There is almost nothing reasonable in your entire argument. Where to start?
I can't understand how anyone can read a David Mack book and see only a simplistic, black-and-white moral parable. His books are full of unnerving, ambiguous situations, stories where the heroes have to make uneasy moral compromises and questionable choices, stories where the nominal antagonists can be sympathetic and admirable, stories where it's unclear whether anyone has really done the right thing.
I think that happens when a reader believes that Mack crossed the line between it being "unclear whether anyone has really done the right thing" and "clear that the characters have done the wrong thing".
You get upset when the
villains have clearly done the wrong thing? It's not very clear in
Star Trek: A Time to Heal when
the protagonists (Picard, Troi, etc.) have done the right thing. Those are the characters to whom Christopher was referring. But it is very clear that
Section 31, villains, have done the wrong thing by assassinating Zife, and it's
never depicted as something the narrative endorses.
If this were nuBsG, then to be blunt, the worst behavior would be expected at all times and there would be no pretensions of anything being presented as an ideal. nuBsG as a universe is presented as an apocalyptic, worst-case scenario, a showcase of the absolute worst human behavior. Star Trek, on the other hand, is supposed to be an ideal universe in certain ways...playing out the way that we wish things could be, in many cases.
No.
Star Trek is supposed to be a
better universe, not an ideal one. It's a narrative setting that allows for a wide variety of settings and themes -- sometimes idealistic, and sometimes quite dark. It is the universe of both "The Devil in the Dark" and of "
Inter Arma Enim Silent Leges," and to claim that someone writing a
Star Trek story has some sort of obligation to refrain from depicting villainous characters doing bad things is just silly.
Given that the majority of the readers, and possibly authors, are indeed left-leaning, then what we have here is indeed a case of wish-fulfillment that is playing to an audience that is considered likely to "enjoy" it.
Again, bullshit. If that were the case, then that chapter would not have ended with the phrase "the murderous hands of Section 31." That's not wish-fulfillment, that's
condemnation from the narrative itself.
And your entire thesis here -- that liberal Trek fans will enjoy a story where a Bush substitute gets murdered -- is fallacious. And by fallacious, I am
I am personally insulted you would make that assumption.
I am a Liberal. I am a Progressive. I support same-sex marriage, I want to tax the rich, I think the banks that caused the Great Recession should be nationalized, I think the Iraq War was a crime against humanity, I think George W. Bush is a war criminal, I support tougher environmental standards, I support the right to unionize as sacrosanct, and I think it's time to declare victory and leave Afghanistan. I've been called a Socialist.
I say that not to argue the merits of my beliefs, but to establish my bona fides: I am very much a left-leaning
Star Trek fan who enjoyed seeing a Trek novel comment on the Bush Administration and the Iraq War.
And I
did not enjoy the idea of someone assassinating the President.
It was a clear example of someone taking their anger at a President too far, of someone becoming just as bad as him or worse, and I did not experience any sort of wish fulfillment.
You know what would have been wish fulfillment for me? The Federation Council passing articles of impeachment against Min Zife and him being indicted by a Federation Grand Jury.
That would have been liberal wish fulfillment, because that's what we liberals wanted to see happen to George W. Bush. And that didn't happen in the novel.
That was not liberal wish fulfillment, that was a liberal horror scenario. And a conservative horror scenario. And a moderate horror scen-- Really, it was just a horror scenario all around.
As for the person who made the comment that there are times when depicting a fictional assassination is a useful plot point, yes--there are indeed cases where it can work. Even alternate-history works can be written, after there is sufficient distance between the person's life and the writing of the work in question (we have, for instance, sufficient distance from the lives of the leaders of World War II to do this). But NOT when it is an intentional, deliberate parallel to a living person and (at the time the book was written) a current office-holder. That is inexcusable, because it constitutes gloating about the possibility of a currently-living person's violent death.
Absolute, complete and utter, rank, pure, 100% grade-A bullshit.
You may not
enjoy a story in which a fictionalized version of a real office holder is assassinated, you may reasonably argue that it's not in good taste because of the negative feelings it stirs up, but that does
not mean that such a depiction constitutes gloating about the possibility of a living person's violent death. A creator may have any number of reasons for making such a depiction, including condemning acts of violence!
For you to assume that any depiction of an assassination is inherently endorsing or "gloating" about such a possibility is just absurd and irrational. In the musical
Assassins, for instance, even when an assassination or attempted assassination is depicted in an ironic or somewhat flippant manner, the intent is not to be flippant about the assassination itself, but rather to use depictions of acts of political violence to examine the horrors of American society. In the film
Death of a President (2006), the intent was not to gloat about the possibility of then-President Bush's assassination, but to explore what one scenario of how America would respond might say about how America works.
You need to learn to distinguish between a press release making a political argument and a novel.