No good reason they couldn't be all whites either, I mean, we are talking about a fantastical land, completely fiction, what if their race was all just one color?
No good reason they couldn't be all whites either, I mean, we are talking about a fantastical land, completely fiction, what if their race was all just one color?
There is a very good reason, which is that these are not just abstract characters, they're job opportunities for real live human beings. Excluding people from employment because of their race is not a good thing. If this were a radio adaptation or an animated film, there'd be no problem with making the characters all one ethnic type, because one could still cast voice actors without regard to race. (For instance, Phil LaMarr has not only played black characters like Green Lantern John Stewart and Hermes Conrad, but white characters like Gambit and Aquaman and Asian characters like Samurai Jack and the Earth King.) But a live action production is a different matter.
Very small. So small in fact, that he barely exists as a mentioned person (Gandalf describes him as a "cousin"). Technically speaking, he's only a character in The Lord of The Rings and The Silmarillion. But given how they're padding these films with additional storylines from the Appendices and such, there should be plenty for him to do.That's awesome news, but isn't Radagast's role in The Hobbit actually very small?
But if it doesn't make sense for the story, why should the story be changed just to satisfy a quota?
After all, Middle Earth isn't real history. It's something some guy made up. If we were talking about a movie set in medieval Norway, say, I wouldn't expect to see Ernie Hudson or Zhang Ziyi in the cast. But Middle Earth's an imaginary place populated by imaginary species. They could look however the director wants them to look. Even if you follow the conceit that hobbits and humans represent European types, why can't the dwarves and elves be more exotic? After all, they're not human, so why should they be subject to human patterns of phenotype inheritance? If a solid grey tomcat and a brown and orange mackerel tabby can be littermates, why couldn't a pale, blond-haired elf have a dark-complexioned sibling, or one with golden skin and epicanthic folds?
No good reason they couldn't be all whites either, I mean, we are talking about a fantastical land, completely fiction, what if their race was all just one color?
And why shouldn't it make sense for the story? And if it doesn't, why shouldn't the story be changed? If a story was written decades ago and reflects the racism of that era, how can it be wrong to correct that mistake in a new version?
Even if you follow the conceit that hobbits and humans represent European types, why can't the dwarves and elves be more exotic?
No good reason they couldn't be all whites either, I mean, we are talking about a fantastical land, completely fiction, what if their race was all just one color?
Middle-earth, or at least the parts of it occupied by the vast majority of Tolkien's stories, is meant to be a prehistoric Western Europe, before the Great Flood came along and changed the landscape. That's why it's so whitewashed. It's not meant to be another world; it's meant to be our world in ancient times, before the Elves and other magical creatures left the world to Men.
Why is it when talking about "non traditional casting" for fictional characters someone always counters with a white actor cast as a real life non-white person (Usually MLK)?We need more white people playing black, asian, and latino characters. Especially when the color of their skin is a major aspect of those characters. Brad Pitt needs to play Martin Luthor King Jr., I say.
Or does equal opportunity only work one way?
Checkmate said:Martin Luthor King Jr.
See, all you're doing is making me picture Marlon Wayans as Legolas.Yes, in the books. We are not talking about the books. We are talking about motion pictures that are adapted from the books. Why is it so hard for people to understand that an adaptation is not supposed to be an exact, slavish copy? There's no point in doing a separate version of a story if you're not going to change anything, not going to bring any fresh angles or interpretations to the work.Middle-earth, or at least the parts of it occupied by the vast majority of Tolkien's stories, is meant to be a prehistoric Western Europe, before the Great Flood came along and changed the landscape. That's why it's so whitewashed. It's not meant to be another world; it's meant to be our world in ancient times, before the Elves and other magical creatures left the world to Men.
Even if you tried to make it as faithful as possible, a movie would still be unable to avoid making some changes from the book. It can't validly be treated as the same reality; it must be accepted as a separate, alternative reality. So it follows logically that it can be different in a variety of ways. The movie Spider-Man has organic webbing instead of mechanical devices. The various movie and television incarnations of Sherlock Holmes have generally faced Moriarty far more often than the literary version. And so on.
So arguing against something in the film by citing the way it was done in the book just doesn't cut it. They're not supposed to be identical. When you're making a movie based on a book, the book should be your starting point, not your outer limit. You should try to capture the important aspects of the book, but otherwise make the decisions that work best for the film as a film, as a distinct creation in its own right.
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