I wonder what Klingon Scientologists would be like. Tom K'ruuz!
But, when comparing the sorts of stories and their relative impact, there is a hierarchy and a continuum.
The "story" of Jesus has more cultural, more tangible, practical impact than that of Dionysus, even in Greece, where the latter was worshipped for longer than the former. Dionysus is a figure of myth. Jesus is the founder of an ongoing faith. He is not a mythological figure despite his similarities to Dionysus.
Again, you're drawing a black-and-white distinction that ignores a wealth of historical and philosophical subtleties. It's the overlap, the ambiguity between history and myth, that offers endless possibilities for a storyteller exploring how cultures differ from one another in their way of looking at the world. And to me, that's the most fascinating part of writing science fiction, as well as the most fascinating part of studying history.
For all we know, the mythic figure of Dionysus may indeed have been based on some historic cult founder (and aren't you now contradicting your earlier argument, wherein you insisted that every myth was based on a historical reality?).
And there's actually some debate about whether Jesus really lived, at least in the generation he's supposed to have lived. All the gospels were written at least a generation after his supposed lifespan, and there are only one or two known extra-Biblical references to his existence (I think Tacitus mentioned him briefly once). There probably was a man who was the basis for our cultural-founder figure of Jesus Christ, but most of the specifics of his life as told in the Bible and folklore are mythologizations, in the same way that Washington chopping down the tree is. Many aspects of the Biblical account of Jesus's life appear to be adapted from the myths surrounding earlier, similar religious figures such as Mithras and Moses. (The gospel that tells of him being spirited away to escape the slaughter of the innocents is essentially a retelling of Moses's "origin story"; the writer of that gospel was probably intending to say that Jesus was the Messiah, the new Moses who would lead the Jewish people to freedom from their oppressors, by the allegorical means of inventing a biography that paralleled that of Moses. Contrary to what the Biblical literalists believe today, people in that culture had a tradition of favoring allegorical and symbolic writing over literal accounts. To them, the distinction we draw between "truth" and "myth" would have been baffling. They made stuff up all the time, and knew it, but to them the truth was in what the stories symbolized, not in their surface content.)
History and myth are parts of a continuum of human interpretations of the past, not mutually exclusive opposites. Our popular culture does tend to define the words in that way, but that's a simplistic misconception that falls apart on close analysis.
I neither elevate nor denigrate our position as Storytellers. I love us. We are talking about the difference between myths and faith, folk tales and fiction. As much as I love Star Trek and comics, their cultural influence, even on the aggregate level, is considerably less than the stories in the Quran.
You seem to think it's important to draw dividing lines and define the world in terms of opposites and hierarchical rankings.
What I'm saying is that different cultures can have very different ways of defining these things. You yourself acknowledge that the "influence" of figures like Zeus and Dionysus in past cultures was once comparable to the "influence" of Jesus in our culture. So what makes our perspective so much more fundamentally "truthful" than theirs?
We're just one more culture occupying one tiny slice of time on one portion of one little ball of dust in the cosmos. Who's to say what different opinions and definitions people 2000 years from now will have? Who's to say there won't one day be a church worshipping the divine Kirk and Spock and their prophet Roddenberry?
Only if you choose to take "Barge of the Dead" literally. The episode itself was at best agnostic on the issue, and to me its climactic scenes implied very strongly that B'Elanna's "visit" was merely a psychological manifestation. If she had really, literally been in some afterlife, then why was she suddenly seeing shifting visions of her crewmates repeating passages from her memory, and why was her mother dressed and behaving like Janeway? Come on, how Freudian can you get? It was a hallucination. Her mind was interpreting her inner turmoil through her culture's very powerful archetypes.
Just because beings exist that can perform feats resembling those of divine figures from myth, it doesn't remotely follow that all myths arise from such beings. It creates the possibility that a myth may have a basis in such a being, but possibility is not proof.
The mass of existing material, not to mention the intent of the creator of the Trek-verse, is that stories involving magic of any sort are based on actual events during which no magic was performed. This theme is repeated often enough to be considered a trope.
Again, that's drifting well away from the topic I was discussing. I don't believe in magic. What I believe is that it can be interesting to explore a culture's psychology and ethos through an examination of their symbols and archetypes. You and I are just not having the same conversation here.
And the society doesn't exist that sits down and calmly decides to believe in Olympus rather than Heliopolis.
Now you're just making up straw men.
I think you're actually continuing an ongoing argument you've been having with somebody else, because you aren't engaging the actual points I've made at all.
The ideas you're refuting and questioning just bear no resemblance to the ideas I've tried to raise, so they have to come from somewhere else in your experience. I feel like I'm becoming a spectator in a debate you're having with someone or something else. I don't think this is going anywhere constructive and I think we should just let it go now.
Given the great (if heated) discussion going on there, I'd very much like to see a duology where one book is by Geoffrey Thorne and the other by Christopher L. Bennett that covers some belief system inside the Trekverse from the vastly different perspectives of each. Such a duology would, if nothing else, make you think. And both would be quite interesting.
ETA: OH!! A flip-book perhaps?
We did see some of that in three of the Tales of the Dominion War short stories: "Twilight's Wrath" by David Mack, "Mirror Eyes" by Heather Jarman & Jeffrey Lang, and "Blood Sacrifice" by Josepha Sherman & Susan Shwartz.I've mentioned a couple of things before, but another thing that i would like to like to see is the Romulan outlook on the Dominion War. We've seen the Klingon in DS9 and through Klag's eyes, but we haven't seen anything Romulan. Perhaps Diane Duane could show us Rihannsu society through the DW to Nemesis. That would be cool
Did you realize that week's TOS Remastered was By Any Other Name when you asked about the Kelvans? If not then that was some really good timing.:thumbsup:
Mind explaining that to those of us who've never seen Blake's 7?
Mind explaining that to those of us who've never seen Blake's 7?
Mind explaining that to those of us who've never seen Blake's 7?
"If you wanted to sum up the relative position of Britain and America in this century - the ebbing away of the pink areas of the map, the fading of national self-confidence as Uncle Sam proceeded to colonise the globe with fizzy drinks and Hollywood - you could do it like this: they had Star Trek, we had Blake's 7... No "boldly going" here: instead, we got the boot stamping on a human face which George Orwell offered as a vision of humanity's future in Nineteen Eighty-Four." Hanks concluded that: "Blake's 7 has acquired a credibility and popularity Terry Nation can never have expected... I think it's to do with the sheer crappiness of the series and the crappiness it attributes to the universe: it is science-fiction for the disillusioned and ironic - and that is what makes it so very British."[
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