I mean, it must be hard difficult to introduce a character for the final season of such a complex show.
But they managed to give Ezri:
- great development without too much focus. Still don’t know how she manages to be one of the most developed characters despite being on one season that was most focused on the war
- some great episodes focusing on her (sans Prodigal Daughter
- a unique personality that didn’t undermine Jadzia’s legacy
- great interactions with the remaining DS9 cast, especially Sisko, Bashir, Worf, and Garak
- enough screen time that she could come into her own without detracting from the finalisation of the series arcs of the other main characters
- a unique sense of humour that added to the show (I love her stealing the runabout and mimicking static)
- the chance to allow Worf to grow, eventually letting her remain a member of the House of Martok (and her great argument that Worf was the most honourable Klingon she knew and what that meant if he was just going to allow Gowron to remain corrupt and send Martok on quasi-suicide missions just for a vendetta).
- sole great comedy moments like her space sickness and struggles dealing with her past hosts
- the same status of any full 7-season character: we felt we knew her just as well
- with all we learn about Trill transitions/customs, it did feel like we should learn about that, ie seeing it in actions
But they managed to give Ezri:
- great development without too much focus. Still don’t know how she manages to be one of the most developed characters despite being on one season that was most focused on the war
- some great episodes focusing on her (sans Prodigal Daughter
- a unique personality that didn’t undermine Jadzia’s legacy
- great interactions with the remaining DS9 cast, especially Sisko, Bashir, Worf, and Garak
- enough screen time that she could come into her own without detracting from the finalisation of the series arcs of the other main characters
- a unique sense of humour that added to the show (I love her stealing the runabout and mimicking static)
- the chance to allow Worf to grow, eventually letting her remain a member of the House of Martok (and her great argument that Worf was the most honourable Klingon she knew and what that meant if he was just going to allow Gowron to remain corrupt and send Martok on quasi-suicide missions just for a vendetta).
- sole great comedy moments like her space sickness and struggles dealing with her past hosts
- the same status of any full 7-season character: we felt we knew her just as well
- with all we learn about Trill transitions/customs, it did feel like we should learn about that, ie seeing it in actions
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