But that was accomplished with Nero encountering the USS Kelvin and the alteration of Kirk's story.But why did they have to blow up Vulcan and kill Spock's mom?In the very begining of the movie, at Kirks birth, I thought to myself here begins a life that will end on Veridian III. Far away in time and space but it begins here. Then I realised later in the film with the changed timelime that it wasn't necessarily so. Kirk, Spock, McCoy any of them could be killed at any time. Altering the timeline was essential to remove the constant stigma of a historical record, or "we know they are going to get out of this because..." Because Sulu hasn't had a daughter yet... Because the Enterprise B hasn't been launched... Because Scotty isn't on the Genolen... Because McCoy was on the Enterprise D... Because they all make it to the Kitomer conference in time to save the day.
These are all new voyages and anything can happen. The gloves are off.
To demonstrate that the gloves are off.
On a gut level, that's kind of how I feel. I mean, how hard can it be to do a little fact-checking by consulting one the Okudas' encyclopedia or chronology, or even clicking on to Memory Alpha or some other site?The timeline had to change because the writers wanted to make something they could sell as star trek without having to account for it by dotting their i's and crossing their t's.
It's as simple as that. Unfortunately.
That's one of the things I like most about this movie. As fans, we are sailing into the unknown once more... a feeling we haven't had for a long, long time. Freed from the shackles of canon at last.
It feels so liberating.Freed from the shackles of canon at last.
But at the price of Vulcan...??It feels so liberating.Freed from the shackles of canon at last.![]()
This is a fair point. However, once the decision was made to go back to the original characters, then most of the suspense would be absent. The solution they adopted (in terms of an alternate timeline--the merits of how they applied their solution is a different matter for debate) is the most efficient way of ensuring that we face a "future" that is not yet written.That's one of the things I like most about this movie. As fans, we are sailing into the unknown once more... a feeling we haven't had for a long, long time. Freed from the shackles of canon at last.
Did we know what was going to happen to the characters in the last Star Trek movie? I sure didn't. One of them even died (sort of). So it's not really that long at all is it.
This is a fair point. However, once the decision was made to go back to the original characters, then most of the suspense would be absent. The solution they adopted (in terms of an alternate timeline--the merits of how they applied their solution is a different matter for debate) is the most efficient way of ensuring that we face a "future" that is not yet written.That's one of the things I like most about this movie. As fans, we are sailing into the unknown once more... a feeling we haven't had for a long, long time. Freed from the shackles of canon at last.
Did we know what was going to happen to the characters in the last Star Trek movie? I sure didn't. One of them even died (sort of). So it's not really that long at all is it.
I think the sequels in book form proved that, though I only read the DS9 ones.However there was nothing really restricting VOY or NEM or whatever from taking their stories anywhere they wanted.
For me this new film = The day that Star Trek died.
At the end of the movie I was left feeling robbed.
There seem to be several of these types of topics going so I guess I'll just pick one.
imo, I don't think the creative staff had to address Trek Prime at all. They had the go ahead to make this film they could have just done a reboot from scratch. Like Nolan did with Batman, his movies are not sequels to Clooney's Batman & Robin etc. What I feel like this creative staff did is underestimate the fanbase in that it seems like they felt this film had to have ties to what came before or we'd shun it. If this is so, I think that is unfortunate. But it's done... oh well. I'd compare what this film's creative staff did to what Singer did with Superman Returns. What Singer tried to do was reboot the Superman franchise, but remain tied in ways to Reeve's films and this polarized many fans opinions in my observations. But as I said, oh well. lol
Bative staff felt the need to boldy retread where we've all been beforeack to the film...
I think the sequels in book form proved that, though I only read the DS9 ones.However there was nothing really restricting VOY or NEM or whatever from taking their stories anywhere they wanted.
But I think that in order to expand Star Trek beyond its current (former) base, they had to promise new viewers that they could keep up with the story. There's no sense in telling people: "This is an awesome movie, but please watch these 176 episodes first in order to understand it."
Personally, I'm perfectly fine with reading new stories set in the "old" universe in book-form and watch a new continuity on the big screen or maybe even as a new TV series.
Yes, this is what sets this "Star Trek" film apart from the "Star Wars" prequels -- because it's NOT a prequel to future stories; it's a continuation of past stories with an unknown future.These are all new voyages and anything can happen. The gloves are off.
Yes, this is what sets this "Star Trek" film apart from the "Star Wars" prequels -- because it's NOT a prequel to future stories; it's a continuation of past stories with an unknown future.These are all new voyages and anything can happen. The gloves are off.
In "Star Wars Episode I," there was no suspense. Would young Darth Vader die in the pod race? Would young Obi-Wan be killed by Darth Maul? There was no jeopardy, since we knew the exact futures of all these characters.
"Star Trek" has brilliantly freed itself from this "prequel" limitation, while still being loyal to previous episodes and continuity.
No, I think the creators knew that, no matter what they did, there would be a minority of fans like you who would shun the film for their own personal reasons. Your mind was already made up before you saw the film. You obviously were not the target audience.What I feel like this creative staff did is underestimate the fanbase in that it seems like they felt this film had to have ties to what came before or we'd shun it. If this is so, I think that is unfortunate.
I agree, they should use this opportunity to get creative and invent all-new stories. Doing another Khan or Trelane or Harry Mudd would be too much like the Mirror Universe episodes, just introducing new versions of people we already know.I hope we get sequels, but I really hope that the creative staff does not feel the need to do Ultimate Trek/NuTrek versions of Trek Prime stories. I think that would be a crying shame to do. Even if they did a Khan (please don't do a Khan).
Why is everyone getting upset about Vulcan? It's just one fictional planet. They've blown up many planets in "Star Trek" over the years ... including Romulus. Praxis blew up in "Star Trek VI." (Oh, the horror! All those dead Klingons! Why did the producers have to do that?)But at the price of Vulcan...??![]()
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I think it's refreshing for a "Star Trek" story to have actual consequences that shake up the status quo. After all these years of people complaining about the "reset button" keeping everything the same in every episode, now people are complaining that something is actually different at the end of a story.
No, you are comparing this to "Casino Royale" or "Batman Begins," where they just start a whole new story with the same character names, but ignore all previous stories. That is NOT what the creators did here. They went out of their way to both acknowledge and continue storylines established in past episodes and movies.The reason to have the timeline change is for the writer to be able to write new Trek stories without being bothered by past series consistancy. Its an easy way out, but it makes their creative process more simple.
No, this story is just as consistent as every other time travel episode. In Voyager's "Endgame," Admiral Janeway went back to a new timeline and helped her younger self, exactly as Ambassador Spock did in this movie. (Since we saw Admiral Janeway in "Star Trek: Nemesis," that movie, like this one, was obviously taking place in an alternate timeline. How is this movie any different?)For Star Trek fan is means they don't longer can discuss the Trek universe since its not consistant anymore.
It is a continuation of all past stories, from TOS through TNG and Voyager, because Ambassador Spock is still alive and remembers everything from his lifetime. Plus, this movie takes place in the future of "Enterprise," so every episode of that series still binds the creators of this movie, as seen in references to "Admiral Archer's beagle," "Melvaran mud fleas," etc.I don't know where you get that the new Trek timeline is a "continuation of past stories". It isn't. Its true that its an unknown future though.In "Star Wars Episode I," there was no suspense. Would young Darth Vader die in the pod race? Would young Obi-Wan be killed by Darth Maul? There was no jeopardy, since we knew the exact futures of all these characters.
"Star Trek" has brilliantly freed itself from this "prequel" limitation, while still being loyal to previous episodes and continuity.
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