Should Ebooks be edited to be consistent with PIC, or DSC?
I did, with my ebook copy of Desperate Hours. Changed the reference to Saru's homeworld being Kelpia to Kaminar.
Should Ebooks be edited to be consistent with PIC, or DSC?
January 5 - Picard: The Dark Veil by James Swallow
April 13 - SHO
May 18 - DTP
June 15 - OATW
July 27 - STR
And a new non-fiction book I had heard about before:
August 3 - Star Trek: Designing the Final Frontier: The Untold Story of How Midcentury Modern Decor Shaped Our View of The Future by Dan Chavkin
Ah, thanks.SHO would be Shadows Have Offended - a TNG novel by Cassandra Rose Clarke.
Probably part of the new contract, I think it started once they came back after the new contract was set up. Might also be because they switched to trades paperbacks.
To ease the financial burden on those fans who buy all the books. With only eight TPB novels a year, they're only spending forty dollars more a year then they did when there were twelve MMPBs. If there were twelve TPBs, they'd be spending double the amount they did when they were getting twelve MMPBs.Can someone explain why only 8 books a year?
Okay, who's gonna work out an average yearly word count on Star Trek novels to see if this is accurate?Given that the trades are more expensive than MMPBs and typically somewhat longer, the reduced number per year kind of balances out.
Okay, who's gonna work out an average yearly word count on Star Trek novels to see if this is accurate?
welcome to publishersI think it takes a pretty grimly mechanical view of storytelling.
If you value variety and diversity, a decline in the number of novels is bad news even if the “words per penny” hasn’t changed as much.
has there been one major driver pushing publishers more to tpb?I'm not speaking for S&S here, since I'm not privy to their internal deliberations, but, in general, mass-market publishing and trade paperback publishing operate differently: different schedules, different profit margins, different markets, different return rates, etc. . . . so there are bound to be adjustments once you make the executive decision to focus on TPBs, which is part of a larger trend in publishing in general as opposed to being just a STAR TREK thing. (Tor used to publish four CONAN novels a year, plus one TPB; that hasn't been the case in forever. And my LIBRARIAN novels were all published as TPBs first, then only later as mass-market paperbacks.)
Trek does not exist in a bubble, apart from the rest of pop culture and entertainment. The TV shows move to streaming; the books become trade paperbacks, because that's where the businesses are trending these days.
has there been one major driver pushing publishers more to tpb?
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