Authors: keep your politics out of my Star Trek.
Politicians: keep my Star Trek out of your politics.
Thanks.
For some reason that reminded me of those old Reese's ads about your chocolate and my peanut butter.

Authors: keep your politics out of my Star Trek.
Politicians: keep my Star Trek out of your politics.
Thanks.
^ Now watch: "Solanco" is going to turn out to be the name of some obscure Third World dictator I've never heard of, and everybody's going to be wondering what I was thinking naming a starship after him!![]()
Just South Lancaster County so far as I can tell. Which, as a graduate of Elizabethtown College, I must say is delightful![]()
Dare I admit that it took me a year to figure out what Solanco stood for? When we first moved down here, I kept wondering who was this "Solanco" that everything was named after. Solanco Utilities, Solanco Fair, Solanco Plumbing . . . .
Some distinguished local family or Indian tribe?
Then one day it hit me. "Oh. South Lancaster County."
Yeah, I'm slow sometimes.
Dare I admit that it took me a year to figure out what Solanco stood for? When we first moved down here, I kept wondering who was this "Solanco" that everything was named after. Solanco Utilities, Solanco Fair, Solanco Plumbing . . . .
Some distinguished local family or Indian tribe?
Then one day it hit me. "Oh. South Lancaster County."
Yeah, I'm slow sometimes.
Eh, no big. I figure local stuff like that is supposed to be hard to pick up on. Let's them know who's an outsider.![]()
Star Trek has always been political, has rarely been subtle about it, and has usually been staunchly liberal and anti-war (even while being pro-military). First interracial kiss? Kirk and Uhura in "Plato's Stepchildren"? Remember that? Today we see that as a historic moment of progress, but at the time, it was seen by many as a highly inflammatory political statement being shoved in people's faces.
So I admit I always scratch my head when people complain about mixing politics and STAR TREK. That's been part of the formula since Day One . . ..
STAR TREK is a liberal, secular humanist vision of the future--and always has been. IMHO.
After the publication of A Time to Heal, I got hate mail from people on the left calling me a right-wing apologist for "glorifying torture" and hate mail from folks on the right for many of the reasons cited upthread. I figured that if I managed to make people on both sides of the fence frothing-at-the-mouth angry with the same book, I must have done something right.![]()
It never ceases to amaze me when anyone tries to insist that creative people should only create things that appeal to their personal preferenes. Whether you're talking political or religious views, or simply shouting to the winds that Star Trek can't be my Star Trek without x, y, or z, the lack of understanding or respect for the creative process is stunning.
A Time to Kill/Heal were released over six years ago. Meanwhile, Diane Carey hasn't published a Trek story in a decade. Complaining about this here and now is like complaining about all the magazine covers Matt LeBlanc has been on lately.
^I think recent TrekLit is full of places where the political commentary is incisive and does, indeed, serve the story. I actually put Kill/Heal in that category unquestionably, as well as (for instance) the recent Paths Of Disharmony. That book was absolutely about modern American politics, without ever not being about Andor.
I'm not sure if I want to stick around for the pure entertainment value this thread is sure to have, or just run and hide.
Still, I never saw the Federation as a "Socialist Utopia",
Despite the lack of money, needs being provided for all, and total looking down on of Ferengi and 20th century corporate CEOs.
Complaining about politics in Star Trek (in any medium) is like complaining that the ocean is wet.
The point is that he was elected.![]()
Well, if that's all that matters, then sure, let's have a U.S.S. Fujimori.
Eh, I was merely trying to rebut Sci's argument that the United States is the only country in the world where a minority candidate could become president.
Well, if that's all that matters, then sure, let's have a U.S.S. Fujimori.
Eh, I was merely trying to rebut Sci's argument that the United States is the only country in the world where a minority candidate could become president.
Except that that wasn't my point per se. I was referring specifically to a member of a minority group that has traditionally been horribly oppressed, and in particular to black people, and I thought I had made that clear in my post.
I'm no expert on Peru -- does it have a history of persecuting Japanese-descended persons as extensively as the United States persecuted African-descended persons?
There's a SHARP difference, though, between political polemic (annoying) and using your writing as a playpen where you can off a sitting president (disgusting).
[And before anyone asks, I got mad at someone (not a Treklit author) who wrote that kind of story involving Obama. Even though they did a "reset button" at the end and fixed it...God, it made me sick. And angry. I don't care how bad my disagreements with Obama are...I find that so horrifying and sickening I absolutely cannot read it.
Eh, no big. I figure local stuff like that is supposed to be hard to pick up on. Let's them know who's an outsider.![]()
Tell me about it! I'm convinced the local papers are written only for people who have lived in the area for generations. They seldom give directions, addresses, or phone numbers for anything, but just assume you know where the "Solanco Fairgrounds" or "Redman's Pavilion" or "The Octararo Inn" are!
I think that happens when a reader believes that Mack crossed the line between it being "unclear whether anyone has really done the right thing" and "clear that the characters have done the wrong thing".I can't understand how anyone can read a David Mack book and see only a simplistic, black-and-white moral parable. His books are full of unnerving, ambiguous situations, stories where the heroes have to make uneasy moral compromises and questionable choices, stories where the nominal antagonists can be sympathetic and admirable, stories where it's unclear whether anyone has really done the right thing.
Eh, I was merely trying to rebut Sci's argument that the United States is the only country in the world where a minority candidate could become president.
Except that that wasn't my point per se. I was referring specifically to a member of a minority group that has traditionally been horribly oppressed, and in particular to black people, and I thought I had made that clear in my post.
I'm no expert on Peru -- does it have a history of persecuting Japanese-descended persons as extensively as the United States persecuted African-descended persons?
I'm not an expert on Peru either, but in that case it's still a bit far-fetched to say that Turks are "presecuted" in Germany the way black were in the United States (since you made a direct comparison between a black U.S. president and a Chancellor of Turkish descent in Germany).
I think that happens when a reader believes that Mack crossed the line between it being "unclear whether anyone has really done the right thing" and "clear that the characters have done the wrong thing".
I can't understand how anyone can read a David Mack book and see only a simplistic, black-and-white moral parable. His books are full of unnerving, ambiguous situations, stories where the heroes have to make uneasy moral compromises and questionable choices, stories where the nominal antagonists can be sympathetic and admirable, stories where it's unclear whether anyone has really done the right thing. If you think Dave is endorsing or celebrating any of the dark actions taken against the antagonists of his books, you're not paying attention at all. What Dave is doing is not letting his characters off the hook. That's his trademark as a writer. He doesn't pull his punches. He doesn't just bring characters to the brink of death, he kills them hard. He doesn't just have characters flirt with the line between good and evil, he shoves them across it and down the slippery slope, so that they have to face the full, horrifying extent of what it means to make an ethical compromise. He doesn't leave them, or the readers, the comfortable recourse of pat, easy answers. Mirror Spock has to become as ruthless and violent as the Empire he hopes to overthrow. Bashir has to shoot to kill in order to survive on his spy mission. Lonnoc Kedair has to live with a friendly-fire mishap that she caused. And Admiral Ross has to face the knowledge that when he made a deal with the devil for the good of the Federation, he wasn't as able to control that devil as he'd fooled himself into thinking.
It's also worth noting that sometimes the "politics" of a story are determined by the characters and genre. I don't necessarily agree with the Federation's hard-line ban on human genetic engineering, but felt obliged to stick to the Star Trek party line when writing the Khan books.
On the other hand, if I was writing a CONAN novel, I'd wouldn't try to sneak in civilized, progressive values. It would be all blood and thunder and barbarism by Crom!
One more example: I recently wrote a PHANTOM story set during the French Revolution, in which the Ghost Who Walks rescues a beautiful young countess from the guillotine. Does this mean I'm a closet monarchist and counter-revolutionary? Of course not. I just wanted to write a swashbuckling adventure in the vein of the Scarlet Pimpernal . . . .
One more example: I recently wrote a PHANTOM story set during the French Revolution, in which the Ghost Who Walks rescues a beautiful young countess from the guillotine. Does this mean I'm a closet monarchist and counter-revolutionary? Of course not. I just wanted to write a swashbuckling adventure in the vein of the Scarlet Pimpernal . . . .
I think there is a difference when you write a historical piece set in an established era of the past vs. "creating" a new era in the future.
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