- Action sequences: Some of the major action sequences IMHO are not very convincing. The transport of Dent across the city strikes me as one particularly weak example. First of all, the cops take the far more dangerous lower route even though only one side of the road is blocked. You can clearly see they simply could have avoided the obstacle put in place by the Joker.
I thought that too, but if you notice, the other side of the road is also blocked off. I've seen the film four times now, and trust me, I noticed the other side of the street being blocked off, so the convoy had no other choice but to take the lower route.
Secondly, the cops come across really, really badly in the ensuing chase scenes. They don't seem to be communicating at all (warning each other e.g.) or working together to hold off harm from Dent's truck.
The cops do notify the SWAT van of the garbage truck, but Joker's semi pummeled it into the river and then proceeded to quickly dispatch the other remaining cop cars. It's not like they had much time to coordinate anything, since the moment they arrive in Lower Wacker, the garbage truck arrives, and then quickly after that so does The Joker.
And why can't Dent's vehicle outrun a big freight truck (maybe these prisoner transport vehicles really are that slow but it just seems wrong IMHO)?
I think you just answered your own question.
All in all, the scene to me just never really managed to engage but just seemed to plod along slowly.
I'll agree with this. I also found the lack of music to assist in making the sequence feel less engaging and more plodding along, as you say. It's not as efficient or engaging a sequence as the car chase in Batman Begins, for example.
- Quieter scenes: One of the biggest strengths for me in BB were the quieter parts where characters had time and space to breathe and develop. Those moments were as effective as they were introspective. And I sorely missed them here. Yes, there were some quieter moments here and there. But they were few and far between and IMHO never achieved the same atmosphere and, intimacy and beauty found in BB.
Perhaps. I liked the quieter scenes in The Dark Knight just fine, though, whether or not it was Alfred consoling or offering advice to Bruce, or Rachel talking to Alfred about the nature of heroism or when she's alone with both Bruce and Dent...I thought they were plenty of quieter moments that easily outshined the moments in Batman Begins. I think my favorite "quiet scene" is after Rachel is killed and Bruce is in his penthouse, and Alfred consoles him. It's a clear homage to the scene where Alfred consoles a much younger Bruce after the death of his parents, and the music even mirrors that scene, almost cue to cue.
- I really like Gyllenhaal as an actress but I just don't like her in this particular part. Personally, I far prefer Katie Holmes in BB, and even though she was probably one of the weakest links in that movie I keep missing her here.
I think the character in itself is just weak and not as interesting or well-developed as the others, but that's my personal opinion. I don't think Gyllenhaal did any better, but I think she did pull off the assertive, spunky, capable woman more than Holmes did. I also fret the way Holmes would have handled the warehouse sequence.
- Music: I adore the music in BB. And the best parts in TDK are the themes already established in the predecessor. I wasn't able to discover a single new piece of music that really stood out to me positively. There is a rather effective sound effect that illustrates the Joker's madness in several scenes (such as in Wayne's penthouse) but I wouldn't count that as music, personally.
Some of the music is lost in the film, but listen to the soundtrack, and especially the expanded soundtrack. Batman is given a full-fledged theme and a "sound" (a la The Joker) and some of the action beats are much more realized and enjoyable. While I will agree that the only interesting themes are the ones carried from Batman Begins, I think Harvey Dent's tragic theme is pretty good.