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Anybody else not like BtVS anymore?

[...] I wouldn't rate an actress or actor good for nailing one out of hundreds of episodes.
I mentioned those two episodes only as what I consider to be easy-to-recognize highlights (I would also add Angel's "I Will Remember You" to a short list), not as the entire basis for rating her performance. I think Gellar was "on" far more than she was "off," and that she did a fantastic job.
 
ANd I don't think she's a bad actress (clearly many shows often have a lot worse), but for a show where events are going to be pushing the characters beyond anything we would ever experience in life, I don't think she (nor much of the rest of the cast) really gave real dramatic weight to most of the episodes.

Whether that be an actor issue, directing issue or just production just going for the humor instead of the what should be the true emotional core of the stories is anyone's guess.
 
I never really liked it. I heard so many people raving about it so I gave it a shot but I couldn't stand it--the campiness, the silly adversaries, the pretentiousness that oozed from it.

Yeah, I know what you mean about the campiness and pretentiousness.
 
I think they do bear responsibility, or at least a degree of it. It wasn't just a "demon occupying their body", unless you mean it in metaphorical sense. When you say "it's not the same man who did", I'd agree only if you mean it metaphorically, i.e. he is a changed man. They are the same person all along - as William/soulless Spike/souled Spike, or Liam/Angelus/Angel. But they have profoundly changed. The state of being a soulless vampire diminishes responsibility to a degree, in the sense of, say a serious mental illness or personality disorder would, not in the sense of being literally possessed by a demon and unable to make decisions and choices for oneself. They clearly are able to do that, or else Spike never would have decided to get his soul back.
To be honest, it's an issue that, regardless of the number of times I've watched Buffy and Angel, I still remain conflicted on, although my prior assertion didn't contain any ambiguity. On some occasions, I do believe that an ensouled vampire is not culpable for the actions its body took while sans soul. After all, we are told from the very beginning of Buffy that a vampire is a demon inhabiting the corpse of a human (no "metaphorical sense"), that it is most certainly not the same person as the previous human life. Yet we also know that vampires maintain the memories of the previous human life, and furthermore that they maintain at least some vestiges of that human's personality. However, the vampire is definitely not the same person as the human; Liam was a bumbling buffoon, not the brilliant and sadistic monster that Angelus was, for example.

In the cases of Angel and Spike, I tend to think of each "stage" as separate beings, albeit with at least some shared personality traits: the human as the original person; the vampire as a demon influenced at least somewhat by the original human; and the ensouled vampire as a new person influenced by both the demon and the original human. The demon tends to be the predominant force in a vampire, with the human origins of its vestige personality influencing it in varying ways. In the case of Angelus, the demon seized on Liam's self-awareness that he was a fool and would never amount to anything in order to aspire to greatness through brutality. In the case of Spike, the demon seized on similar feelings, coupled with William's issues with rejection and his love for his mother. In the case of Harmony, arguably the only "weak" vampire we ever met, the vain and shallow nature of the vestige human personality was apparently not much for the demon to work with, since vampire Harmony only intermittently aspired to anything.

I can accept that Angel and Spike bore some responsibility, but ultimately I think Spike had the more healthy attitude in confronting it. The demon was the driving force, not whatever remained of the man. The only reason that Spike was even in a position to decide to seek a soul was the chip implanted in his brain by the Initiative; without a way for the demon to act on its instincts, and forced into situations where he spent extended periods of time with Buffy and the Scooby Gang, the vestige human personality influenced the demon to an extent that would not have occurred sans chip. Angel, of course, had the soul forced into Angelus, which may help to explain the vast time differences between "recovery" periods for Angel and Spike. For Spike, the demon arguably had been "beaten" for a change by the remnants of William's personality, stirred by a love for Buffy. Angel didn't have that luxury of an internal conflict; one moment, he was a soulless beast, and the next he was horrified by all the acts perpetrated by the demon in his body.

As I said before, I'm often conflicted on the issue. Perhaps another Buffyverse rewatch is in order...

:lol: ... and no-one's even mentioned the rat-eating yet...
... or the criminal-eating, come to think of it. In one of the flashback scenes, Darla mentions to the newly-ensouled Angel that she's heard stories of him feeding off of crims (IIRC).
There was one episode in which a flashback showed Angel feeding off of a person who was killed while he was nearby.

Sarah Michelle Gellar was the biggest problem. She doesn't have the charisma to carry a series. Not a talented enough actress.
Someone obviously hasn't seen episodes such as "Hush" and "The Body."

Sarah rocks! She's a great actress as even the most casual rewatch would show anyone
 
Sarah rocks! She's a great actress as even the most casual rewatch would show anyone
She has great comic timing and I always liked how she played off of James Marsters and Alyson Hannigan. In the latter case, having the best friend played by someone with a very contrasting style of acting was what made it work, imo.
 
I didn't like Buffy very much. Sarah Michelle Gellar was the biggest problem. She doesn't have the charisma to carry a series. Not a talented enough actress.
I feel exactly the opposite, she was the perfect choice for Buffy because she had the charisma and the passion that made me believe that this tiny girl could be a powerful fighter and leader. She had a great comic timing as mentioned, but she also did great in emotional moments. She had a really difficult job in later seasons especially, when Buffy is more closed down and not wearing her heart on her sleeve. Reading the S8 comics, I'm really missing SMG - I've started to realize that she perhaps gave Buffy more weight, maturity and strength, since I'm missing a bit of that when I look at comics!Buffy's face (which doesn't even look a lot like SMG).

And yeah, her chemistry with James Marsters was just amazing from the word go.

I also need to mention how great she was when playing someone other than Buffy:

- "I Only Have Eyes For You" - Buffy possessed by the ghost of James, the 1950s teenager who killed his teacher/lover Grace and then himself - the moment when Buffy/James is pointing the gun at Angelus/Grace and shouting "Don't walk away from me, bitch!" :rommie: is for me one of the most memorable in the show. She's so sympathetic yet scary.

- "Who Are You?" - SMG as Faith in Buffy's body. She really impressed me in this episode. Faith is one of my favorite characters in Buffyverse, and Eliza Dushku was always great, but SMG was just as good in the role.

- "Intervention", playing both Buffybot and Buffy, as well as Buffy pretending to be Buffybot in the last scene. Also, "Bargaining", playing Buffybot and the newly resurrected, catatonic Buffy.

- playing both Buffy and the First Evil throughout season 7; like the ending of "Intervention", the ending of "Showtime" has a 'is it the First of Buffy?' moment when you realize it's the real Buffy because of the look on her face.
 
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So what was she supposed to do? Tell him it was OK for him to kill Spike? Kill Spike for him? What would have satisfied you? Wood was out for personal revenge (while there are more important things going on, like the upcoming apocalypse; and he didn't even mind getting 'advice' from the First Evil), and it was obvious that nothing but Spike's death would have satisfied him (he certainly wasn't interested in Spike saying 'sorry' to him, even said so when he mistakenly thought he did). Please tell me when exactly did the right to kill someone out of revenge become a basic human right? If your idea of friendship is that your friends must allow you to kill people out of revenge (including those that matter to them), then I really wouldn't want to have you as a friend.

So, Buffy basically told Wood to stop trying to murder Spike, and that if he tried to do it again, she wouldn't stop Spike from killing Wood in self-defense. Well, isn't that awful from her. :shifty:

Well, if you consider that Spike was an immortal mass-murderer who's left a 200-year trail of corpses across the globe, including two slayers, yeah, I was all for Wood killing his mother's murderer, and not care that Buffy wanted him around to bone.
 
So what was she supposed to do? Tell him it was OK for him to kill Spike? Kill Spike for him? What would have satisfied you? Wood was out for personal revenge (while there are more important things going on, like the upcoming apocalypse; and he didn't even mind getting 'advice' from the First Evil), and it was obvious that nothing but Spike's death would have satisfied him (he certainly wasn't interested in Spike saying 'sorry' to him, even said so when he mistakenly thought he did). Please tell me when exactly did the right to kill someone out of revenge become a basic human right? If your idea of friendship is that your friends must allow you to kill people out of revenge (including those that matter to them), then I really wouldn't want to have you as a friend.

So, Buffy basically told Wood to stop trying to murder Spike, and that if he tried to do it again, she wouldn't stop Spike from killing Wood in self-defense. Well, isn't that awful from her. :shifty:

Well, if you consider that Spike was an immortal mass-murderer who's left a 200-year trail of corpses across the globe, including two slayers, yeah, I was all for Wood killing his mother's murderer, and not care that Buffy wanted him around to bone.
Boning aside ;) if you consider that Spike was very different and did not want to kill humans anymore, that he was fighting on their side, and was likely to be of more help than Wood - with all due respect for Wood's issues, why exactly should Buffy have cared?
 
A human (even one trained by a Watcher), or a vampire with a soul... I know which pragmatic choice I'd make if I were at war with the embodiment of Evil Itself.
 
- "Who Are You?" - SMG as Faith in Buffy's body. She really impressed me in this episode. Faith is one of my favorite characters in Buffyverse, and Eliza Dushku was always great, but SMG was just as good in the role.

I don't know about this. Of the two of them, I think Eliza Dushku did a better job, but Sarah Michelle Gellar had the trickier role. When I watch this performance, it seems to me more like Sarah Michelle Gellar just acting obnoxious and cocky rather than exactly like Faith, whereas Eliza captured Sarah Michelle Gellar as Buffy perfectly, right down to the body language and speech cadence.

She really seemed like Buffy in Faith's body, rather than just one character acting nicer (or more evil) than usual. I always remember the perfect SMGesque delivery when she was pleading with doctors: "she's with...MY MOTHER" and whining at Giles: "You were INCHING...stop INCHING".

I couldn't imagine Faith doing and saying the things that Buffy does and says in that episode when supposedly embodying Faith. It was fun watching Sarah Michelle Gellar basically hamming it up and acting slutty for once after so much time spent playing a much more straight arrow character, but she seemed more like 'generic evil bimbo' than specifically Faith.

Having said that, I want to make it clear that I think both Dushku and Gellar are very underrated actresses. It's just that I think (contrary to popular belief, apparently) "Who Are You?" is more of an acting showcase for the former, rather than the latter. I think the more impressive acting from Sarah Michelle Gellar is in her more emotional episodes.

I can understand why some people might think she's too over-the-top in these episodes as she screws up her face a lot and goes a bit overboard with the tears, but I think it's terrific. The episodes almost never fail to make me tear up, and I think that's as much because of her performances as it is because of the writing/direction. I refer to "I Will Remember You", "Amends", and "The Body" as examples of her best acting.
 
- "Who Are You?" - SMG as Faith in Buffy's body. She really impressed me in this episode. Faith is one of my favorite characters in Buffyverse, and Eliza Dushku was always great, but SMG was just as good in the role.

I don't know about this. Of the two of them, I think Eliza Dushku did a better job, but Sarah Michelle Gellar had the trickier role. When I watch this performance, it seems to me more like Sarah Michelle Gellar just acting obnoxious and cocky rather than exactly like Faith, whereas Eliza captured Sarah Michelle Gellar as Buffy perfectly, right down to the body language and speech cadence.

She really seemed like Buffy in Faith's body, rather than just one character acting nicer (or more evil) than usual. I always remember the perfect SMGesque delivery when she was pleading with doctors: "she's with...MY MOTHER" and whining at Giles: "You were INCHING...stop INCHING".

I couldn't imagine Faith doing and saying the things that Buffy does and says in that episode when supposedly embodying Faith. It was fun watching Sarah Michelle Gellar basically hamming it up and acting slutty for once after so much time spent playing a much more straight arrow character, but she seemed more like 'generic evil bimbo' than specifically Faith.

Having said that, I want to make it clear that I think both Dushku and Gellar are very underrated actresses. It's just that I think (contrary to popular belief, apparently) "Who Are You?" is more of an acting showcase for the former, rather than the latter. I think the more impressive acting from Sarah Michelle Gellar is in her more emotional episodes.

I can understand why some people might think she's too over-the-top in these episodes as she screws up her face a lot and goes a bit overboard with the tears, but I think it's terrific. The episodes almost never fail to make me tear up, and I think that's as much because of her performances as it is because of the writing/direction. I refer to "I Will Remember You", "Amends", and "The Body" as examples of her best acting.

ED and SMG are both great. I can certainly see where Wood is coming from but ultimately even he know's he's wrong as he sides with the Scoobs and fights alongside Spike in the final battle
 
Having said that, I want to make it clear that I think both Dushku and Gellar are very underrated actresses. It's just that I think (contrary to popular belief, apparently) "Who Are You?" is more of an acting showcase for the former, rather than the latter. I think the more impressive acting from Sarah Michelle Gellar is in her more emotional episodes.

I can understand why some people might think she's too over-the-top in these episodes as she screws up her face a lot and goes a bit overboard with the tears, but I think it's terrific. The episodes almost never fail to make me tear up, and I think that's as much because of her performances as it is because of the writing/direction. I refer to "I Will Remember You", "Amends", and "The Body" as examples of her best acting.
Who Are You? is a very emotional episode for Faith, as Faith starts changing and actually feeling and living Buffy's life not in the sense of getting the things she envied Buffy for (like family, friends), as she thought she wanted, but wanting to be good and do good and fulfill people's expectations of her as the Slayer. Sarah is great in emotional scenes towards the end of the episode, first when her breakdown starts while still in Riley's room, and especially in the climactic church scene when she is beating up Buffy or rather her own body, shouting things that make it clear it's an expression of self-loathing. (SMG got to play both this one and the somewhat similar harrowing Buffy breakdown scene in "Dead Things", where Buffy projects/unloads her own self-loathing on Spike in a similar way that Faith-as-Buffy did on Buffy-as-Faith.)

Eliza was also great as Buffy, but she didn't get that much screentime, as this was a Faith-centric episode after all.
 
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I think they do bear responsibility, or at least a degree of it. It wasn't just a "demon occupying their body", unless you mean it in metaphorical sense. When you say "it's not the same man who did", I'd agree only if you mean it metaphorically, i.e. he is a changed man. They are the same person all along - as William/soulless Spike/souled Spike, or Liam/Angelus/Angel. But they have profoundly changed. The state of being a soulless vampire diminishes responsibility to a degree, in the sense of, say a serious mental illness or personality disorder would, not in the sense of being literally possessed by a demon and unable to make decisions and choices for oneself. They clearly are able to do that, or else Spike never would have decided to get his soul back.
To be honest, it's an issue that, regardless of the number of times I've watched Buffy and Angel, I still remain conflicted on, although my prior assertion didn't contain any ambiguity. On some occasions, I do believe that an ensouled vampire is not culpable for the actions its body took while sans soul. After all, we are told from the very beginning of Buffy that a vampire is a demon inhabiting the corpse of a human (no "metaphorical sense"), that it is most certainly not the same person as the previous human life. Yet we also know that vampires maintain the memories of the previous human life, and furthermore that they maintain at least some vestiges of that human's personality. However, the vampire is definitely not the same person as the human; Liam was a bumbling buffoon, not the brilliant and sadistic monster that Angelus was, for example.

In the cases of Angel and Spike, I tend to think of each "stage" as separate beings, albeit with at least some shared personality traits: the human as the original person; the vampire as a demon influenced at least somewhat by the original human; and the ensouled vampire as a new person influenced by both the demon and the original human. The demon tends to be the predominant force in a vampire, with the human origins of its vestige personality influencing it in varying ways. In the case of Angelus, the demon seized on Liam's self-awareness that he was a fool and would never amount to anything in order to aspire to greatness through brutality. In the case of Spike, the demon seized on similar feelings, coupled with William's issues with rejection and his love for his mother. In the case of Harmony, arguably the only "weak" vampire we ever met, the vain and shallow nature of the vestige human personality was apparently not much for the demon to work with, since vampire Harmony only intermittently aspired to anything.

I can accept that Angel and Spike bore some responsibility, but ultimately I think Spike had the more healthy attitude in confronting it. The demon was the driving force, not whatever remained of the man. The only reason that Spike was even in a position to decide to seek a soul was the chip implanted in his brain by the Initiative; without a way for the demon to act on its instincts, and forced into situations where he spent extended periods of time with Buffy and the Scooby Gang, the vestige human personality influenced the demon to an extent that would not have occurred sans chip. Angel, of course, had the soul forced into Angelus, which may help to explain the vast time differences between "recovery" periods for Angel and Spike. For Spike, the demon arguably had been "beaten" for a change by the remnants of William's personality, stirred by a love for Buffy. Angel didn't have that luxury of an internal conflict; one moment, he was a soulless beast, and the next he was horrified by all the acts perpetrated by the demon in his body.

As I said before, I'm often conflicted on the issue. Perhaps another Buffyverse rewatch is in order...
I didn't have time yesterday to discuss this, but here it is now. I think that they are always the same being, but with a drastically changed personality. The "demon" is not some other being that comes and possessed the body (where would it come from, and where would it go afterwards?), it comes from the human personality itself. In Freudian terms, I'd describe the "demon" roughly as the id, and "soul" as the superego (conscience, internal morality compass). In season 7, the First Evil takes not just the appearance, but also the personality of the dead (or sorta kinda dead) people it's impersonating. Everybody has a capacity for evil inside, and after they are sired, vampires usually develop that evil side, as they are driven by human id coupled with vampire bloodlust, while also stripped of their conscience and don't feel human empathy or need to stick to the human morality they still recognize on the rational level (why else would they be calling themselves evil or bad, as many of them do?). And they all retain at least some traces of their previous human personality, and all their memories. As Darla said, "What we once were informs all that we have become."

They all think of their human selves as something they once were, not as a separate being. See Holden, for instance. See Darla before and after being sired, or after she is brought back as human - there are profound changes, but she is clearly the same person. There is no doubt that Spike is the same being, same person before and after he gets his soul. His flashbacks also show that he was still a lot like William when he was first sired - it was only after a while that he developed the Spike persona. IMO, despite being an adult, William was psychologically at an adolescent level, and he was extremely repressed, in true Victorian middle class fashion, so even as a vampire, he needed some time before his sexuality, his violent urges, and everything that used to repressed came on full force.

Angel was the only one whose duality was played as being two different people - but even that was only in season 2, and even that very inconsistently. I'd argue that there is a lot of evidence in season 2 that Angel and Angelus are the same being - most of all, the fact that "Angelus" doesn't think of "Angel" as a different person and always talks (to Spike and Dru) about "Angel"'s experiences as his own ("She made me feel human, it's something you don't forgive"). It's mostly just Buffy who likes to believe that they are two separate beings ("Now my boyfriend is gone, and the demon wearing his face is killing my friends") - and she had obvious reasons to stick to this as a defense mechanism. The scene in "Becoming pt 2" is the only instance that really makes it seem like they are 2 beings, which muddies the waters - but everything else we see on BtS before and after, and especially on AtS, contradicts it. We see that Angel remembers everything he did as Angelus pre-curse, as well, so it wouldn't make sense if he didn't remember what he did as Angelus in S2. I suppose we could see him as split personality, based on "Becoming pt 2". But it still doesn't work, due to the fact that he has all the memories. And furthermore, there are instances where Angel acts like Angelus - for instance, in "What's My Line" when he's taunting Spike, or when he's pretending to be Angelus a bit too convincingly in "Enemies"; and Angelus seems to have some of the same traits as Angel, but in a more disturbing and evil fashion: Angel's romantic obsession with Buffy (from the moment he sees her, and before she even knows him) could be correctly described as stalking, and is mirrored in a much more threatening way when he stalks and terrorizes her family and friends after he loses his soul. Angelus' devotion to causing mental suffering to people and destroying souls, one by one, is a negative version of Angel's devotion to helping people and saving souls, one by one. But he uses the same insight and empathy (empathy, not sympathy) in both cases. Look at the horrible scene where Giles finds Jenny - it's a work of someone who can imagine how Giles would feel going up those stairs, hoping to make love with the woman of his dreams, and then having all his dreams crushed, finding her dead. Is it a coincidence that it's the work of a guy whose perfect happiness, just a little earlier, came when he was making love for the first time with the woman he was madly in love with?

As for Liam being a bumbling buffoon, I don't think he was stupid, I think he was just full of insecurities and self-loathing due to his contentious relationship with his father. Becoming a vampire, he let loose all his resentment by first killing his family, and telling his father that he has finally made something of himself - he thought he could only be "someone" as a villain. But he wasn't always the brilliant monster we see later, I think that years of experience (and learning from Darla) made the difference. When we see Angel(us) in the 1760 flashback when Darla takes him to see the Master, he is halfway between Liam and Angelus we know: he is still very cocky, reckless and rebellious. (100 years later, he will be the cautious mature one, with Spike now one-upping him in rebellious and reckless antics, and mocking him for his cautiousness.) Also, when Angel first got re-souled, he was a complete wreck, living as useless bum for a long time, and even after he goes to LA and forms Angel Investigations, there are still some traces of Liam in Angel - he can be very goofy and can make some very bad blunders when trying to be heroic. And don't forget that Angel lost his soul in S2 for the same reason Liam lost his human life and became a vampire - giving in to his sex drive and losing his head over a beautiful small, blonde woman. There are many parallels and contrasts in his relationships with those two women, and I'd say that one of the reasons he fell in love with Buffy was that he saw her as anti-Darla. Darla was his teacher in evil, Buffy was his muse for good.

But years and years of experience and everything he's been through have made him into a very different and more mature person than Liam was. However, on some level he is still doing the same thing he always has - trying to prove himself: first he was proving that he can be someone, not a useless nobody, then that he can be a good man and a hero.
 
When Buffy the Vampire Slayer first came out, I thought it was quite cool and exciting; it hooked me enough for me to buy a lot of the DVDs, spin-off novels and comic books. But in recent years, my interest in it has waned considerably, and I no longer have any real desire to watch it. To be honest, there are times when I wonder what I ever saw in it to begin with.

I suppose one major factor here is that, in all honesty, I never identified much with any of the main characters, and there were times when I didn't really like them much. This includes the character of Buffy herself - the writers intended her to be all cool and likeable, but to me, more often than not she came across as obnoxious and unpleasant. Case in point: In the much-lauded episode "Becoming, Part 2", she actually says to Principal Snyder "You never got a single date in high school, did you?" Ah, way to go, Buff, insulted all those people out there who suffer from rejection and alienation because they're not good enough in someone else's eyes; of course it's easy for you, considering you're oh so gorgeous and have had loads of boyfriends and plenty of pals (I know Snyder wasn't exactly a very nice person, but come on...). :rolleyes:

Oh, and remember poor Robin Wood, whose mother was brutally murdered by Spike? Robin's desire for revenge against Spike was perfectly understandable IMO (I mean, the guy walks around wearing his mother's leather coat like a goddamn trophy, for crying out loud!!). It was bad enough that a supposedly reformed Spike showed absolutely zero remorse for what Robin had suffered, but then our hero Buffy displayed exactly the same attitude. She fawns over a vicious, unrepentant wanker like Spike, but to Robin she just coldly and brutally tells him to shut up and behave himself or she'll let him be murdered. Honestly, it's a wonder a person like this has any friends at all. I certainly wouldn't want someone like that as a friend.


Characters like that are characters I DESPISE with a white hot passion. I'd be cheering everybody and their brother and mother who made Buffy's life a living hell.
 
I can't say that I have had much time to rewatch the series but my overall opinion of the show hasn't changed much since I finished all seven seasons. I still don't really like the final season much and not a huge fan of the sixth either though it still had some good episodes. Seasons 1-3 were when the show was the most solid and S2 is probably one of my favorite seasons of any show I've seen so far. I still think about the show periodically and think about certain episodes here and there. I've even thought about buying an episode off of iTunes to take with me on my iPhone. I also followed the recent ep-by-ep thread of both BTVS and Angel, which was a fun way to revisit and discuss the series. I was actually thinking a little about "Pangs" (S4) on Thanksgiving Day.:rommie:
 
I think that BtVS was consistently strong throughout, although season 1 was weaker than the rest, the show really hit the stride and went to the next level in season 2. My opinion of the best seasons tends to change, but it would probably be something like this:

6
5
3 / 2
7
4
.....
1

Season 6 is my favorite, 5 is close,I'm not sure about 3 and 2 switch places because 2 had a great and epic main storyline and some of the my favorite episodes ever, but it also had some lame episodes that bring it down, while 3 was more consistent and it had Faith and the Mayor, but it also had some storylines I didn't like (Xander/Willow). I love a lot of things about season 7, and I actually like season 4 a lot, unlike many other people, but I was trying to weigh objectively their strengths and weaknesses and they ended up behind the others.

But overall, they are all very close in quality, except season 1 which is, as I said, much weaker - but still rather good, just not great as the rest of the show.
 
I'd just like to draw attention to some of the things Spike said to Robin after defeating him:

"Unlike you, I had a mother who truly loved me back."

"I don't give a toss about your mum."

Add to that the fact he still keeps Nikki's coat as a trophy. Yeah, Spike's a really great guy. :rolleyes:
 
I've never understood the fuss over Buffy and Angel---or the fuss over Joss Whedon, for that matter. He created one of my Top Five Favorite TV Shows of All Time, Firefly, so he's obviously got talent, but the rest of his work, especially his comics, has left me going, "Meh".
 
When Buffy the Vampire Slayer first came out, I thought it was quite cool and exciting; it hooked me enough for me to buy a lot of the DVDs, spin-off novels and comic books. But in recent years, my interest in it has waned considerably, and I no longer have any real desire to watch it. To be honest, there are times when I wonder what I ever saw in it to begin with.

I suppose one major factor here is that, in all honesty, I never identified much with any of the main characters, and there were times when I didn't really like them much. This includes the character of Buffy herself - the writers intended her to be all cool and likeable, but to me, more often than not she came across as obnoxious and unpleasant. Case in point: In the much-lauded episode "Becoming, Part 2", she actually says to Principal Snyder "You never got a single date in high school, did you?" Ah, way to go, Buff, insulted all those people out there who suffer from rejection and alienation because they're not good enough in someone else's eyes; of course it's easy for you, considering you're oh so gorgeous and have had loads of boyfriends and plenty of pals (I know Snyder wasn't exactly a very nice person, but come on...). :rolleyes:

Oh, and remember poor Robin Wood, whose mother was brutally murdered by Spike? Robin's desire for revenge against Spike was perfectly understandable IMO (I mean, the guy walks around wearing his mother's leather coat like a goddamn trophy, for crying out loud!!). It was bad enough that a supposedly reformed Spike showed absolutely zero remorse for what Robin had suffered, but then our hero Buffy displayed exactly the same attitude. She fawns over a vicious, unrepentant wanker like Spike, but to Robin she just coldly and brutally tells him to shut up and behave himself or she'll let him be murdered. Honestly, it's a wonder a person like this has any friends at all. I certainly wouldn't want someone like that as a friend.


Characters like that are characters I DESPISE with a white hot passion. I'd be cheering everybody and their brother and mother who made Buffy's life a living hell.

Buffy feels for Wood but she knows she needs both him and Spike. Spike is not the man who killed his mother (just as Angel didn't kill Jenny calender) but Buffy needs bad boy Spike to help her defeat the first and save the world. That's what 'Get It Done' is all about, with Buffy gone Spike, Willow and Anya are all forced get their game together whilst Buffy's domination and ravishment by the Shadowmen brings her to her senses and she's more mellow with her friends from then on

Buffy the General in season 7 is a hardass but she has to be, she's still the girl we and the Scoobs love. They forgive her just as she forgives them
 
It's been a while since I saw any great amount of it, but I've seen it from beginning to end a couple of times and I'd still call it one of my favourite TV shows. I see some people dislike various of the main characters, but it takes quite a lot to make me really dislike characters on TV. Usually if I find them compelling or entertaining they're OK by me. I do recall some of the BtVS characters having their objectionable moments in the last two seasons though.

I think that BtVS was consistently strong throughout, although season 1 was weaker than the rest, the show really hit the stride and went to the next level in season 2. My opinion of the best seasons tends to change, but it would probably be something like this:

6
5
3 / 2
7
4
.....
1

Season 6 is my favorite, 5 is close,I'm not sure about 3 and 2 switch places because 2 had a great and epic main storyline and some of the my favorite episodes ever, but it also had some lame episodes that bring it down, while 3 was more consistent and it had Faith and the Mayor, but it also had some storylines I didn't like (Xander/Willow). I love a lot of things about season 7, and I actually like season 4 a lot, unlike many other people, but I was trying to weigh objectively their strengths and weaknesses and they ended up behind the others.

But overall, they are all very close in quality, except season 1 which is, as I said, much weaker - but still rather good, just not great as the rest of the show.

It's been a while since I saw the show, but I remember Season 2 being my favourite. That story arc with evil Angel, Spike and Drusilla is pretty hard to beat. Seasons 3 and 5 are my other favourites, because they also had great story arcs. Season 7 shook up the group dynamic too much for my taste - the show was still worth watching, but I'm glad it ended when it did.
 
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