Sxottlan said:
A good read. I honestly think there's so little about Pike onscreen that one could go any which way they want with the character. This generally felt right for what we saw of him.
Being a biography, the episodic nature of Burning Dreams was expected, although that doesn't exactly ensure high quality. I'm usually not a fan of biographies, just look at Ray or Walk the Line (then again, please don't), for that choppy feeling. Though this book does have a few interesting moments when time periods blur and we jump around randomly.
The quality of said episodes varied a little bit. The first, and most detailed, is Pike's childhood on Elysium. This part walks a fine line between harlequin romance and compelling drama. Profuse with shades of Shane ("Come back Charlie! Willa still wants you!"), there were a couple elements a bit perplexing, namely why they'd settle on a planet with so much apparent volcanic instability and why there'd be a growing population of one particular group of antagonistic humans (against an indeterminate level of technology). Things on the periphery could have used a bit more time though. The step-dad goes bonkers pretty quickly and his exit garnered a bewildered chuckle from me. More of him pre-Elysium might have helped given his slide a bit more weight or perspective. I will say though that the book did aptly get across the increasing doubt and uncertainty of Willa and that felt quite realistic.
Characters like Charlie (and later Pike's alien girlfriend) appeared to be rather Yoda-esque in their mysteriousness and wisdom, which sometimes worked and sometimes didn't. How exactly Charlie was able to get away from Starfleet apparently whenever he wanted was a bit confusing. The twist revealed later was a surprise, but a pleasant one.
There has been reasonable criticism of Pike's stint as first officer as imitation of Crimson Tide and I noticed it too, seemingly down to the rain falling when they board the ship. After what I thought were variations on Shane earlier in the book (at least in my mind and I acknowledge the connections are tenuous), it didn't bother me so much as the lack of time spent developing the Aldrin's captain, who didn't come across more than a two-dimensional villain. I found it odd that Starfleet would let someone they know is a problem patrol an area where he could spark an interstellar incident.
The sections most fascinating where those set on Talos IV, where Margaret Wander Bonanno walks the tightrope of balancing the Talosians we saw in The Cage and their seemingly opposite behavior on display in The Menagerie. Ah, one of the many inconsistencies given to us by TOS. Anyway, Pike's acclimation to what is reality and what is illusion was well done and seeing how it was applied in an emotional and practical context was satisfying. I think this could have been pushed even further, humbling submitting that actually seeing the reconstruction of Talos IV would have made a great metaphor of Pike's psychological healing to climax the book on. We see the results and it makes for an incredibly strong and emotional ending even if, as mentioned, we are told of the changes instead of seeing them taking place. Pike's final wish was also a shocker and certainly demands a follow-up.
Other minor things:
-What class was the Aldrin? Was this the same ship that rescued Charlie and Chris at Elysium? More detail about pre-TOS Starfleet would have been appreciated.
-No proper name for Number One was distracting. If the running joke was that everyone thinks they've seen her before, why not just make Morgan Primus Number One?