I double-checked; no wedding ring. Marrying Mr. "Yep Yep Yep" would've been too much to bear.Hmm...
Not what I expected at all. At the point Kim has confessed, moved on and married someone else...I think I take the easy 7 years!![]()
It seemed to me in the last few episodes that this was all about the choices he made, he chose to help Walt, he chose to start a new con. He is the victim of himself.Did Saul's memorable commercials ultimately cause Gene's downfall? Or was he always doomed to get the hankering for the con and eventually get caught when one would inevitably go wrong?
He was undone by greed. After dealing with the cabbie situation in "Nippy" he could have chilled out but he 'broke bad' and got back in the game. Even when he was in Cancer Guy's house there was a point where he had done the main stuff and could have left before the cops showed up, but he went too far. I guess even if that hadn't happened some later iteration of the scam would have eventually gone wrong, though.A thought exercise:
Did Saul's memorable commercials ultimately cause Gene's downfall? Or was he always doomed to get the hankering for the con and eventually get caught when one would inevitably go wrong?
There was a strong emphasis the last few episodes, especially the finale, that Saul would always be remembered and recognized for those commercials and had a reach beyond New Mexico (if only because of former natives).
But by the same token, Jimmy/Saul/Gene could never let go of a possible con, no matter the size, no matter the risk. It was too deeply embedded into his psyche, as noted time and again by Chuck.
I kind of wish they had spot colored Marie’s dress purple.
Yep, noticed it. Nice touch. I get the feeling I've seen it before though. Maybe Sin City? But it wasn't obvious.Did anyone notice the spot-coloring at the end, with Kim & Saul's cigarette cherries being yellowish-orange when she came to see him? It was subtle, but it was definitely there. Aside from the flashbacks, I don't recall ever seeing any other colorization during the "present day" segments.
There's also the whole "what was I thinking?!" line he says when he finally gets caught. How many of us have done a really stupid thing and afterwards said that? Before and after the action we knew it was a stupid thing to do but in the moment, at the time, we just went ahead and did it. After, we are kicking ourselves.I think Saul just got tired. He wasn't lying when he said he lost everything. He was finished - literally and figuratively.
Speaking of lightning in a bottle - Rhea Seehorn. What a bit of casting that was.
In some ways the last four episodes were anticlimactic, but I loved the ending with Kim. He sacrificed his freedom to restore his friendship with Kim, and that callback sharing a cigarette.
Then Kim taking that volunteer job at the legal clinic made me happy.
Hmmm, so did those 86 years do anything to help Kim with her situation? That's what I thought he was going for when Kim was contacted and told he had some statement that would affect her future trial.
Jimmy may have saved his soul but at what cost? Unfortunately I understand it. But I hate to see it happen to the guy. I'd tell him to take the 7. Don't throw it all away for Kim. But I'm on the other side of the glass on this one.
I liked the time travel scene discussions. Jimmy never seemed to give an honest answer other than the money. He was holding himself back, not showing his real personality or weakness.
I wonder if there are inmates there who felt Saul screwed them over. There are bound to be more than a few over the years.
Oh, I meant to check for that and completely forgot. Thank the gods she hasn't married that guy.I double-checked; no wedding ring. Marrying Mr. "Yep Yep Yep" would've been too much to bear.![]()
I completely missed it until I saw it pointed out somewhere else. I just went back and watched it again. Pretty damn subtle but such a lovely touch. And you're right, there hasn't been any other colorization which really highlights that one bit of color.Did anyone notice the spot-coloring at the end, with Kim & Saul's cigarette cherries being yellowish-orange when she came to see him? It was subtle, but it was definitely there. Aside from the flashbacks, I don't recall ever seeing any other colorization during the "present day" segments.
I noticed that immediately. I thought that was a very cool callback.Not sure if it was intentional but when Jimmy was talking about Chuck in the court I liked that the camera shifted to below the exit sign and we heard the buzz of electricity.
I think we're definitely made to wonder about that based on the way she kept looking back to Jimmy. Plus, there's the face she willingly used her New Mexico license despite that being illegal. She still has that urge to live on the edge despite, or because of, her very mundane life now.So do we think that's the first and last time Kim will visit him?
Some folks are of the philosophy that "all criminals eventually want to get caught". They want to take their game and/or renown to the next level, get more flamboyant in their M.O. as to make them more easy to identify, pushing the boundaries to see hoe far they can go, etc., knowing that one day it will all be over.
While this may be true in some cases, I think it's a lot less wanting to get caught, but just getting tired, sloppy, and/or complacent. The con becomes old-hat, like doing the same thing every day like a job, or driving the same road for years, almost zoning-out and entering a moment of almost Zen-like detachment. You become so wrote in your routine you absent-mindedly miss that beat cop hanging out on the street corner eating his morning donut and drinking the coffee, watching you do your thing, then it's done.
I think Saul just got tired. He wasn't lying when he said he lost everything. He was finished - literally and figuratively.
So do we think that's the first and last time Kim will visit him?
Did anyone notice the spot-coloring at the end, with Kim & Saul's cigarette cherries being yellowish-orange when she came to see him? It was subtle, but it was definitely there. Aside from the flashbacks, I don't recall ever seeing any other colorization during the "present day" segments.
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