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Battlestar to get a more colorful upbeat reboot?

^ Like what, though? Can you think of an in-series segment that would be worth exploring in a TV film?

I suppose they could always redo the lost time on New Caprica ... but those events are re-hashed on "Unfinished Business" and Baltar's Trial. And I don't think anything during Season 4 really needs to be explored more. As it is, it felt like the series spent too much time on too little. I just don't know where material for another movie might come from.

They could do a few DVD movies about the 1st Cylon War.
My thoughts as well. I think that another short lived (4 season or so) series could evolve from this era of their universe.
 
Please, please reboot the damn thing. That dark, dreary BSG was full of lameness. Endless crying and the new annoying Starbuck who did everything perfectly was just unbearable. I'd also like to see some robotic Cylons. Leave out the weird 70s big haired aliens though and no ascots(more from an A-team promo picture than old BSG).
 
Endless crying at the end of the world...
uhm...DUH!

Why is it that people complain that the end of civilization and the apocalypse was depressing? Really? I guess ya'll won't be seeing "The Road" when it comes out in theaters in October.

As for movies...I'd like to see a First Cylon War mini or a Civil War between the Colonies mini (near the time of the development of the cylons).
 
Of course the end of the world should be depressing. But a lot of us prefer watching characters who can rise to the challenge and try to make things better than a weekly hour of politics and petty bickering. Tends to leave you wondering whether the Cylons had the right idea.
 
Of course the end of the world should be depressing. But a lot of us prefer watching characters who can rise to the challenge and try to make things better than a weekly hour of politics and petty bickering. Tends to leave you wondering whether the Cylons had the right idea.

Summed it up perfectly.:bolian:
 
Of course the end of the world should be depressing. But a lot of us prefer watching characters who can rise to the challenge and try to make things better than a weekly hour of politics and petty bickering.

I swear to God, if some people just went by this sort of stuff when forming preconceptions about the show, they'd be utterly shocked when they actually watched and saw things like Adama coming around to agree with Roslin's decision to flee, or the Fleet actually finding water during the water shortage, or the fact that just about every human military operation after the Fall was an unqualified success (I can think of one failure and one qualified success).
 
Of course the end of the world should be depressing. But a lot of us prefer watching characters who can rise to the challenge and try to make things better than a weekly hour of politics and petty bickering.

I swear to God, if some people just went by this sort of stuff when forming preconceptions about the show, they'd be utterly shocked when they actually watched and saw things like Adama coming around to agree with Roslin's decision to flee, or the Fleet actually finding water during the water shortage, or the fact that just about every human military operation after the Fall was an unqualified success (I can think of one failure and one qualified success).

You're right, there are high points to the show ... but that doesn't mean that the characters didn't often (and some -- me, perhaps? :p -- would say almost always) resort to the worst of human vices. In truth, there was a *lot* of bickering on the show. A lot of shouting and yelling and shooting first, before the characters actually came to an agreement. And while bickering *is* a human trait, it was to the point where it seemed to be the default reaction of the characters and the "coming around to agree" with others was an exception to the rule.

At the very least, that's one valid perspective of the show.
 
^I thought it was a nice change from the near-perfect, everything is always good average character of most modern TV. Were they people to idolize? Probably not. But they are closer to reality and, in my opinion, more interesting than anyone else we get to watch.
 
I'm just glad this is getting made because it's likely to punch some steam out of RDM's ego. Hopefully the existence of this movie will override some of BSG's undeserved popularity.

there are a lot of people who said Moore and Eick borrowed much from Singer's canceled project

Mark Fornale. All rights reserved.A lot of people criticized the original BSG for being too clichéd or too G rated but ignored the fact that BSG was a dark premise that could have been far better than it was. It was produced in the 1970s where censorship rules were stricter than they are today.

Bryan Singer and Tom DeSanto set out to revive BSG and return it to its dark roots. Unfortunately it was cancelled when it was so close to being filmed. David Eick with Ron Moore took control of the project and went for the re-imagining course instead.

Let us compare and contrast and look at the similarities between Singer/DeSanto and Moore. Note -- The Adama/Orin references meant that Singer and DeSanto kept re-tweaking the character back and forth from Adama to Orin.


Singer & DeSanto -- Darker, grittier than the original series and not family friendly nor a kiddie flick.
Moore -- Darker, grittier than the original series and not family friendly nor a kiddie flick.

Singer & DeSanto -- Human Cylons infiltrating the Colonials. Anyone could be a Cylon.
Moore -- Human Cylons infiltrating the Colonials. Anyone could be a Cylon.

Singer & DeSanto -- Newly advanced CGI Cylon Centurions that would have been featured in action sequences.
Moore -- Newly advanced CGI Cylon Centurions that were only featured in two scenes and basically stood in the background and did nothing. (Damn you Sci-Fi. I wanted to see them in action.)

Singer & DeSanto -- Kept the origins of the Cylons intact but gave them a new semi Borg-like / X-Files black oil motive due to a Cylon Civil War. However, that story arc would have most likely ended by the finale of the first season, so the Cylons could have reverted back to their old ways.
Moore -- Didn't bother to watch the entire TOS, therefore couldn't understand the Cylon's origins nor motives (by just watching the short version of the pilot) so he re-imagined them to be machines turning on their makers.

Singer & DeSanto -- Female President Mara, and always at odds with Commander Adama/Orin.
Moore -- Female President Roslin, and always at odds with Commander Adama.

Singer & DeSanto -- Galactica to be decommissioned because the Cylons had not been heard from in over 20 years.Moore -- Galactica to be decommissioned because the Cylons had not been heard from in over 40 years.Singer & DeSanto -- (Dr Wilker ?) unintentionally betrayed the colonies.Moore -- Dr Baltar unintentionally betrayed the colonies.

Singer & DeSanto -- Starbuck, a manic depressive drunk, breaks free from his slump and becomes a hero upon the Cylon attack.
Moore -- Tigh, a manic depressive drunk, breaks free from his slump and becomes a hero upon the Cylon attack.Singer & DeSanto -- The Cylons return and ambush New Kobol with the new advanced Cylon Raiders and Missiles from the Basestar in a scene that could have been compared to such films as Armageddon or Deep Impact. Also newly enhanced Centurions would later launch a ground assault.Moore -- The Cylons return and ambush Kobol except no Cylons are seen (Damn that Sci-Fi's tight budget) so instead the viewers are treated to mushroom clouds in the background and a semi-spectacular scene at Baltar's apartment. Also the Holocaust and destruction of the fleet was dialogue driven.
Singer & DeSanto -- Space battle Scenes -- Traditional Science Fiction with fast moving ships and sounds that would make your surround sound speakers roar.
Moore -- Realistic Science Fiction Experiment with semi/slow moving ships and no sound surround is necessary because there are little to no sounds (for realism purposes.)

Singer & DeSanto -- After the Cylon ambush, Commander Adama/Orin and President Mara decides to begin the quest to Earth based on faith.
Moore -- After the Cylon ambush. Commander Adama and President Roslin decides to begin the quest to Earth based on a lie.

Singer & DeSanto -- A surprise ending with a twist. Apollo, Adama's Son/Orin's Father is a Cylon.Moore -- A surprise ending with a twist. Sharon Boomer is a Cylon.Singer & DeSanto -- TOS original cast members were practically knocking down his door for a role (including Jane Seymour.) However, only Dirk Benedict and Herb Jefferson would have been featured and the surprise cameo of Richard Hatch at the end.Moore -- Every TOS cast member declined any roles that were offered to them.Singer & DeSanto -- Pilot that was intended to be an updated semi-continuation, fix the flaws and extend the original series.Moore -- Pilot that was intended to update the story, fix the flaws and bury the original series.Singer & DeSanto -- was going for a darker traditional Science Fiction Epic feel.Moore -- was going for a darker docudrama and reality TV feel.Singer & DeSanto -- Targeted Audience -- 18 to 40.Moore --Targeted Audiance -- 18 to 40.In my opinion it does appear that a lot of miniseries groundwork was laid out by Singer/DeSanto until the production was derailed by Sci-Fi and David Eick
 
But they are closer to reality and, in my opinion, more interesting than anyone else we get to watch.

No, the BSG characters are merely closer to your ideological prejudices about humanity. They weren't realistic at all, which makes a certain kind of sense inasmuch as most of them weren't even supposed to be human. The show had so little interest in real people they turned most of the regular cast into Cylons.

If a remake wants to make its characters more realistic, it would be a repudiation of the series' politics. So what?
 
Endless crying and the new annoying Starbuck who did everything perfectly was just unbearable.

You obviously didn't watch the show if you think Starbuck did everything perfectly... she was about as far from that as possible.

She was the perfect sniper, pilot, soldier, etc. She was a drunk and fucked everybody moving to avoid the Mary Sue label-a Mary Sue compensator. Whenever something came up for a mission, like needing a sniper, there was never a person in that field of expertise that was better than Starbuck. The Marines didn't have a better sniper for example.
 
The sniper bit was a conceit to keep the series regulars at the center of the action in Bastille Day. But Scar went a long way in proving that Starbuck wasn't the perfect pilot. Hell, her capture by the Cylons in The Farm show that she's not a perfect soldier, either.

On the other hand, the character is pretty well defined by the juxtaposition between her perfect handling of being a soldier and her complete mess of a personal life.

No point in getting behind stj's complaint that "most of the regular cast turned into Cylons." The primary regulars were Adama, Roslin, Starbuck, Lee, Baltar, Six, and Eight. Five humans and two Cylons, and both the Cylons had their status revealed as far back as the miniseries! The secondary regulars are a much larger group, and I'm sure I'll forget some of the characters. But, off the top of my head, they are Felix, Dualla, Saul Tigh, Sam Anders, Cally, Galen Tyrol, Crashdown, Helo, and Billy. I count three Cylons and eight humans. All the other Cylons were either guest stars (Cavil, Leoben, Doral, Simon, Ellen, and Tory) or special guest stars (D'Anna).
 
No point in getting behind stj's complaint that "most of the regular cast turned into Cylons." The primary regulars were Adama, Roslin, Starbuck, Lee, Baltar, Six, and Eight. Five humans and two Cylons, and both the Cylons had their status revealed as far back as the miniseries! The secondary regulars are a much larger group, and I'm sure I'll forget some of the characters. But, off the top of my head, they are Felix, Dualla, Saul Tigh, Sam Anders, Cally, Galen Tyrol, Crashdown, Helo, and Billy. I count three Cylons and eight humans. All the other Cylons were either guest stars (Cavil, Leoben, Doral, Simon, Ellen, and Tory) or special guest stars (D'Anna).

Let me rephrase: At the end, the only humans were Adama, Roslin, Apollo, Baltar and Helo. And the Cylons were Six, Athena, Boomer, Leoben, Cavil, Tigh, Ellen, Tory and Anders. And Starbuck was, well, something. That lineup shows how ridiculous the claim the characters were "more real" is. If you want to define regular differently, the percentage would change. The point wouldn't.
 
Seems too soon for another reboot, seeing how we JUST finished the last, well received, version.

Not to mention the last version is not even finished yet!

Still, BSG is in good company. Apparently the BBC still had plans for a Doctor Who reboot movie on the books long after the show was revived and became a huge hit and going concern (they still want to do a movie, apparently, but at least it sounds like it'll fall into the current continuity if they do it with Tennant).

And on this very BBS I heard a few days ago that plans for a Prisoner movie were only recently shelved, even though a big-budgeted, highly promoted TV miniseries remake was filmed a year ago and hasn't aired yet.

Why doesn't Larson and all these other folks come up with an original idea rather than revisiting stuff that has already been done -- and not 30 years ago, either, but 3-4 MONTHS ago...

Alex
 
Let me rephrase: At the end, the only humans were Adama, Roslin, Apollo, Baltar and Helo. And the Cylons were Six, Athena, Boomer, Leoben, Cavil, Tigh, Ellen, Tory and Anders. And Starbuck was, well, something. That lineup shows how ridiculous the claim the characters were "more real" is. If you want to define regular differently, the percentage would change. The point wouldn't.

Primary regulars are listed in the opening credits. Secondary regulars are listed after the opening credits, but are listed first and without the "guest star" banner. Guest stars and Special Guest Stars carry the banners you would expect. But I didn't expect you to acknowledge that your claim that "[the writers] turned most of the regular cast into Cylons" was false, though it is.

As for the realism of the characters, you're so heavy-set on your conceptions of them (repeatedly expressing that the audience is supposed to love Tigh for his poor treatment of civilians, for example) that any debate would be pointless.
 
In "The Return of Starbuck" it's ambiguous as to who Angela is, but the unproduced sequel ("The Wheel of Fire") specifically says she is one of the 'crew' of the Ship of Lights. But you are right, Starbuck didn't knock her up. She was already pregnant when he found her.

Well actually it was Cy the Cylon who found her. :techman:

Oh. Yeah. Forgot that bit. :alienblush:

makes one wonder, though, how can a Seraph be pregnant? Is there sex on the Ship of Lights? :lol:

Yes. Celestial sex. Lots and lots of celestial sex.
 
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