That it is. The Body didn't do much for me the last time that I watched it. Depends on the mood and frame of mind, I suppose.I've just rewatched the entire run, funnily enough. First time since it aired. I enjoyed it just as much now as I did back then. It's a shame when you lose interest in something that you used to enjoy. I know that's happened to me in the past with tv and film.
I don't think that she really was much of a character; at least not at the beginning. The premise of the original movie was merely a subversion of a familiar horror movie trope; the character who should be easy fodder for the baddie and usually gets killed early on turns out to be the butt-kicker. On the face of it, that suggests a series of ditzy character traits instead of a fully-formed character per se. As in a lot of good TV shows and movies, though, I don't think that there's much focus on the main protagonist's characterisdation; she's there as an enabler, a POV character. Not sure how the self-righteousness evolved, but I suspect that it was a way of adding an appropriate level of depth.I just don't see how anyone can like Buffy (the character).
Amen to that. BSG is in a sense The Sopranos in space. One may be entertained or moved by the characters (and the very fact that they can be relied on to do the wrong thing), while accepting that they are, to borrow and possibly misuse a phrase from Red Dwarf, "the human equivalent of a visible panty line". I'd add Deadwood to the list too for Ian McShane's always-watchable and often-likeable monster Al Swearengen.There's a difference between being a likeable person (as someone you'd actually like to be friends with in real life) and a likeable character in the sense that you can empathize or relate to them when watching the show. The lack of the latter can be a real problem when watching the show; the lack of former, not so much. Battlestar Galactica, Oz, The Sopranos also come to mind as examples of shows where I 'like' many of the characters in the latter sense, but most of them aren't people I'd like to meet in real life, let alone hang out with or go for a drink.
In the much-lauded episode "Becoming, Part 2", she actually says to Principal Snyder "You never got a single date in high school, did you?" Ah, way to go, Buff, insulted all those people out there who suffer from rejection and alienation because they're not good enough in someone else's eyes; of course it's easy for you, considering you're oh so gorgeous and have had loads of boyfriends and plenty of pals
(I know Snyder wasn't exactly a very nice person, but come on...)
No
Buffy the Vampire Slayer is the greatest TV show of all time and it's characters are goddam wonderful. I sympathise with Robin Wood but resouled Spike is not the man that killed his mother and for the greater good he must accept that. forgiveness for all because they've all made mistakes in their time and all made amends.
Please tell me when exactly did the right to kill someone out of revenge become a basic human right?
In the much-lauded episode "Becoming, Part 2", she actually says to Principal Snyder "You never got a single date in high school, did you?" Ah, way to go, Buff, insulted all those people out there who suffer from rejection and alienation because they're not good enough in someone else's eyes; of course it's easy for you, considering you're oh so gorgeous and have had loads of boyfriends and plenty of pals
Response #1: Ever heard of "transference"?
Response #2: Bet the OP didn't have many dates, either.
Perhaps he shouldn't forgive Spike but instead should just entertain the possibility that, in any sense that matters, Spike simply didn't do it. The re-ensouled Spike is the "bloody awful" poet William who was killed by Drusilla and whose body and memories were seemingly inherited by a demon. On the return of Spike's soul, the memories of the intervening period were intact and Spike had some kind of breakdown. However, the brash facade that had been developed over 120 years or so enabled him to be frank about those events; either he wasn't in the driving seat of his own body, or a constituent element of the human psyche had been removed. Either way, he knows on an intellectual level that he's blameless. The "I don't give a piss about your mum!" line is partly a retort and partly, it seems, Spike asserting that he's not like Angel (who would have reacted in a completely different manner).Why should Robin forgive Spike?
Perhaps he shouldn't forgive Spike but instead should just entertain the possibility that, in any sense that matters, Spike simply didn't do it. The re-ensouled Spike is the "bloody awful" poet William who was killed by Drusilla and whose body and memories were seemingly inherited by a demon. On the return of Spike's soul, the memories of the intervening period were intact and Spike had some kind of breakdown. However, the brash facade that had been developed over 120 years or so enabled him to be frank about those events; either he wasn't in the driving seat of his own body, or a constituent element of the human psyche had been removed. Either way, he knows on an intellectual level that he's blameless. The "I don't give a piss about your mum!" line is partly a retort and partly, it seems, Spike asserting that he's not like Angel (who would have reacted in a completely different manner).Why should Robin forgive Spike?
Well, it took him a hundred years to start doing soOh, and if resouled vampires are entirely blameless for what they did in their soulless days, then Angel wouldn't have to seek redemption.
Well put.Angel chooses to seek redemption because he's unable to accept that he bares no genuine responsibility for the actions of Angelus. Spike, on the other hand, chose to continue fighting evil even after coming to understand that he was not responsible for the actions of the demon occupying his body. I don't believe either choice is intrinsically better than the other; they are simply different, though both ultimately rooted in the same thing: love for a blonde girl.
He doesn't, and nobody asked him to do it. But that doesn't mean that he must go and try to kill Spike out of revenge. And that's the only thing Buffy asked him: to stop trying to kill Spike.Why should Robin forgive Spike? Spike hasn't really done anything to deserve forgiveness. Like I said, he wears Robin's mothers' coat as a trophy, and is completely and utterly unrepentant. He will always be the same man that killed Robin's mom, and even if he isn't, he's still a vicious bastard. Robin lost his mother, for crying out loud, and is treated with contempt.
Desiring? No. Trying to do it? Depends on the circumstances. If you live in the Klingon Empire where revenge is a acceptable and desirable and your rival has just killed your mate, then by all means do it. In some other cases, it's not such a good idea.Please tell me when exactly did the right to kill someone out of revenge become a basic human right?
Is desiring revenge against someone who has caused you considerable and deliberate pain always wrong though?
I would try telling myself that I'm not crazy enough to kill that person and go to jail for it. At least I hope that's what I'd do...Try telling yourself revenge is wrong when you're confronted with the person who slaughtered your family and friends for kicks or to further their own ends. .
It's probably a little difficult feeling a lot of sympathy for someone who's in the process of trying to kill you.And it isn't just that. It's Buffy's attitude afterwards. She doesn't give a fuck about the pain Robin's endured all his life thanks to Spike, the man who keeps his mom's coat as a trophy and feels zero remorse for what he's done in the past.
I think they do bear responsibility, or at least a degree of it. It wasn't just a "demon occupying their body", unless you mean it in metaphorical sense. When you say "it's not the same man who did", I'd agree only if you mean it metaphorically, i.e. he is a changed man. They are the same person all along - as William/soulless Spike/souled Spike, or Liam/Angelus/Angel. But they have profoundly changed. The state of being a soulless vampire diminishes responsibility to a degree, in the sense of, say a serious mental illness or personality disorder would, not in the sense of being literally possessed by a demon and unable to make decisions and choices for oneself. They clearly are able to do that, or else Spike never would have decided to get his soul back.Angel chooses to seek redemption because he's unable to accept that he bares no genuine responsibility for the actions of Angelus. Spike, on the other hand, chose to continue fighting evil even after coming to understand that he was not responsible for the actions of the demon occupying his body. I don't believe either choice is intrinsically better than the other; they are simply different, though both ultimately rooted in the same thing: love for a blonde girl.
100 years and Whistler to come and shake his sorry ass out of his pathetic unlife as a useless bum.Well, it took him a hundred years to start doing soOh, and if resouled vampires are entirely blameless for what they did in their soulless days, then Angel wouldn't have to seek redemption.. Spike, on the other hand, is helping to save the world within months.
100 years and Whistler to come and shake his sorry ass out of his pathetic unlife as a useless bum.![]()
To be honest, it's an issue that, regardless of the number of times I've watched Buffy and Angel, I still remain conflicted on, although my prior assertion didn't contain any ambiguity. On some occasions, I do believe that an ensouled vampire is not culpable for the actions its body took while sans soul. After all, we are told from the very beginning of Buffy that a vampire is a demon inhabiting the corpse of a human (no "metaphorical sense"), that it is most certainly not the same person as the previous human life. Yet we also know that vampires maintain the memories of the previous human life, and furthermore that they maintain at least some vestiges of that human's personality. However, the vampire is definitely not the same person as the human; Liam was a bumbling buffoon, not the brilliant and sadistic monster that Angelus was, for example.I think they do bear responsibility, or at least a degree of it. It wasn't just a "demon occupying their body", unless you mean it in metaphorical sense. When you say "it's not the same man who did", I'd agree only if you mean it metaphorically, i.e. he is a changed man. They are the same person all along - as William/soulless Spike/souled Spike, or Liam/Angelus/Angel. But they have profoundly changed. The state of being a soulless vampire diminishes responsibility to a degree, in the sense of, say a serious mental illness or personality disorder would, not in the sense of being literally possessed by a demon and unable to make decisions and choices for oneself. They clearly are able to do that, or else Spike never would have decided to get his soul back.
There was one episode in which a flashback showed Angel feeding off of a person who was killed while he was nearby.100 years and Whistler to come and shake his sorry ass out of his pathetic unlife as a useless bum.![]()
... and no-one's even mentioned the rat-eating yet...
... or the criminal-eating, come to think of it. In one of the flashback scenes, Darla mentions to the newly-ensouled Angel that she's heard stories of him feeding off of crims (IIRC).
Someone obviously hasn't seen episodes such as "Hush" and "The Body."Sarah Michelle Gellar was the biggest problem. She doesn't have the charisma to carry a series. Not a talented enough actress.
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