I sometimes get the sense that there is, if not bad blood, at least an irreconcilable difference in their working personalities that keeps Joel & Mike from reuniting. Mike strikes me as a very driven type-A personality who constantly puts himself in control of situations. Joel has that much more laid back Midwestern thing going on. Also, Mike's brand of riffing is much more viscious than Joel's. (Take for example the merciless insults heaped upon the leading man in "Time Chasers." I can't imagine that occuring under Joel's tenure.)
No, I loved working on the show -- I created it. It was the perfect job. I left the show because I was not getting along with my partner in the venture. After the fifth season, he and I were on the verge of a fight that I think would have threatened the survival of the show. I decided to step down, which was a bit of a personal tragedy for me. I created the appearance to the press that I had other plans, but I didn't. It was all to keep the thing alive. On the bright side, it worked-- the show lived on. On the downside, I felt like an important part of my creative life was cut short -- but now I'm working on fixing that, by getting everyone back together in the form of Cinematic Titanic.
Hasn't Joel basically confirmed that it was Mallon and not Mike?
Hasn't Joel basically confirmed that it was Mallon and not Mike?
I hadn't heard that. What was the source of the conflict between Joel & Jim Mallon?
"I was like totally happy at Mystery Science Theater. I loved it. I wanted to stay, but I was basically having a fight with my partner, Jim Mallon. So we weren't getting along and so I just felt like -- I thought it really could possibly jeopardize the show. It would have been easy to create factions out of the group. And by that time it would not have been a fun show to work on. And so, I felt like I saw it coming and I just thought [leaving] was the best thing at the time."
^IIRC, Joel was the one that wanted Mike to take over the hosting duties once he left.
This is an interesting thread. I'd often wondered the same thing myself, and if there was every a hope for any kind of a cast reunion.
Sooooo Jim's kind of a dick then?
Sooooo Jim's kind of a dick then?
O: Would you appear in any of these things, or are you more interested in staying behind the camera?
JH: Umm... Yeah. That's always been really confusing for people. I did it on Mystery Science Theater just because I was the logical guy to do it. I'd been on Letterman and Saturday Night Live, but I'd really stopped performing. And so I was kind of reluctant, but I knew I would be the easiest sell in the event that somebody wanted to pick up the show. But once it got so popular and the movie was on the horizon, I started to go, "You know, I just don't... I don't really... I didn't really have that in mind, to be a movie actor." 'Cause, if you notice, I'm not really an actor. I just do this guy. Like, even when I went back and did the season opener on the Sci-Fi channel last weekend [April 11], people were going, "You looked kind of uncomfortable." And I was. I never had to act with another person. I was on the set with Mike [Nelson], and I was going, "I've never done this with another person in the room. It's only been robots." There was never anybody else in there. I can't really do it. I don't think I'm an actor. That's really not what I want to do. I don't think I could be on camera.
...
O: Was it the movie that made you leave?
JH: The big thing is that Jim Mallon and I were kind of fighting over creative control of the show. And it just got too hard. You can't really be fighting with someone and doing all the stuff you have to do. I think what made the show work for me was that I really loved it. I really liked the audience, and the whole process was... I was really happy doing it, and I realized that I'd turn into Jerry Lewis or something if I started to kind of hate it. And that was starting to happen, just because of these conflicts I was having internally with Jim. I had a pretty good deal set up, so if I left, it would be okay. If Jim wanted to run the show his way and it succeeded, I would make money on it. And if it didn't work, that would be okay, too. It was just kind of the way to do it. The thing would have blown up if we both would have stayed there. I like to look at it like the story of King Solomon, when the baby was brought before him. (Laughs.)
O: They had a pretty good run after they left.
JH: Yeah, absolutely.
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