Epic update! Thanks to Maxwell Everett, the full Season 2 Trailer in 1080p, plus HD Screencaps of the trailer...
http://tng.trekcore.com/bluray/index.html#s2trail
http://tng.trekcore.com/bluray/index.html#s2trail
Epic update! Thanks to Maxwell Everett, the full Season 2 Trailer in 1080p, plus HD Screencaps of the trailer...
http://tng.trekcore.com/bluray/index.html#s2trail
Here's a comparison of the exploding SS Tsiolkovsky shot:
http://screenshotcomparison.com/comparison/136314
In the HD episode, the collision and subsequent explosion happen a few frames earlier, so the shots do not perfectly match up.
Here's a comparison of the exploding SS Tsiolkovsky shot:
http://screenshotcomparison.com/comparison/136314
In the HD episode, the collision and subsequent explosion happen a few frames earlier, so the shots do not perfectly match up.
What's the deal with the registry number? The previously released shot of the Tsiolkovsky with the Enterprise had it as NCC-53911, but I thought this was fixed from having the Grissom's number (NCC-638), yet in this shot it's NCC-640?
Here's a comparison of the exploding SS Tsiolkovsky shot:
http://screenshotcomparison.com/comparison/136314
In the HD episode, the collision and subsequent explosion happen a few frames earlier, so the shots do not perfectly match up.
What's the deal with the registry number? The previously released shot of the Tsiolkovsky with the Enterprise had it as NCC-53911, but I thought this was fixed from having the Grissom's number (NCC-638), yet in this shot it's NCC-640?
That's a good point. But it always looked like a rock anyway. A glowing space rock.only problem is it wasn't a rock thrown at the ship, it was stellar material....
That's a good point. But it always looked like a rock anyway. A glowing space rock.only problem is it wasn't a rock thrown at the ship, it was stellar material....
*Shrug*
It's nice to finally see just how stunning the model work was on TNG.![]()
Season Two Trailer has been sent off to TrekCore. Look for it there soon!
More caps to come later on.
I got so used to seeing it with that soft, washed-out lighting over the years. In fact there was something almost magical and romantic about seeing it that way that I'm going to miss.
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