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Catastrophic TV cast departures

Linda Hamilton leaving Beauty and the Beast was the first catastrophic cast departure of my young TV viewing life. I just transfered my 20 year old VHS tapes to DVD, and couldn't believe the first two seasons were so good, and allowed on broadcast television in the 80s.
 
I actually never cared for Linda Hamilton much, and liked her replacement better. I also thought the show had gotten formulaic and contrived with the need to constantly put the Catherine-Vincent romance in one peril after another, and I found it refreshing that the third season moved away from that.

Still, I'm in the minority on that point, and I'll concede that the departure of Hamilton may well have been a direct contributing factor to the show's demise, though I think it might've had as much to do with the show's expense and the network's desire to save money.
 
Season two of War of the Worlds sorely lacked Ironhorse and Norton, but the extreme change in premise and direction would've killed the show anyway.
 
Season two of War of the Worlds sorely lacked Ironhorse and Norton, but the extreme change in premise and direction would've killed the show anyway.

That was a grave loss in cast terms, but again, the real catastrophe was in the change of showrunners. Sam and Greg Strangis, who developed the show, were let go and replaced by Frank Mancuso, Jr. It was Mancuso's decision to kill off the nonwhite characters, ignoring the fact that Ironhorse was the most popular character on the show. (And yes, I do think there was prejudice involved. Mancuso claimed he killed off Norton because a guy in a wheelchair wouldn't be able to function with the team losing their home base and going on the run, but the team moved into a new home base almost immediately and stayed there the rest of the season, so clearly the professed reason for killing Norton was a smokescreen. Also, Harrison Blackwood lost all his quirkiness and became just an ordinary guy. Not to mention the alien-looking aliens being replaced by ones who transformed their bodies to look like humans, all of them white. There was just a general pattern of homogenization, of expunging everyone and everything that didn't fit a certain mold.) If the showrunners hadn't been replaced, the cast wouldn't have been forced to change. And as you say, the change in premise and direction was badly damaging as well. (I'll never understand why Mancuso thought he could make the show more popular by making it relentlessly grim, ugly, and depressing.)
 
Boston Legal...the various change overs I think hurt the show dynamic and allowed Kelly and his writers to focus more on Shore and Crane which isn't neccessarily a good thing since I think their relationship was handled great in the first two seasons with the large ensemble.
With a David E. Kelley series, you have to expect a revolving door cast. It's just the way he works; he introduces new characters to see if he can get something interesting, and when he doesn't he replaces them with others. The Practice, at least until its final season, was an anomaly on his CV; the cast stayed stable pretty much throughout its run, with the only major blip being the Ron Livingston period.

As for Boston Legal specifically, the cast departures certainly were more pronounced than the Kelley norm; watch the first half of the first season as Kelley and Bill D'Elia are trying to figure out what works and what doesn't, and you'll see that the signature Boston Legal-ism -- the balcony scene -- doesn't turn into the episode capper until around episode five or six. The first season was a concerted effort to figure out what the series was; strangely, for a legal series, Kelley's plan was to never go in the courtroom. And, of course, Grey's Anatomy scuttled the back half of the first season, which led to episodes being reshot and restaged, or edited all to pieces, in the second as the extant footage allowed.

I'm not sure that the cast departures had a major effect, however. Yes, it's frustrating to see a character just up and vanish -- Lori and Garrett come to mind -- and departure of Rene Auberjonois at the end of the third season was unfortunate, but I didn't mind John Larroquette as his replacement in the ensemble. The misstep Kelley made, however, was in a cast addition with Jeffrey Coho in the third season. This is no criticism of Craig Bierko or his character -- I liked Coho a lot, and was miffed when he left to go back to the New York office -- but Kelley had a new toy on the table to play with, which he did, only Coho took the oxygen away from Alan Shore and Denny Crane. Rewatch the first half of season three, and their lack is palpable.

Yes, Boston Legal had a large, revolving door cast. But the show had a five year run, and in the final two seasons the cast was stable, as stable as it had been the two years previous, just with a different cast. The show's treatment had more to do with ABC's antipathy toward the series than any audience erosion due to cast departures. I'm not sure that I would call any of the casting changes with BL "catastrophic." Now, had Spader and/or Shatner left the series, there wouldn't have been any reason to watch.
 
What bugged me about the cast changes on Boston Legal, in the early seasons where I paid any attention to the show, was that Kelley started out with some really stunningly beautiful women in the cast and kept dumping them in favor of progressively less attractive women. I mean, when you start out with Rhona Mitra, it's hard to go anywhere but down.
 
Wow, someone defending DEK's scatterbrained cast revolving door. You know, he wasn't always like that.
 
The Dukes of Hazzard -- Bo and Luke being replaced by their clone cousins Coy and Vance.

V -- when they killed off the popular Martin, it sure backfired on them, so they had to bring the actor back as the brother, which is always stupid.

Sliders -- Once Jerry O'Connell was gone, what was the point?

Agreed!
Though I think 'V' was doomed when the Visitors lost that reverberation, and a lot of other stuff that went off course.
the Elisabeth character was another down fall.-
 
From what I've heard, Fuller's departure did indeed have a great deal to do with it. He was focused more on the character stuff that made the first season so good, while Jesse Alexander and Jeph Loeb, who've been mainly responsible for the direction of the show since then, are more interested in the big gimmicky story arcs and plot twists. Apparently they were let go because of that.
It sure looked to me that this season of Heroes was all about stringing one OMG KILLER PLOT TWIST!!! after another, and to hell with whether the story or character arcs connect one gimmicky moment to another in any sort of sensible way. But they were fired because the ratings crashed as a result - because the audience didn't feel like they knew these characters anymore, given the random illogic of their characterization - and didn't know where the hell the story was going. If their gimmickry had worked out in the ratings, no doubt they'd have been kept on. It's good to see bad writing on TV punished for a change, and a little bit amazing...

This makes me feel positive about the future, then. Here's hoping the ratings don't erode too badly this spring because even if Fuller restores Heroes to its former glory, audiences just don't give shows a second chance anymore. The competition from 24 makes me nervous. I have a hunch that show is coming back bigtime.
 
^ You didn't know. Heroes and 24 are crossing over this year. Tony Almeida is a long-lost Petrelli with healing powers. And Michael Dorn's character is challenging to become the next POTUS. :)
 
Edith Bunker - All in the Family
http://www.imdb.com/media/rm2339543040/tt0066626

James Evans Sr. - Good Times
http://www.imdb.com/media/rm2221774848/tt0070991


Sandy – Growing Pains
http://www.imdb.com/media/rm4285438464/nm0001612

Joyce Summers – Buffy the Vampire Slayer
http://en.wikipedia.org/wiki/Joyce_Summers


Tara MaClay- Buffy the Vampire Slayer
http://www.imdb.com/media/rm1486068224/tt0118276

Jenny Calendar – Buffy the Vampire Slayer
http://en.wikipedia.org/wiki/Jenny_Calendar


Chief Carl Kanisky - Gimme A Break!
http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=6486062
 
Season two of War of the Worlds sorely lacked Ironhorse and Norton, but the extreme change in premise and direction would've killed the show anyway.

That was a grave loss in cast terms, but again, the real catastrophe was in the change of showrunners. Sam and Greg Strangis, who developed the show, were let go and replaced by Frank Mancuso, Jr. It was Mancuso's decision to kill off the nonwhite characters, ignoring the fact that Ironhorse was the most popular character on the show. (And yes, I do think there was prejudice involved. Mancuso claimed he killed off Norton because a guy in a wheelchair wouldn't be able to function with the team losing their home base and going on the run, but the team moved into a new home base almost immediately and stayed there the rest of the season, so clearly the professed reason for killing Norton was a smokescreen. Also, Harrison Blackwood lost all his quirkiness and became just an ordinary guy. Not to mention the alien-looking aliens being replaced by ones who transformed their bodies to look like humans, all of them white. There was just a general pattern of homogenization, of expunging everyone and everything that didn't fit a certain mold.) If the showrunners hadn't been replaced, the cast wouldn't have been forced to change. And as you say, the change in premise and direction was badly damaging as well. (I'll never understand why Mancuso thought he could make the show more popular by making it relentlessly grim, ugly, and depressing.)

I cried like a baby when Ironhorse and Norton died. The show wasn't the same after that. Whoa, childhood flashback.
 
I'd have to say the Linda Hamilton one is the tops of them all. A juggernaut hit TV show just getting started and then, just like that, toast.
 
I nominate Serenity! I know this technically ain't a tv show but by killing Wash and Shepherd Book writer Whedon murders whatever chance Firefly had to return as a great tv show. Lame character deaths of great tv characters in this movie , just for the sake of a shock-jock stunts in his movie. Sometimes Whedon can do great tv but he has no idea about doing great movies.
 
I disagree, not wishing to derail this thread, Wash's death was one of the best deaths in conflict I've ever seen. Quick and pointless.

Back on topic, Anthony Edwards leaving ER sealed it for me. I don't think I watched any episodes after that.
 
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