Wing Commander. It just really got to me in that movie that during a bit where the hero spaceship is hiding from enemy spaceships, a character actually shushes someone and they all start talking in whispers, because, you know, someone could hear them.
You know even if there was air in space how could the voice carry from the interior of the goddamn spaceship to another one a few thousand miles away?
That's nothing new. They did the same “talking in hushed tones so the enemy won't hear” in the
Star Trek TOS episode “Balance of Terror.” It's the old silent-running thing from dozens of World War II submarine movies.
. . . I thought it was going to be about pets as well.
I don't think I've ever even heard the term “pet hate.” If he had said “pet peeve” it would have been different.
Maybe you just don't have the term in America? Pet hate is pretty common here (and is synonymous with pet peeve).
I'm surprised that anyone would be unfamiliar with the term “pet hate.” AFAIK, it's equally common on both sides of the pond.
There's a strong tendency for aliens to have one of, well, everything: One religion, one culture, one language.
One tailor, one hairdresser.
And one hatmaker!
Planet of Hats
writers who don't know how evolution works and think we're all going to turn into glowly blob things or any other species will turn into glowy blob things. with super-powers.
Or disembodied brains, like in the Trek episode “The Gamesters of Triskelion.” How the hell can you evolve into just a farkin’ BRAIN??
I have a bug up my ass regarding stories about “speeding up” evolution, like
Island of Lost Souls (the 1932 film adaptation of H.G. Wells’
The Island of Dr. Moreau) or the
Outer Limits ep “The Sixth Finger.” The assumption seems to be that evolution is pre-programmed, which of course is utter nonsense.
Also, writers who casually throw around the word “intergalactic” without understanding what a galaxy is and what a planetary system is.
Agreed. Because in order to become supreme beings everyone MUST turn into globs of purple jelly!
They have to get big heads first.
And telepathic and/or telekinetic powers.
. . . Besides the fact that they have “gravity plating” (whatever that is), we have no idea how artificial gravity works in Trek. It's obviously not centrifugal (the way we'd accomplish the same thing in real life).
Since it isn't centrifugal force, artificial gravity on a spaceship must actually be some sort of energy or forcefield that duplicates the EFFECT of gravity. So it can behave according to whatever rules you want to make up.
A civilization that can travel to other stars on a scale sufficient to carry resources back has no need for said resources. Therefore there are no worthwhile targets. Therefore space war cannot exist. You might as well suggest that space aliens are coming to seize the men to dig the coal and rape the women.
Or to have us for dinner.
“It's a COOK BOOK!”
Well this is a strange one then, in 2001 the ship's interior clearly rotates to make gravity, however the model doesn't move at all.
The rotating part of the
Discovery is actually inside the ship. What would make the ship “move” as a result?
. . . The truth is that the Discovery was filmed in what's called Frame Advance meaning that it would have been impossible at that point in time to match the rotation of the sphere with the movement of the ship across the screen.
That doesn't even make sense. Are you referring to stop-motion animation? If the entire sphere had been meant to rotate, it certainly could have been shown that way. The creators of
2001's effects had no problem showing the Earth-orbiting space station rotating while the camera tracked toward it.
Though with the size of the Discovery, in order to produce 1g it would have to be spinning fairly fast. The Coriolis Effect would have those guys puking their guts out unless they had cast iron stomachs.
According to Clarke's novel, the centrifuge only rotated fast enough to produce 1/6th g, equal to the moon's gravity. Of course, in the movie, the astronauts appeared to move about in normal Earth gravity, since the centrifuge was a rotating set on a soundstage. On Earth.
. . .The following paragraphs go on to describe the facilities within the carousel and the overall design of the ship (which differed slightly from the movie version by the inclusion of radiators - something that nuclear powered spacecraft really, really need)
Early preproduction sketches of the Discovery showed radiators. They were discarded because it was felt they looked too much like wings.