together to help each other, and there's nothing the MAGA douchebag, assholes hate more than that.
What about the guidance counselor?Yeah, Rush Hour 4 is one that I'll skip just on principal.
What I mean here is that they want to bring back the Hollywood film and TV mentality of that era: movies and shows where Black people were the comedic characters, women, especially Latina women, weren't the main characters, female characters were only the love interests of male characters, and Latina women were highlighted for their sexuality.I understand Paramount wants to bring back the Hollywood filmmaking of the 80s, 90s, and even 2000s. I have no problem with that.
What TV were you watching back then? This was, to put it in Trek terms, the era of Janeway and Sisko. Noncomedic black characters were not uncommon. Actors like Denzel Washington and Samuel Jackson were on the rise. Wil Smith became an action star and box office draw. In movies the 80s gave us Sarah Conner and Ellen Ripley. Which is not to say certain stereotypes didn’t persist, but it wasn’t as bleak as you’re painting it.What I mean here is that they want to bring back the Hollywood film and TV mentality of that era: movies and shows where Black people were the comedic characters, women, especially Latina women, weren't the main characters, female characters were only the love interests of male characters, and Latina women were highlighted for their sexuality.
What TV were you watching back then? This was, to put it in Trek terms, the era of Janeway and Sisko. Noncomedic black characters were not uncommon. Actors like Denzel Washington and Samuel Jackson were on the rise. Wil Smith became an action star and box office draw. In movies the 80s gave us Sarah Conner and Ellen Ripley. Which is not to say certain stereotypes didn’t persist, but it wasn’t as bleak as you’re painting it.
I was born in 1997, so I didn't see much of the '90s. But when I watch something from the '90s or 2000s, I usually encounter things like this. Most movies starring Will Smith and Samuel L. Jackson are filled with funny black characters, but as someone who also closely follows the Terminator and Alien series and watched a season and a half of Alias, I know there were movies and TV shows with female leads, but they were in the minority.What TV were you watching back then? This was, to put it in Trek terms, the era of Janeway and Sisko. Noncomedic black characters were not uncommon. Actors like Denzel Washington and Samuel Jackson were on the rise. Wil Smith became an action star and box office draw. In movies the 80s gave us Sarah Conner and Ellen Ripley. Which is not to say certain stereotypes didn’t persist, but it wasn’t as bleak as you’re painting it.
What TV were you watching back then? This was, to put it in Trek terms, the era of Janeway and Sisko. Noncomedic black characters were not uncommon. Actors like Denzel Washington and Samuel Jackson were on the rise. Wil Smith became an action star and box office draw. In movies the 80s gave us Sarah Conner and Ellen Ripley. Which is not to say certain stereotypes didn’t persist, but it wasn’t as bleak as you’re painting it.
Also, having watched all the Star Trek series, yes, there were some Star Trek shows in the 90s that featured a non-comedy black captain and female lead, but they were very few compared to other shows produced at the time.What TV were you watching back then? This was, to put it in Trek terms, the era of Janeway and Sisko. Noncomedic black characters were not uncommon. Actors like Denzel Washington and Samuel Jackson were on the rise. Wil Smith became an action star and box office draw. In movies the 80s gave us Sarah Conner and Ellen Ripley. Which is not to say certain stereotypes didn’t persist, but it wasn’t as bleak as you’re painting it.
I think so too.But we're getting off topic on DC James Gunn era talk
While I understand the kind of comedic characters you’re referring to, I just wanted to point out that it is possible to be both funny and awesome. Eddie Murphy was very funny in Beverly Hills Cop. He was also The Man.Black people were the comedic characters

true.While I understand the kind of comedic characters you’re referring to, I just wanted to point out that it is possible to be both funny and awesome. Eddie Murphy was very funny in Beverly Hills Cop. He was also The Man.
Lost opportunity costs.Um...what?! How does that make any sense, especially if the FCC prevents it?
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