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The Muppets (2011)

Saw it yesterday, as it was finally released here. Been wanting to see this for a while, after hearing reviews from some folks here on facebook. Seriously loved it.

He wouldn't necessarily have to appear, but he could perhaps still write them. I think that the Muppets have found a great showrunner in Segel. Maybe in a few years time they could even bring back the TV show. Although maybe a movie once every few years is enough.
That would be awesome.

Watched all of the video parodies with the trailers. brilliant.
 
I saw it recently myself, and while it had a lot of charm, a lot of successful humor, and pretty good musical numbers, some aspects of it fell short for me. For one, I didn't find Segel and Adams to be especially engaging as the leads. They were okay, but they (or someone else) could've been better. For another, the celebrity guests other than Jack Black were underutilized -- particularly Neil Patrick Harris, who strikes me as a natural Muppet-guest sort of person but was barely used at all. (Now, if NPH had played Gary, that might've worked better for me. He's certainly a better singer than Segel.)

Mainly, though, I didn't care for its portrayal of Kermit. Kermit's supposed to be a natural leader, someone who inspires hope and positive action in others. He's a nice guy, sure, but with enough strength and assertiveness to keep a horde of mismatched loonies under control and focused on a goal. But here he was this sad, defeated guy who needed everyone else to talk him into trying things and kept giving up at the drop of a hat. Every time they hit a setback, Kermit's immediate reaction was, "Oh, sorry, guys, I guess there's no hope after all" until someone else came up with a suggestion, and it got increasingly frustrating to me every time it happened, because I wanted to see Kermit step up and be the frog he used to be. But he never quite got there -- or to the extent he did at the end, after the telethon, it felt like too little, too late. I feel they undermined Kermit in order to make Walter the hero. Or maybe they were trying so hard to make Kermit a nice guy (something that I gather was an issue that came up in the rewrites) that they forgot he could be bold and assertive and daring as well. I mean, Kermit was the alter ego of Jim Henson, who was not just an easygoing guy but an innovator who strove to push the envelope and readily took risks.
 
^ Wasn't that the point of Kermit's character arc in the film, though? That he goes from being someone uncertain of who he is and what he was (after all, under him the Muppets dissolved) to becoming again the hopeful, optimistic leader he once was?
 
^ Wasn't that the point of Kermit's character arc in the film, though? That he goes from being someone uncertain of who he is and what he was (after all, under him the Muppets dissolved) to becoming again the hopeful, optimistic leader he once was?

Yeah, except it took way, way too long to get him to that point and it seemed half-hearted when he did. It just got repetitive and depressing the way his immediate response to any setback was complete defeatism. At least they should've varied his reactions some. Henson's Kermit had a temper. He yelled a lot. He was never mean or arbitrary, but he coud get frustrated or lose his patience or get angry at people who deserved it. At least he'd give a disgusted look and go "Sheesh." (I remember him getting pretty indignant at Doc Hopper in The Muppet Movie. And he was constantly getting into screaming matches with Piggy, there and elsewhere.) But here, I think the writers were too influenced by the idealized image of Kermit as a "nice guy," so that they left out his other facets and he just went back and forth between gentle hopefulness and gentle despair. His edge was gone, and so, it seemed, was his spine. (Or would that be his radius and ulna?)
 
Dunno, but I think part of it had to do with Mary, Greg and Walter's roles in getting him to realize it could be done. It felt more realistic to me that way, especially since Kermit had been absent from showbiz for so long, which can happen to anyone if they've been away from something for so long. I know that if I'm away from something for too long, I start to second-guess myself, and I see it as exactly what happened here. He needed more than just convincing. He needed to see the proof that people still care about them and it didn't happen until the seats started getting filled in the theatre. What I took away from that as a message was that, sometimes you need an outside influence to make you realize that you're making an impact, that you're doing good work. Ten years is a long time. I don't blame him for doubting himself and having it take a long time for him to realize he's still relevant.
 
Dunno, but I think part of it had to do with Mary, Greg and Walter's roles in getting him to realize it could be done. It felt more realistic to me that way, especially since Kermit had been absent from showbiz for so long, which can happen to anyone if they've been away from something for so long.

Yes, sure, I get that, and it would've worked great if it had been resolved by the end of Act One. Instead it dragged out through the whole movie, and as I've already explained twice, it just got repetitive and tiresome. I don't mind seeing Kermit start out defeated and need some help getting his confidence back. My problem is that he never really did get his confidence back until the end of the picture, that he just kept giving up over and over and over again every time the slightest setback happened.
 
^ As I mentioned above, I think that was kinda the point. That his confidence was shot and he had trepidation on whether or not the Muppets could come back based on how things were left. It wasn't until the show went on, culminating with his and Piggy's duet, that he realized "you can go home again." Whether you feel it was executed well or not is another matter entirely. Personally, I liked it and it never felt repetitive to me.

But, that aside, I don't know if it would have worked for me if his character arc was resolved so quickly as you suggest given the direct or implied interactions with other characters in the flick. Besides his already discouraged attitude, things like his deteriorated-into-awkwardness friendship with Fozzie and his destroyed relationship with Piggy would have made an optimistic, can-do attitude feel forced and at odds with how his relationships with others was depicted. :shrug:
 
^But I don't want to see a Kermit that's so thoroughly broken and defeated. I miss the Kermit I grew up respecting as an inspirational figure. I don't care how much it can be rationalized within the context of the story -- the result is disappointing and sad to watch.

And like I already said, the least they could've done was varied Kermit's reactions -- had him show frustration or anger like the real Kermit would from time to time. The writing of this version of Kermit was filtered through a nostalgic haze, an artificial insistence that Kermit was a "nice guy" who'd never raise his voice or get angry. That's untrue. Watch The Muppet Show and Kermit is yelling all the time. Kermit was out of character here.
 
I think I understand your point now. It isn't so much that the writing was bad, but that it wasn't the way you would have done it.

The writing of this version of Kermit was filtered through a nostalgic haze, an artificial insistence that Kermit was a "nice guy" who'd never raise his voice or get angry.

I didn't get that impression at all. :shrug:
 
^I've read about it in articles on the production of the film. An earlier draft had a Kermit with more of an edge, but the screenwriters were advised by some of their consultants that Kermit would never say an unkind word to anyone, so they softened him in later drafts. And from what I saw on the screen, I'd say they took it too far.
 
^I've read about it in articles on the production of the film. An earlier draft had a Kermit with more of an edge, but the screenwriters were advised by some of their consultants that Kermit would never say an unkind word to anyone, so they softened him in later drafts.

Not quite. Earlier drafts of the screenplay -- and this is the part of the drafting process that led to Frank Oz completely disowning the project (beyond him being pissed about Disney choosing The Muppets over The Cheapest Muppet Movie Ever Made) -- had Kermit himself in disguise as Tex Richman, since he knew the Muppets would need someone to band together against, so he created a villain. When sending his notes back to Segel and Stoller, Oz said it was wrong on a fundamental level, because Kermit could never lie or be deceitful, especially to his fellow Muppets.
 
Wow...that would have been clever. But, I can see why they would take it out as it is a bit radical of an idea.
 
Not quite. Earlier drafts of the screenplay -- and this is the part of the drafting process that led to Frank Oz completely disowning the project (beyond him being pissed about Disney choosing The Muppets over The Cheapest Muppet Movie Ever Made) -- had Kermit himself in disguise as Tex Richman, since he knew the Muppets would need someone to band together against, so he created a villain. When sending his notes back to Segel and Stoller, Oz said it was wrong on a fundamental level, because Kermit could never lie or be deceitful, especially to his fellow Muppets.

While I don't dispute that's true, it's a separate thing from what I'm talking about.
 
I think I see what you mean, Christopher. Like when Kermit and Piggy were out walking in Paris, I almost expected him to yell and argue at her out of frustration and then walk away in a huff. Instead he just seemed to take the abuse, which isn't out of character given their history, but at the same time it wasn't just about them getting back together as a couple, but getting back the gang as a whole, and he needed her to realize that.

There's also the scene when they're all together outside. I could see his frustration and reluctance and his friends trying to get him out of that funk. As a leader though, he didn't know what to do. I expected him to yell out of frustration there too, but in the context of the movie, I think it was to show that leaders don't all have the answers.
 
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Yeah, I don't think Kermit's behavior was at all out of character; his character had simply changed. It had been a long, long time since he had played the role of leader, and I think he was suffering from some abandonment issues with Piggy and the rest of the Muppet crew. That's why he needed Walter; Kermit just didn't have it in him to lead the Muppets like he used to.
 
I think I see what you mean, Christopher. Like when Kermit and Piggy were out walking in Paris, I almost expected him to yell and argue at her out of frustration and then walk away in a huff. Instead he just seemed to take the abuse, which isn't out of character given their history, but at the same time it wasn't just about them getting back together as a couple, but getting back the gang as a whole, and he needed her to realize that.

It's true that Kermit & Piggy's relationship has historically been fiery, with a lot of yelling on both sides. But the Kermit-Piggy scenes in this movie actually worked pretty well for me. I agree that it was informed by their (implied) history as a couple, and there was some good character writing there. It made sense in that context that Kermit would be more apologetic and subdued.


There's also the scene when they're all together outside. I could see his frustration and reluctance and his friends trying to get him out of that funk. As a leader though, he didn't know what to do. I expected him to yell out of frustration there too, but in the context of the movie, I think it was to show that leaders don't all have the answers.

Sure, and that would've worked great up to a point, but I just think they took it too far. Showing doubt and frustration would've been one thing, but his immediate response to every single setback was complete despair and surrender, and that was just taking it too far. It should've been more of an arc -- maybe at first he takes the setbacks in stride and tries to keep everyone's spirits up, but then as things get worse and worse, he has to struggle more to find any hope, and that's when he needs his friends to do for him what he's always done for them. That's my problem -- that his character progression through the movie was more a flat line than an arc.


Yeah, I don't think Kermit's behavior was at all out of character; his character had simply changed. It had been a long, long time since he had played the role of leader, and I think he was suffering from some abandonment issues with Piggy and the rest of the Muppet crew. That's why he needed Walter; Kermit just didn't have it in him to lead the Muppets like he used to.

Yes, obviously that's the way the writers chose to portray Kermit. I don't need that explained to me. What I'm saying is that I don't like that portrayal. It's sad for me as a lifelong fan of Kermit, as someone who's always seen him as an inspirational figure. I don't want to see my heroes so completely broken and marginalized. Particularly in something like this where the whole goal is to return them to their former glory.

I've felt for a long time that Kermit was getting increasingly marginalized in post-Henson Muppet productions. The emphasis in the movies and specials over the past couple of decades has been shifting increasingly away from the core of Kermit, Fozzie, and Piggy and more toward the favorite characters of the current lead Muppet performers -- Gonzo (Dave Goelz), Rizzo (Steve Whitmire), and that irritating prawn Pepe (Bill Barretta). It's like if the later Star Trek movies had become the adventures of Scotty, Chekov, and Saavik, with Kirk, Spock, and McCoy sort of hanging around in the background. This movie was the big chance for the core threesome to return to center stage, and while it handled Fozzie and Piggy pretty well, it diminished Kermit too much. And that made me sad.
 
Well, for what it's worth, I'm sure Kermit will be more cheerful in the next movie now that he's over that hurdle, and considering this movie's success, I don't doubt that there will be one. Which brings an interesting thought. I wonder if they'd create movie arcs that join future movies together, unless they're based on classics like Treasure Island and A Christmas Carol. I see those as different as they're the muppets playing out different characters. I look forward to seeing what they do next now that they've got they revived the franchise.
 
Well, for what it's worth, I'm sure Kermit will be more cheerful in the next movie now that he's over that hurdle, and considering this movie's success, I don't doubt that there will be one. Which brings an interesting thought. I wonder if they'd create movie arcs that join future movies together, unless they're based on classics like Treasure Island and A Christmas Carol. I see those as different as they're the muppets playing out different characters. I look forward to seeing what they do next now that they've got they revived the franchise.

I personally hope they attempt some kind story arcs. With the introduction of Walter, I feel like this new movie was (as weird as this sounds) more grounded in the real world than other Muppet movies. I hope Walter continues to be a main character, and I hope that Jason Siegel and Amy Adams reprise their roles as a result.
 
So Kermit wasn't happy as one of the Teenage Mutant Ninja Turtles? :confused:






I suppose I should include a disclaimer that I'm joking....
 
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