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5 reasons Into Darkness is a great Trek film

If the poll was actually fair, instead of 100 hard-core angry uber-fans at a Trek convention done by an equally angry uber-fan, then I wouldn't say it's bullshit either.

But it's not fair, or accurate, and simply is bullshit.

Exactly. What's annoying is the way everybody is treating this so-called "poll" as though it actually reflects the views of all us old-school Trek fans . . . .
 
Maybe the reason financially successful movies are getting good reviews is because they are... good?

I am of the opinion that people are more discriminating with how they spend their money on movies, given that a movie's theater run is much shorter and the home theater experience is much better and more cost effective these days. People are more willing to open their wallets for a movie that is deemed "worth it".
 
I always thought Khan from the Wrath of Khan was a bit of a"moustache-twirler." An over the top one dimensional bad guy. That really isn't a criticism just more of an observation. Hollywood has many examples of clear-cut, black and white good guys vs, bad guys and in TWOK Khan was a simple bad guy.
I agree. If it hadn't been for the actor, MontalKhan would have long since been forgotten. I think Marcus was much the same. The character himself was not well conceived, but Weller made the best of it. But I think that's the trend with most great cinematic villains. There are very few who start out great on the page.
 
Steel Magnolias is the best Star Trek film, and Faraci would have made damn sure that finished above Into Darkness as well.
 
Yes, Galaxy Quest is one of the better Star Trek movies.

Also, Master and Commander: The Far Side of The World.

I think MASH is one of the better Star Trek movies.

Maid in Manhattan is and always will be the best Prime Universe Star Trek movie.

Don't forget the original Trek movie, Horatio Hornblower. Gregory Peck is still the best Trek captain, ever.
With Curt Jurgens as the Romulan Commander and Theo Bikel as Centurion.
 
Strongly agree on the first but thought Marcus was (though underdeveloped) too much of a "moustache-twirler."

I always thought Khan from the Wrath of Khan was a bit of a"moustache-twirler." An over the top one dimensional bad guy. That really isn't a criticism just more of an observation. Hollywood has many examples of clear-cut, black and white good guys vs, bad guys and in TWOK Khan was a simple bad guy.

He was evil and even at times maniacal but I thought he also had significant pathos, notably "Admiral Kirk never bothered to check on our progress" and the buried alive monologue.
 
Allegorical Message:

I thought Into Darkness held a great a message, and was neatly wrapped off with Kirk's speech at the end of the film, about giving in to certain feelings can lead one "Into Darkness". My only complaint was I felt the message got lost at some point about 2/3 through the run.

Opening Sequence:

I have to agree that (now that I recall) this was a lot like a TOS episode feel, and I love the way the Enterprise warped off with the main musical score.

Above Average Villains:

Eh, yes and no. Cumberbatch was awesome, but he is not a good Khan, he is a good John Harrison. I always enjoy a good Peter Weller, and his character was a pleasant surprise.

Emotional Resonance:

I thought the Kirk/Pike scenes were wonderful and the same with Kirk/Spock.

Fun Factor:

Yeah this is pretty much my number one as well, it's just a fun ride that is exciting throughout. Love the effects and the variety of action, though I always want more ship on ship battles (like something out of Nemesis, one of the redeeming qualities of that film).
 
Strongly agree on the first but thought Marcus was (though underdeveloped) too much of a "moustache-twirler."

I always thought Khan from the Wrath of Khan was a bit of a"moustache-twirler." An over the top one dimensional bad guy. That really isn't a criticism just more of an observation. Hollywood has many examples of clear-cut, black and white good guys vs, bad guys and in TWOK Khan was a simple bad guy.

He was evil and even at times maniacal but I thought he also had significant pathos, notably "Admiral Kirk never bothered to check on our progress" and the buried alive monologue.
I agree he had a lot of pathos. He's the perfect villain. He's not - nor ever was - a complex villain. And yet he wasn't quite two-dimensional either. In addition to the pathos, he was imbued with believable motivations for his villainy, and Montaban gave it that extra push. But that film was never about Khan. They developed his reasoning and why he was such a threat early in the film.. not two dimensional but not overly-complex - but they never forgot that the film itself was about Kirk, and Khan was just enough of a wedge to push Kirk from his complacency back to a great captain who needed to learn the toughest lesson of all: the no-win scenario. The film was never about Khan.
 
the fabulous and colourful cast of actors

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I always thought Khan from the Wrath of Khan was a bit of a"moustache-twirler." An over the top one dimensional bad guy. That really isn't a criticism just more of an observation. Hollywood has many examples of clear-cut, black and white good guys vs, bad guys and in TWOK Khan was a simple bad guy.

He was evil and even at times maniacal but I thought he also had significant pathos, notably "Admiral Kirk never bothered to check on our progress" and the buried alive monologue.
I agree he had a lot of pathos. He's the perfect villain. He's not - nor ever was - a complex villain. And yet he wasn't quite two-dimensional either. In addition to the pathos, he was imbued with believable motivations for his villainy, and Montaban gave it that extra push. But that film was never about Khan. They developed his reasoning and why he was such a threat early in the film.. not two dimensional but not overly-complex - but they never forgot that the film itself was about Kirk, and Khan was just enough of a wedge to push Kirk from his complacency back to a great captain who needed to learn the toughest lesson of all: the no-win scenario. The film was never about Khan.

Which film?

King Lear is the best Star Trek movie ever made.

Only the original Klingon film. None of those shitty Terran reboots/rehashes ever came close to it.

Earth, Ebert. 1988.
 
The following includes ST09 as well.

1. It was fun.

2. It is the closest thing to TOS I've ever seen.

3. It was fun.

4. Non-fans actually want to watch it. (neighbors already asked to borrow STID)

5. Did I mention how fun it was?
 
The following includes ST09 as well.

1. It was fun.

2. It is the closest thing to TOS I've ever seen.

3. It was fun.

4. Non-fans actually want to watch it. (neighbors already asked to borrow STID)

5. Did I mention how fun it was?

:techman:
 
He was evil and even at times maniacal but I thought he also had significant pathos, notably "Admiral Kirk never bothered to check on our progress" and the buried alive monologue.
I agree he had a lot of pathos. He's the perfect villain. He's not - nor ever was - a complex villain. And yet he wasn't quite two-dimensional either. In addition to the pathos, he was imbued with believable motivations for his villainy, and Montaban gave it that extra push. But that film was never about Khan. They developed his reasoning and why he was such a threat early in the film.. not two dimensional but not overly-complex - but they never forgot that the film itself was about Kirk, and Khan was just enough of a wedge to push Kirk from his complacency back to a great captain who needed to learn the toughest lesson of all: the no-win scenario. The film was never about Khan.

Which film?

I was talking about the Wrath Of Khan
 
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I agree he had a lot of pathos. He's the perfect villain. He's not - nor ever was - a complex villain. And yet he wasn't quite two-dimensional either. In addition to the pathos, he was imbued with believable motivations for his villainy, and Montaban gave it that extra push. But that film was never about Khan. They developed his reasoning and why he was such a threat early in the film.. not two dimensional but not overly-complex - but they never forgot that the film itself was about Kirk, and Khan was just enough of a wedge to push Kirk from his complacency back to a great captain who needed to learn the toughest lesson of all: the no-win scenario. The film was never about Khan.

Which film?

I was talking about the Wrath Of Khan

Thank you.
 
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