Joss Whedon doesn't look too happy about it, either: https://twitter.com/josswhedon/status/470141319831363584/photo/1
Mmm. I'm not expecting anything original or unique now. Just another bland Marvel superhero movie ala The Incredible Hulk, Iron Man 2 or Thor: The Dark World for example.
It'll make money, and it won't be "bad," it'll be an ok movie. But it won't be anything really special.
Joss Whedon doesn't look too happy about it, either: https://twitter.com/josswhedon/status/470141319831363584/photo/1
Wright, Pegg and Frost have all retweeted it. This makes me happy.Joss Whedon doesn't look too happy about it, either: https://twitter.com/josswhedon/status/470141319831363584/photo/1
I'm very glad to hear that, actually. Directors have too much power over movies, and those movies usually suffer as a result. Especially when dealing with well-known franchises where they want to "shake things up" or "reimagine" everything, whereas everyone else is just hoping to see a more faithful and/or up-to-date adaptation.Directors, even the great ones, are merely the hired guns of the studio's vision.
What went wrong? Well, Latino-Review has the alleged scoop what what we’ve been hearing too: a recent script rewrite that was a dealbreaker for Wright. What did Marvel want? Well, you can probably imagine, more integration with the current Marvel Universe, issues with the “core morality” of the characters (Ant-Man likely being a thief at least at first), and the inclusion of MCU franchise characters. Wright and Cornish evidently did a rewrite to address these concerns, but Marvel pulled a dumb move: giving the script to low-level in-house Marvel writers to move the screenplay closer to the studios wishes.
Evidently that homogenized version of the script just came in, Wright hated it and almost immediately announced that he was leaving (evidently he met with them yesterday and the announcement the he was leaving was just a few hours later).
There’s also been rumors that this decision came on from Disney and Alan Horn, the owners of Marvel Studios, and that might make sense given the fact that Marvel has been onboard with Wright’s vision they helped shape for years now. Theirs was akin to a symbiotic relationship with the same goal in mind: getting an Ant-Man film to the screen. It would make sense that an outsider looking in from the outside would place demands on the screenplay that hadn’t been there before. Of course this is all speculation at first (though we've also heard Feige went to bat for Wright and lost), but more will come out we’re sure.
Marvel has more and more been acting like the TV model: the showrunners and producers are king, the writers are their lieutenants and the director is simply the person who comes in and executes the already-established vision. Only with Marvel, it’s the producers and studio that is king and the writers are basically foot soldiers. “Thor: The Dark World” was directed by a “Game Of Thrones” filmmaker accustomed to executing for his superiors and “Captain America: The Winter Soldier” were helmed by the same type of guys: two untested blockbuster filmmakers who had done a decade of TV work and wanted a shot at some major league filmmaking.
I'm very glad to hear that, actually. Directors have too much power over movies, and those movies usually suffer as a result. Especially when dealing with well-known franchises where they want to "shake things up" or "reimagine" everything, whereas everyone else is just hoping to see a more faithful and/or up-to-date adaptation.Directors, even the great ones, are merely the hired guns of the studio's vision.
I have no doubt that's what was going on here. No doubt at all.
"Risky" and "$200 million budgets" don't mix well.They know what a superhero film looks like. Disney knows what a Star Wars film looks like. It's all corporate.. nothing is truly risky or visionary anymore.
But do these movies need to be risky and visionary? There are still surprising new movies that are not part of franchises and can be visionary....
It's all corporate.. nothing is truly risky or visionary anymore.
"Risky" and "$200 million budgets" don't mix well.They know what a superhero film looks like. Disney knows what a Star Wars film looks like. It's all corporate.. nothing is truly risky or visionary anymore.
Uber-corporate, assembly-line filmmaking far precedes Star Wars, I can assure you of that.Now, the studios have the vision, and the ego, and they are the ones laughing all the way to the bank. We are watching a corporate product now. Nothing more. A lot of bright colors devoid of anything. GotG is not a risk.. even though it might seem the riskiest of what Marvel is doing, but I guarantee you that even if it flops, the accountants there can put them all in the black with a little number crunching. And Ant-Man.. it's the same thing.. it all has to fit with Marvel's vision right to a tee, They know what a superhero film looks like. Disney knows what a Star Wars film looks like. It's all corporate.. nothing is truly risky or visionary anymore.
I unplug, get offline to spend time with real people, see XM: DOFP and all hell breaks loose on the next MCU film due to start shooting!!!!
I swear I can't leave this place for a second!
I remember when Star Wars was risky. I remember how magical it was because of it. I remember how amazing it was, how amazing it looked, and how amazing it felt, when Yoda managed to levitate the X-Wing out of the swamp (cue some awesome music) and the combination of Yoda's performance (he might have been a puppet, but ut was a performance), mixed with the grit of a sea-weed covered ship, and a well-realized effect, and you have cinema magic. But this scene wouldn't impress many of the younger viewers today. This kind of thing.. objects floating around - is seen all the time. CGI, the ability to bring anything to life, has dulled cinema. All the studios can do is turn out crap that is sufficient rather than amazing.
Sometimes you have friends in a relationship. You love each of them dearly as individuals and think they're amazing people. When they talk to you about their troubles, you do everything you can to support them, to keep them together, because if you love them both so much doesn't it make sense they should love each other? But little by little you realize, at heart, they aren't meant to be together - not because there's anything wrong with either of them, but they just don't have personalities that mesh in a comfortable way. They don't make each other happy. Although it's sad to see them split, when they do, you're surprisingly relieved, and excited to see where their lives take them next.
It's easy to try to make one party "right" and another party "wrong" when a breakup happens, but it often isn't that simple. Or perhaps it's even more simple than that - not everyone belongs in a relationship together. It doesn't mean they're not wonderful people.
And that's true of both Edgar Wright and Marvel. One of them isn't a person, but I think you get what I mean.
I find it kind of weird that they would apparently have such an issue with what Wright apparently wanted to do after they apprently wanted James Gunn to actually go farther with GotG. I read an interview the other day with Gunn, where he said that he originally wrote a more straight forward version, but Feige and Marvel told him to "make it more James Gunn". I have to wonder why "James Gunn" is OK, but apparently "Edgar Wright" is not.
GotG is not a risk.. even though it might seem the riskiest of what Marvel is doing, but I guarantee you that even if it flops, the accountants there can put them all in the black with a little number crunching.
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