All the comparisons between
Avatar and
Dances With Wolves inspired me to rent and watch the latter again, for the first time in at least a decade. Having done so, I think the comparison is unfair...to
Dances With Wolves.
(A recap of where I stand: I liked
Avatar, enough to rate it
Average. Its plot was pedestrian and the characters relatively stock, but it lacked the gaping plot holes, wallbangers, and unlikeable leads that marred
Star Trek,
G. I. Joe,
Terminator 4, and
Transformers 1 (didn't see the sequel) for me. Plus, gorgeous worldbuilding.)
As an example of the Mighty Whitey trope,
Dances With Wolves is relatively restrained. Dunbar doesn't become the leader of the natives, or a great warrior or otherwise particularly important. Aside from a few guns and a hat, the Sioux gain nothing from their association with him. And Dunbar earns their acceptance not through badassedness, but through good deeds--sharing food, helping an injured woman, saving a kid from a charging buffalo, etc. Stands With A Fist doesn't fill the stock "chief's daughter" role very well, either. While she is the (adopted) daughter of the tribe's shaman, she doesn't give off that "tribal princess" vibe.
Avatar, on the other hand, plays the trope so straight it's like Cameron made a checklist. Becomes the leader, check. Marries the princess, check. Does their thing (turok) better than they do, check.
Dances With Wolves takes its time developing the relationship between Dunbar and the Sioux; what
Avatar reduces to a training montage is, in
Dances With Wolves, half the film. We spend time with various Sioux characters and get to know them as individuals. Wind In His Hair is much more fleshed-out and three-dimensional than his
Avatar counterpart. Tsu'tey's dislike of Jake is understandable in context, but he still comes off as the jealous jock boyfriend. He edges close to being Johnny from
The Karate Kid sometimes. Wind In His Hair, on the other hand, is a genuinely likable guy, even when he's the closest thing to a villain the first half of the movie has.
Plus, he's so hot he'd melt butter just by walking by.
A lot of movies these days are impatient when it comes to establishing and developing things. Characters, relationships, changes of allegiance--remember when
Star Wars III had little orphan Anni going from "I'm turning you in" to "killing kids whee!" in like ten seconds?
Avatar could've spent more time developing and rounding out a lot of people and things. Tsu'tey's death gets a "meh" because we never got to know him. Same with Neytiri's dad, whose name I don't even remember. Stone Calf's death in
Dances With Wolves hurts a lot more.
On the other hand it could've been worse, too. Contrast the way
Avatar organically establishes the badassedness of Colonel Breathing-Is-For-Sissies to
Star Trek's "I stab you just cus" introduction of Nero.
And while
Avatar may share the impatience of modern film, it lacks the jaw-dropping wallbangers that have also become common:
G. I. Joe: "We knew you were going to be attacked so we were ready to intervene--but we waited until the attack is nearly over, all your buddies are dead, and the bad guys have taken the macguffin and are about to get away."
Star Trek: "Let's give command of a starship to an undisciplined jerkass who hasn't even made
ensign yet."
Terminator 4: "The attack, despite seeming to be humanity's last best hope for victory, needs to be postponed because the collateral damage might cause me to never be born, and clearly I'm the only person who matters. Plus, I will survive being stabbed through the heart with a girder."
Don't get me wrong, I still liked
Avatar. But it could've been better. It dodges most of the currently trendy movie pitfalls, but not all of them. And meanwhile, it raises the bar on worldbuilding a
lot, and pushes the tech a little too.
Here's hoping for an extended cut on DVD, or at least a whole mess of character-developing deleted scenes.
Marian