The thing is though, I would have thought, is that it is the characters who MAKE ST. That's what I would have thought, over the last 40 years.
To hear him say that he doesn't identify with them makes my jaw drop. But, I suppose, that's one new fresh perspective- ST without the characters!
Starship is right. This film has been made and either a lot of people will come to see it, or they won't. They'll do a survey if it doesn't succeed and try to find out why and then they may or may not do another one.
As a writer myself, I can honestly tell you that you don't have to make characters you identify with in order to tell a character driven story. For example, Silence of the Lambs has characters of both unrealistic evil and unrealistic wit (even for fictional FBI agents), but it's still very much a classic because the twists and turns were all character driven as opposed to "Bam! Surprise!" that many plot driven stories are prone to. But I've never heard anyone say Starling or Lecter identify with them.
Or, to bring in a more Trek example: In the Pale Moonlight is regarded as a modern classic. It has its fans and its detractors, and to this day the morality of the episode tends to bring some fierce debates. But when all is said and done, while some sympathize with Sisko, while some condemn his actions, no one has said they identify and feel what he feels, because frankly, Sisko's dilemma is out the scale of what the vast majority of viewers feel. No one identifies. And yet it's still considered a masterpiece and very much more character driven than most Trek episodes.
Also, really, how accessible can it be if it's a period piece? Whether it be the 13th Century or the 23rd Century, there's going to be some disconnect. In a world like Trek, sometimes that disconnect is needed, unless you can tell me what it's like to be an emotionally-suppressed Vulcan who beams from ship to planet on a routine basis.
Now can we all stop hiding thinly veiled cynicism by thrashing easily malleable comments?