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Andreyko's Manhunter: actually, many readers escaped the Manhunter

Myasishchev

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I can sort of see why.

I just finished the first trade, collecting a somewhat paltry five issues, and I can't really decide if I like it or not.

So, the summary: Kate Spencer is a U.S. prosecutor who gets sick of crime, specifically supercrime I guess although that's not 100% clear, and decides to steal a costume and some weapons from the Department of Justice's rather overly convenient on-site supercrime evidence storage warehouse, and become a no-rules type Vigilante. You know, with a chain of custody like this, maybe it's no wonder no one in the DCU spends more than five minutes in jail.

Oh, wait, did I capitalize vigilante back there? Maybe that's because, at the conceptual level, this is just a new version of Vigilante in a red jumpsuit instead of black. And considering that Vigilante himself was just a Daredevil/Punisher transporter accident, it's not exactly the most original premise ever developed. But this isn't bad; Vigilante was kinda cool, and Daredevil was very cool, and the Punisher... well, the Punisher could be cool. Anyway, it's at least been a while since we've had a crazy prosecutor take the law into her own hands, at least to the best of my knowledge. Maybe there's a Law & Order where Jack McCoy beats a perp to death with a cosmic rod. Or Lenny Briscoe becomes the Spectre!... and I just made myself a little sad.

Speaking of unoriginal concepts, her first villain/victim is Copperhead, apparently some Z-list cannibalistic snake-themed supercriminal who probably originated in a fill-in issue in 1967. Basically he's a yellow version of the Lizard, but with no tragic backstory, at least no so as anyone would notice. She fails to secure a conviction on Copperhead after the defense blows her out of the water with the shortest closing argument in the history of time, amounting to "My client isn't guilty, so there." She gets pissed, steals the Manhunter arsenal from the government, and in about two pages' worth of build-up, is already fighting Kobra. I mean Bushmaster. I mean Copperhead.

And she kills him.

Good on her. My problem with this comic isn't that she kills--firstly, there are persuasive legal arguments that I won't get into that it's not murder, even if she went into the situation expecting to use deadly force, and I understand that she winds up having to deal with the sweetness-and-light-and-mind-rape-and-acceptable-losses superhero establishment at some point, and there's actually an excellent dream sequence curb-stomp-fight with Batman that gets this point across. So that's all good.

What I don't like is that, in this age of decompression, this transformation from daylight lawyer to nighttime avenger is handled in about a page. It plays as if Bruce Wayne became Batman ten minutes after his parents were murdered--and, not only that, he was successful at it. There's literally like four hours between her decision to become Adrian Chase and her first kill. Zero physical training. Almost zero equipment testing. Zero soul-searching. Just, "Hey, I think I'll gank this Manhunter suit and kill the superpowered monstrosity."

Beyond that major but tactical pacing quibble, what bugs me the most about Manhunter is that, well, Kate Spencer is a really horrible person. Not just ambiguous, straight-up fucking horrible. Take the case of her son--leaving aside that she's a bit of a bad mother already, since she tends to forget that she has custody of him and just generally sucks at parenting, she leaves her Manhunter gear out where he can play with it. I'll give Andreyko this: he doesn't shy away from the consequences, and writes the curious little moron into a coma.

And, you know, I actually sort of thought that was pretty realistic for a rookie superhero, and interesting. If it ended there, I'd still be cool with Kate. But Kate doesn't stop at profound negligence, no sir.

Kate dives headfirst into intentionally destroying innocent people's lives, too. She acquires her sidekick, her Microchip, if you will, the man who will help her understand her stolen technology, by berating, blackbailing, physically threatening, and finally physically battering an ex-henchman she happens to have once prosecuted, who is now in the Witness Protection Program. This is really kind of beyond the pale morally and legally, and I'm having a real hard time identifying at all with this woman. It's also the sort of thing that only a rather stupid person would do, because any loyalty it engenders probably won't outlast the "accidental" total equipment failure during a fight that this savvy reader sees coming. It's also a little weird, because once this guy comes in, he instantly becomes the most likable character in the series. His henchman history montage is actually probably the best scene in these five issues.

So, given all this, I can see why this title might have turned off some readers! On the other hand, I like my protagonists to be shitheads, and I like my texts to acknowledge that they're shitheads, which Andreyko tacitly does. Hence, after a little soul-searching, I have decided to fully embrace Kate Spencer's human wasteland.

However, if anyone else has read Manhunter, two questions:

1)Does Kate Spencer ever become less of a extreme nitro-burning bitch?
2)If not, does Kate Spencer's utter sociopathy go to interesting places?

Finally, I guess Jae Lee forgot this was supposed to be a somewhat feminist title when he was drawing the cover with Manhunter presenting to the reader. Stay classy, DC.

(On the other hand, he also did one of the most interesting, disturbing, and Freudian images I've seen in a while:

225px-Manhunter_KateSpencer.jpg


Heh. Neat.)
 
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It's been a way since I read this but I don't remember it getting much better. Also it does a few massive Retcons on previous Manhunters that I wasn't very impressed with.
 
Did they ever explain how Paul Kirk happened to call himself the same name, and wear the same colors, as the Oans' mecha-police? I always thought that was weird.

"Why do these killer robots look like a half-forgotten vigilante from the 1940s?" That's actually one of those things where any real explanation would probably be stupid and counterproductive. Heck, I'm probably more interested in how his mask is supposed to work. That sort of flies with Mr. Miracle, where you can just assume it's some New Genesis superfabric, but how do you make a mask, using 1940s materials, to wrap around your lips and your eyelids?

Now I want to read The Golden Age again.
 
I thought it was retconned back around the time of "Millennium" that both he and Dan Richards were backed or funded by the Oan Manhunters and didn't realize it? I could be remembering that wrong. I know it was true for Dan.
 
The only one who got massive retconned was the Manhunter of the nineties.

Mark Shaw's back-story was massively changed with most of his history being simply implanted memories (which means the most important story-lines in his own series never actually happened) and he was even his own arch-enemy, I call that massive!
 
I thought it was retconned back around the time of "Millennium" that both he and Dan Richards were backed or funded by the Oan Manhunters and didn't realize it? I could be remembering that wrong. I know it was true for Dan.

This is what the last manhunter series retconned back out. The US govt found Oan Manhunter technology at the end of the WW2 and every Manhunter since (expect the current one) is the result of their experimentation.
 
They showed later on that the extent of the memory implants and brainwashing were not as great as it was first thought. For example, Shaw becoming Dumas occurred only later after the death of the first Dumas that had been his original nemesis.
 
My girlfriend's reaction was "meh."

After a few days' reflection, she's right--from the first volume, it really was a "meh" kind of series, even without the jerkass anti-hero protagonist (which I kinda liked, but not so as it'd remove the flaws). I realize I forgot to mention the art: also meh. I mean, if Jae Lee had handled interiors, it'd at least be special in that regard, but I can't actually remember the artist's name. It had almost a Valiant house-style thing going. Which is not bad, but nothing that elevated a rather rushed and sloppy, even cliche, story.

I need to go back and read the old reviews, because I'm really curious as to how this was hailed as the second coming. Was it really just because it had a realistically flawed female protagonist? Is that really all it takes? That says some pretty bad stuff about comics as a medium and superheroics as a genre, if that's the case.

Maybe I'll get the second volume? : /
 
I need to go back and read the old reviews, because I'm really curious as to how this was hailed as the second coming. Was it really just because it had a realistically flawed female protagonist? Is that really all it takes?

Well, these are superhero comics.

I haven't read it, but I plan to pick it up from the library some day. Have you read Alias/Pulse? I get the impression they're similar.
 
Alias is the shit. Bendis' best work that I know of, Powers included.

But Alias had the advantage, with me, of being read in one go, so I went from those formative issues to the confrontation with the Purple Man in, like, six hours.

It might also have helped that Jessica Jones was flawed, sure, but much, much less of a scumbag than Kate Spencer. Hard to say.

For some reason I remember Pulse being rather bland. Could be wrong.
 
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