The sequel has not been greenlit.
Since a sequel is already announced, the RT score, and by extension the box office take, will only affect the budget for that sequel and perhaps the DVD treatment of Trek XI.
I didn't read the review in question - I'm not going to try to keep up at this point - but I'm willing to assume that it's as well-considered and fair-minded as the positive ones.
Since a sequel is already announced, the RT score, and by extension the box office take, will only affect the budget for that sequel and perhaps the DVD treatment of Trek XI.
Hey, it finally got a negative review!
There will be more of those, so let's not go after everyone who writes one.
I didn't read the review in question - I'm not going to try to keep up at this point - but I'm willing to assume that it's as well-considered and fair-minded as the positive ones.
Or it’s television—like Gene Roddenberry’s now-legendary 1966-1969 television series Star Trek,which uncannily simulated pop culture conformity. Rigid sets, contrived futurism and made-up aliens offered a cast that was “multi-culti” avant la lettre,while domesticating the sci-fi genre.The U.S.S.Enterprise’s deck was essentially a living room commanded by a father figure sitting in an easy chair who, with his crew, watched a big-screen TV—also avant la lettre.This non-cinematic concept now comes full circle with the new Star Trek movie directed by J.J. Abrams, a contemporary Roddenberry-type network mogul (“creator” in TV parlance), who fulfills his trite TV sensibility. Star Trek isn’t a movie so much as a confirmation of TV’s cultural dominance. It’s watchable, yet still terrible cinema.
Watch "Free Enterprise" and tell me that Star Trek doesn't belong to the fans. We brought it back to life and kept it breathing.
Being signed for a sequel means nothing about making a sequel.
The last "fresh" has been changed to a "rotten." 52-2
The last "fresh" has been changed to a "rotten." 52-2
Yeah that review is rotten on balance. It's a rotten review I respect because it judges the movie on its merits rather than by how well it fits a certain cultural or artistic agenda.
The last "fresh" has been changed to a "rotten." 52-2
Yeah that review is rotten on balance. It's a rotten review I respect because it judges the movie on its merits rather than by how well it fits a certain cultural or artistic agenda.
The last "fresh" has been changed to a "rotten." 52-2
Yeah that review is rotten on balance. It's a rotten review I respect because it judges the movie on its merits rather than by how well it fits a certain cultural or artistic agenda.
Yeah. If you're going to attack the movie, you're best shot is to go after the plot. It's fair game. One thing Guzman says is strange, though. He says this Spock (Quinto) has something new: sex appeal. Um, didn't Nimoy's Spock have that same appeal to the ladies in the 1960s?
The sequel has not been greenlit.
The last "fresh" has been changed to a "rotten." 52-2
Yeah that review is rotten on balance. It's a rotten review I respect because it judges the movie on its merits rather than by how well it fits a certain cultural or artistic agenda.
Does that mean you won't like my negative review of the movie where I compare Chris Pine's acting in Trek to Anthony Hopkins' performance in The Remains of the Day, that JJ Abrams' directing of a sci fi space adventure falls well short of how Orson Welles directed Citizen Kane, and that this movie completely failed to make any commentary on post-9/11 America and the current economical climate?![]()
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