• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Can you see Abrams' other works in Trek?

I remember someone I work with claiming the Kelvin sequence was like "every second episode of Lost." Having never seen Lost, I can't comment.
 
Women give birth on exploding spaceships all the time on Lost.

Well, they don't, but it wouldn't really surprise anyone on the island if they did.
 
One thing that was NOT in the movie was a strong female character, which Abrams has tended to have in everything he's done.
 
The magic unexplained "red matter" was kind of like the "rabbit's foot" from MI:3, and l agree that the opening Kelvin sequence was filled with Lost's intensity and urgency. Then again, I don't know how much Abrams has done with Lost in the last few years, since it seems like Cuse and Lindelof pretty much run that show these days. I don't think he's actually written an episode since the season 3 premiere back in 2006, but I could be wrong.
 
The typeface used in Fringe (including the cheesy Powerpoint 3D look) to let viewers know the location (i.e Vulcan, Iowa...) was also used in Trek...:(
 
Also the title appearing in 3D for a few seconds after a short prologue seems to be something Abrams likes a lot.
 
One thing that was NOT in the movie was a strong female character, which Abrams has tended to have in everything he's done.

I disagree...slightly. Uhura wasn't exactly the strongest female character of recent movies, but she was certainly a lot stronger than she'd ever been portrayed in the TV series (due to biases of the time, of course). As Roger Ebert pointed out, her rather outdated 60s-style uniform doesn't quite fit with her less submissive and fragile, more take-charge 21st century incarnation:

"Uhura (Zoe Saldana) seems to have traveled through time to the pre-feminist 1960s, where she found her miniskirt and go-go boots. She seems wise and gentle and unsuited to her costume."

The way she consoles Spock (not the kissing part so much, but the rest of it) after his mother dies and the way she rejects Kirk's flirtation both in the bar and in her room definitely qualities her as an impressively independent and confident modern woman, in my opinion.
 
I can't recall any at the moment. However I do remember watching the final episodes of "Fringe" last season and thinking some of the story themes had also been present in XI. I would elaborate, but I don't want to spoil the episodes for anyone (if they haven't seen them yet).

I'm not sure which was written first. I think XI was written before those episodes of "Fringe".
 
The music was very Lost like a lot of the time, especially the Kelvin sequence music with the birth and lack of sound.
 
One thing that was NOT in the movie was a strong female character, which Abrams has tended to have in everything he's done.

I disagree...slightly. Uhura wasn't exactly the strongest female character of recent movies, but she was certainly a lot stronger than she'd ever been portrayed in the TV series (due to biases of the time, of course). As Roger Ebert pointed out, her rather outdated 60s-style uniform doesn't quite fit with her less submissive and fragile, more take-charge 21st century incarnation:

"Uhura (Zoe Saldana) seems to have traveled through time to the pre-feminist 1960s, where she found her miniskirt and go-go boots. She seems wise and gentle and unsuited to her costume."

The way she consoles Spock (not the kissing part so much, but the rest of it) after his mother dies and the way she rejects Kirk's flirtation both in the bar and in her room definitely qualities her as an impressively independent and confident modern woman, in my opinion.

I thought Uhura's "Mr. Adventure" scene in Star Trek III was a stronger moment than anything the character had in the new movie.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top