I’m fine with that.... I get it; just focus on telling the fucking story and let the lesson take care of itself.
Science fiction’s ability to show us our problems in a new and clearer way is indeed a strength.…the lesson of "Let that be your last battlefield" doesn't become a whole lot more poignant if you change the black/white guys to some religious fanatic suicide bombers.
And if you are lucky, sometimes end up being provoked or challenged. My point is not that STXI has a shallow or non existent message, but that it has a negative message. Surely it should avoid that? Personally I prefer my moral lessons to be fairy tale free, but that’s just me. Besides, if done well (without being patronising), a good movie can do both.I would invariably prefer a good episode with a shallow message to a bad episode with a good message. To quote another of my favorite shows "We go to church to learn all that stuff, we go to movies to be entertained."
No. As I said, I just what it to be consistent with its own principles. Or if not, there should be natural (in universe) consequences.You're not?UFO said:But I am not suggesting ST should go out of its way to contain moral lessons at all.
Ah but Kirk supposedly did show mercy to Nero (insincere on the part of the writers though it may have been) so I wouldn’t describe him as having maniacal hatred. In fact he seemed relatively in control at that point. Apart from glee, I didn’t get much emotion from him at all when making those decisions certainly not foaming at the mouth maniacal hatred.Because that's what would be required for Kirk to show mercy to Nero against his own explicit maniacal hatred.
Why does everyone want to hold me responsible for corners the writers painted themselves into?The simple fact is that at this point in the movie there simply isn't enough screen time left to deal with that kind of outcome in a halfway reasonable way …

Unless you don’t believe the end justifies the means (most of the time). Well, the plot device has done his job and bows out? OK but others have suggested less obnoxious ways of doing that that. TWOK is interesting in that regard. Not quite perfect but at least they don’t actively kill him when he is defenceless, which Nero arguably was.Killing him gets him out of the picture, and we can all move on.
Once or twice.Of course it did; reality is that way too, you may have noticed.UFO said:I don’t agree with that. Moral issues seemed to keep cropping up in TOS. It kind of went with the territory.

That seems reasonable. What happens in STXI might be in character for our current society sadly (though that's a bit unfair to us), but not theirs. My argument is STXI should reflect their social conventions. As a writer if you don’t want to do that or can’t handle it well, don’t write a ST story. Such writers might be better suited to purely entertaining movies.The moment the story stops being about characters and starts being about situations, you run into trouble; the characters become interchangeable, and you stop caring about them.
Once again I am not asking for that. My concern is that Star Fleet is now "trafficking women" and few seemed worried either in movie or out. Much of your post addresses an issue I am not opposing.….at the end of the day, a storyteller, not a preacher. His job is to tell a good story, not to moralize his audience. So in Mudd's women we don't get an extra sermon about the evils of drug abuse or about how wrong it is for Harry Mudd to be trafficking women to alien worlds
The Borg were more a decease, though I imagine if they could have extricated individuals safely enough they would have done so.I don't know that Starfleet has that much patience with genocidal maniacs. They were perfectly willing to eradicate the Borg, for example.UFO said:Accepted. But I’m suggesting it actually undermined Starfleets moral underpinnings and presented doing so as perfectly OK on more than one occasion (four at least).
Hmmm, I still haven’t found the right concept. "Compromising its consistent internal values" is probably a bit closer. Although "brand image" is important. Its just few appreciate any damage might have happened."The brand" is an entertainment product, my friend. It doesn't "compromise" anything at all unless it flops at the box office.UFO said:Yes, I saw that coming!I guess I should have added "if it seriously compromises the brand."

I’ve heard arguments that it wasn’t even morally pleasing (though it tried) but all would probably have been forgiven if it had been fun and exciting.So Star Trek Insurrection may have be morally pleasing on a number of levels, but it doesn't help the brand much if the numbers flop.
And yet arresting Nero and his crew is what a Federation officer should do.
And often don't as we've seen in Trek's past.
How many were quite so actively murderous?