I'm a big fan of Lower Decks, and find Prodigy promising after its premiere.
I'm not a Hollywood bigwig by any stretch of the imagination, but did spend a long time in the corporate world and know that CBS/Paramount/Viacom wouldn't keep writing checks to Secret Hideout for another five years if the shows weren't meeting some kind of internal metrics. I've simply never seen it work that way in the corporate world. Nor would they have greenlit another high dollar project from Secret Hideout in Strange New Worlds.
So whatever one thinks of the quality of work, they need to get over the idea that Kurtzman is somehow failing and CBS/Paramount/Viacom is simply dumping tens of millions of dollars down the gutter to keep from looking bad. By the end of his second deal, Kurtzman will have been running the franchise for 10+ years, you don't stay around that long if the product you are selling is failing.
So I like LDS... I don't love it. I can't decide whether the twists are too silly/stupid or not silly enough, whether I want Boimler to be occasionally competent, or whether I want more or less parody specifically in the deconstruction of Berman Trek. But it's the best Trek on right now. I could not re-subscribe though (yet), because neither Prod nor LDS felt like reason enough to subscribe to the other.
Do we even know ST's streaming metrics, or the economy of streaming in general? I have to believe some basic input/output still matters. Kurtzman Trek presumably costs a lot more than Berman, and yet supposedly doesn't even deliver the number of people that couldn't keep ENT on the air (a presumption that was regularly thrown in my face whenever I cited Berman Trek's ruler-steady viewership decline but was still known to be defending STD). I can easily believe STP has been more successful; whether curious viewers will stick around may be another matter.
Thing is, they can't even sell STD to a wider audience after they decided to re-tool it. Those numbers may go down, they're not going to go up. I really expected STP to replace it as their flagship show (So far I was wrong). Other people on here have acknowledged STD as a "zombie show" that couldn't be allowed to fail. And even on this thread, people acknowledge that ST's modern press releases lack substance. You're never going to hear anything from Paramount other than "We couldn't be happier how it's performing..." Rick Berman would say the same things over and over, but at least he would acknowledge "This year, the ratings slipped a bit," (You'd be expected to forget he said the same last year, as he went on to tease some of the changes he again hoped would reverse the trend).
If Paramount is really "just fine" with how the streaming shows are going, that means there's no incentive to do better. That there's nothing REALLY in need of improvement, that it doesn't matter whether these writers' rooms overcome whatever producer micro-management prevents them from crafting a coherent story, that it doesn't matter whether they understand science fiction (as opposed to just making stuff up to close out an episode and move on)... that whatever happens, it's doing "just fine." Which means it's now up to the fans to be "just fine" with it.
Does anyone LOVE Kurtzman Trek? As in actually prefer it over every other version (Classic, Roddenberry, Bennett/Meyer, Abrams, Berman) and vehemently defend it as the best? Or are the fans who regard disillusioned skeptics like myself as haters merely "just fine" with it? I don't listen to Midnight's Edge, nor believe Kurtzman has been fired twelve times. And I couldn't keep track when each five year contract goes/went into effect.
I know there are fans who love/prefer Berman Trek the most. Regard it as having set the parameters of "canon" or consider it bestowed with some interpretive authority which every other version of Trek is denied. When the eyerolls and scoffing of fellow Trek buddies during VOY (over anything that had become too familiar by that point) really started getting to me, I had to realize there was already too large a volume of ST to be "just fine" with it. You had competition like B5, Farscape and Firefly that had to
get in there and
fight for their time in the sun; those shows couldn't afford to be "just fine." We'd already had such stylistically-diverse entries as TWOK, TVH, TUC... which was like eating NY steak, sirloin steak, and then lobster. Now we were eating fried fish and hamburger. In 2009 we had steak again, perhaps over-seasoned with too many calories, and then over time the venue stopped serving it any way but well done. Today I think we're eating sloppy joe and battered chicken nuggets. I get my salmon and rice from Apple+'s Foundation. I also just saw DUNE and absolutely loved it.
When people insist it must be doing well because otherwise they wouldn't keep greenlighting more of it, do they make the calculation that this means maybe there IS no more "You'll see, it's getting better, STD-2 will be the real test. STP will be the real test. STD-3 will be the real test. S4 will be the real test. SNW will be the real test... "?
I can't be "just fine" with there simply being more Trek. (Even if it's the movies, which I always preferred).
I would generally want the two (TV/movies) to be under differing leadership. But I don't own the IP nor do I sign the checks, so my thoughts on that particular subject are about as valuable as what I left in the toilet a couple of hours ago.
Since I happen to share those thoughts , I'd say they're at least as valuable as anything I happened to pick up at Albertsons this morning. Admittedly it doesn't mean capitalism will even blink at them.